Walter Putnam
Biographic Data
| ID | 3461839 |
|---|---|
| NAME | Walter Putnam |
| GIVEN NAMES | Walter |
| FAMILY NAME | Putnam |
| SIGNATURE | PUTNAM W |
| AFFILIATIONS | University of New Mexico |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2000 |
| LATEST PUBLICATION YEAR | 2012 |
| H-INDEX | 1 |
“Please Don’t Feed the Natives”
Captive Audiences
Animal presence unsettles practices of spectatorship and reframes assumptions about embodiment and affect in four differently exemplary animal performances, including one dating back to the 18th century. In all of them, the ethics of watching other animals, human or nonhuman, and the call for evaluation and judgment is complicated by recognition of the multiplicitous and mysterious nature of pain and pleasure
André Gide's congo journey
Writing the Wrongs of French Colonial Africa
André Gide's 1926–1927 Congo journey began as a pleasure jaunt into the exotic and the erotic: "Everything here seems to hold the promise of bliss, voluptuousness, and forgetting."1 It survives as a text, a travel narrative addressed primarily to a European readership about the author's close encounter with the social and political reality of French colonial Africa. Gide's very decision to publish his travel writings and to take a public position…
Writing the Wrongs of French Colonial Africa
André Gide's 1926–1927 Congo journey began as a pleasure jaunt into the exotic and the erotic: "Everything here seems to hold the promise of bliss, voluptuousness, and forgetting."1 It survives as a text, a travel narrative addressed primarily to a European readership about the author's close encounter with the social and political reality of French colonial Africa. Gide's very decision to publish his travel writings and to take a public position…
André Gide's congo journey
Captive Audiences
Animal presence unsettles practices of spectatorship and reframes assumptions about embodiment and affect in four differently exemplary animal performances, including one dating back to the 18th century. In all of them, the ethics of watching other animals, human or nonhuman, and the call for evaluation and judgment is complicated by recognition of the multiplicitous and mysterious nature of pain and pleasure
“Please Don’t Feed the Natives”
Aesthetics (3 works) · Art (3 works) · Colonialism (2 works) · Geographies of human-animal interactions (2 works) · History (2 works) · Sociology (2 works) · Affect (linguistics (1 works) · African history and culture studies (1 works) · Animal and Plant Science Education (1 works) · Archaeology (1 works)