Inés Monteira Arias
Biographic Data
| ID | 3458324 |
|---|---|
| NAME | Inés Monteira Arias |
| GIVEN NAMES | Inés Monteira |
| FAMILY NAME | Arias |
| SIGNATURE | ARIAS I M |
| AFFILIATIONS | Universidad Nacional de Educación a Distancia |
| ORCID | 0000-0002-9610-4407 |
| VERIFIED | Yes |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 5 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2013 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 0 |
Artistic Interchange between Al-Andalus and the Iberian Christian Kingdoms: The Role of the Ivory Casket from Santo Domingo de Silos
The ivory casket made in Cuenca in A.D. 1026 and signed by Mohammad ibn Zayyan constitutes invaluable evidence for the study of artistic transfers between Al-Andalus and the Iberian Christian kingdoms. In the 12th century this piece was transformed in the monastery of Santo Domingo de Silos (Burgos) with the addition of Christian-themed enamels and reused as a reliquary. The appropriation of this object within the ideological context of the Chris…
Of Archers and Lions: The Capital of the Islamic Rider in the Cloister of Girona Cathedral
In the south gallery of the cloister of the Cathedral of Santa María, Girona, we find one capital that is differentiated from the rest because of its formal as well as its iconographic characteristics. The four faces of capital no. 4 contain two repeated and two alternating motifs: the archer on horseback and the lion attacking a bull. Both the dress of these horsemen and their physical traits identify them as Muslim horsemen. This identification…
Dossier: Cómplices Necesarios (versión en español)
Qu debemos entender hoy por historia del arte? No algo esttico
Dossier: Necessary Accomplices (English version)
UnEd 22
El triunfo sobre la idolatría como victoria sobre el Islam: Nuevas consideraciones sobre el caballero victorioso en el románico hispano
Este artículo analiza la representación románica del caballero victorioso y su papel en el contexto de la lucha contra el Islam. Algunos detalles permiten interpretar a la figura derrotada como una representación del musulmán orante, cuya fe era considerada idolátrica. El análisis de la percepción cristiana del musulmán permite relacionar la idea de triunfo sobre la idolatría evocada por el jinete con la ideología de la guerra sacralizada de la é…
No prominent works on this page.
El triunfo sobre la idolatría como victoria sobre el Islam: Nuevas consideraciones sobre el caballero victorioso en el románico hispano
Este artículo analiza la representación románica del caballero victorioso y su papel en el contexto de la lucha contra el Islam. Algunos detalles permiten interpretar a la figura derrotada como una representación del musulmán orante, cuya fe era considerada idolátrica. El análisis de la percepción cristiana del musulmán permite relacionar la idea de triunfo sobre la idolatría evocada por el jinete con la ideología de la guerra sacralizada de la é…
Dossier: Cómplices Necesarios (versión en español)
Qu debemos entender hoy por historia del arte? No algo esttico
Dossier: Necessary Accomplices (English version)
UnEd 22
Of Archers and Lions: The Capital of the Islamic Rider in the Cloister of Girona Cathedral
In the south gallery of the cloister of the Cathedral of Santa María, Girona, we find one capital that is differentiated from the rest because of its formal as well as its iconographic characteristics. The four faces of capital no. 4 contain two repeated and two alternating motifs: the archer on horseback and the lion attacking a bull. Both the dress of these horsemen and their physical traits identify them as Muslim horsemen. This identification…
Artistic Interchange between Al-Andalus and the Iberian Christian Kingdoms: The Role of the Ivory Casket from Santo Domingo de Silos
The ivory casket made in Cuenca in A.D. 1026 and signed by Mohammad ibn Zayyan constitutes invaluable evidence for the study of artistic transfers between Al-Andalus and the Iberian Christian kingdoms. In the 12th century this piece was transformed in the monastery of Santo Domingo de Silos (Burgos) with the addition of Christian-themed enamels and reused as a reliquary. The appropriation of this object within the ideological context of the Chris…
Art (3 works) · Historical Studies of Medieval Iberia (3 works) · Medieval Architecture and Archaeology (3 works) · Archaeological and Historical Studies (2 works) · Archaeology (2 works) · Art history (2 works) · Context (archaeology (2 works) · History (2 works) · Humanities (2 works) · Philosophy (2 works)