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Оксана Саркисова

Biographic Data

ID3463243
NAMEОксана Саркисова
GIVEN NAMESОксана
FAMILY NAMEСаркисова
SIGNATUREСАРКИСОВА О
AFFILIATIONSCentral European University
VERIFIEDNo
TOTAL WORKS6
TOTAL CITATIONS7
WORKS AS AUTHOR6
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2007
LATEST PUBLICATION YEAR2025
H-INDEX2
  • Military Farewells

    Оксана Саркисова, Olga Shevchenko et al.•ARTICLE•Journal of War and Culture Studies•2025•References: 3

  • Let's Sharpen Our Optic Nerves

    Open Access•Serguei Alex Oushakine, Emma Widdis et al.•ARTICLE•The Russian Review•2022

  • Screening Soviet Nationalities

    Oksana Sarkisova, Оксана Саркисова•BOOK•Screening Soviet Nationalities•2016

    Filmmakers in the early decades of the Soviet Union sought to create a cinematic map of the new state by portraying its land and peoples on screen. Such films created blueprints of the Soviet domain's scenic, cultural and ethnographic perimeters and brought together - in many ways disparate - nations under one umbrella. Categorised as kulturfilms, they served as experimental grounds for developing the cinematic formulae of a multiethnic, multinat…

  • Taming the frontier

    Oksana Sarkisova, Оксана Саркисова•ARTICLE•Studies in Russian and Soviet…•2015

    This article explores the imagery of the Soviet Far East and its indigenous inhabitants in the films of Aleksandr Litvinov, who played a prominent role in establishing the expedition film practice in the Soviet Union. Analysing his early travelogues, I revisit the Soviet debate about the standards of cinematic authenticity and demonstrate a deep interconnectedness of cinematographic and literary representational practices. Contextual analysis of …

  • Between Elias and Foucault

    Open Access•Oksana Sarkisova, Оксана Саркисова et al.•ARTICLE•Social Psychology Quarterly•2010•Cited by: 4

  • Across One Sixth of the World

    Oksana Sarkisova, Оксана Саркисова•ARTICLE•October•2007•Cited by: 3•References: 4

    July 01 2007 Across One Sixth of the World: Dziga Vertov, Travel Cinema, and Soviet Patriotism Oksana Sarkisova Oksana Sarkisova Oksana Sarkisova holds a doctoral degree in history from Central European University, Budapest. Her publications include “Cine-intellectuals or Cine-proletariat? Ideological Allegiances and Professional Identities in Early Soviet Cinema” (2005) and “Inter-national Loyalties: A/Olexander Dovzhenko's Films in the Context …

  • Between Elias and Foucault

    Open Access•Oksana Sarkisova, Оксана Саркисова et al.•ARTICLE•Social Psychology Quarterly•2010•Cited by: 4

  • Across One Sixth of the World

    Oksana Sarkisova, Оксана Саркисова•ARTICLE•October•2007•Cited by: 3•References: 4

    July 01 2007 Across One Sixth of the World: Dziga Vertov, Travel Cinema, and Soviet Patriotism Oksana Sarkisova Oksana Sarkisova Oksana Sarkisova holds a doctoral degree in history from Central European University, Budapest. Her publications include “Cine-intellectuals or Cine-proletariat? Ideological Allegiances and Professional Identities in Early Soviet Cinema” (2005) and “Inter-national Loyalties: A/Olexander Dovzhenko's Films in the Context …

  • Across One Sixth of the World

    Oksana Sarkisova, Оксана Саркисова•ARTICLE•October•2007•Cited by: 3•References: 4

    July 01 2007 Across One Sixth of the World: Dziga Vertov, Travel Cinema, and Soviet Patriotism Oksana Sarkisova Oksana Sarkisova Oksana Sarkisova holds a doctoral degree in history from Central European University, Budapest. Her publications include “Cine-intellectuals or Cine-proletariat? Ideological Allegiances and Professional Identities in Early Soviet Cinema” (2005) and “Inter-national Loyalties: A/Olexander Dovzhenko's Films in the Context …

  • Between Elias and Foucault

    Open Access•Oksana Sarkisova, Оксана Саркисова et al.•ARTICLE•Social Psychology Quarterly•2010•Cited by: 4

  • Taming the frontier

    Oksana Sarkisova, Оксана Саркисова•ARTICLE•Studies in Russian and Soviet…•2015

    This article explores the imagery of the Soviet Far East and its indigenous inhabitants in the films of Aleksandr Litvinov, who played a prominent role in establishing the expedition film practice in the Soviet Union. Analysing his early travelogues, I revisit the Soviet debate about the standards of cinematic authenticity and demonstrate a deep interconnectedness of cinematographic and literary representational practices. Contextual analysis of …

  • Screening Soviet Nationalities

    Oksana Sarkisova, Оксана Саркисова•BOOK•Screening Soviet Nationalities•2016

    Filmmakers in the early decades of the Soviet Union sought to create a cinematic map of the new state by portraying its land and peoples on screen. Such films created blueprints of the Soviet domain's scenic, cultural and ethnographic perimeters and brought together - in many ways disparate - nations under one umbrella. Categorised as kulturfilms, they served as experimental grounds for developing the cinematic formulae of a multiethnic, multinat…

  • Let's Sharpen Our Optic Nerves

    Open Access•Serguei Alex Oushakine, Emma Widdis et al.•ARTICLE•The Russian Review•2022

  • Military Farewells

    Оксана Саркисова, Olga Shevchenko et al.•ARTICLE•Journal of War and Culture Studies•2025•References: 3

History (4 works) · Political science (4 works) · Sociology (4 works) · European history and politics (3 works) · Ideology (3 works) · Law (3 works) · Art history (2 works) · French Historical and Cultural Studies (2 works) · Gender Studies (2 works) · History (2 works)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae