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Elmer Kennedy-Andrews

Biographic Data

ID3464697
NAMEElmer Kennedy-Andrews
GIVEN NAMESElmer
FAMILY NAMEKennedy-Andrews
SIGNATUREKENNEDY-ANDREWS E
AFFILIATIONSUniversity of Ulster
VERIFIEDNo
TOTAL WORKS5
TOTAL CITATIONS1
AUTHOR COUNT5
EDITOR COUNT0
FIRST PUBLICATION YEAR2003
LATEST PUBLICATION YEAR2014
H-INDEX1
  • Transnational Poetics

    Open Access•Elmer Kennedy-Andrews•CHAPTER•Northern Irish Poetry•2014

    There is of course an element of artificiality in hiving off 'Northern Irish' poetry from 'Irish' poetry more generally, especially when the poets themselves identify with a conglomerate cultural Irishness and disregard political partition. Nevertheless, I have retained 'Northern Irish' as a means of designating a group of poets who are all products of a particular geographical, historical and cultural matrix which has uniquely shaped their respo…

  • Northern Irish Poetry: The American Connection

    Open Access•Elmer Kennedy-Andrews•BOOK•Northern Irish Poetry•2014

    Through discussion of the ways in which major Northern Irish poets (such as John Hewitt, Seamus Heaney, Michael Longley, Louis MacNeice and Derek Mahon) have been influenced by America, this study sho

  • Representations of the Jew in the Modern Irish Novel since Joyce

    Open Access•Elmer Kennedy-Andrews•ARTICLE•Irish University Review•2013•Cited by: 1

    This study reads the Semitic discourse in five modern Irish novels - Francis Stuart's Black List Section H (1971), Robert MacLiam Wilson's Manfred's Pain (1992), Robert Welch's Groundwork (1997), Jennifer Johnston's This is Not a Novel (2002), and John Banville's Shroud (2002) - for what it tells us about the cultural identity of modern Ireland, and for what it reveals of the psychohistory, and even the psychopathology, of Irishness hidden in the…

  • In Belfast

    Elmer Kennedy-Andrews•BOOK•The Oxford Handbook Of Modern…•2012

    In recent years, Ireland/Ulster has undergone rapid changes ranging from urbanisation to the mobility generated by new technology, the influx of foreign investment, and the growth of travel and tourism, all of which developments have eroded traditional cultural values. In Northern Ireland, Edna Longley notes that Louis MacNeice was ‘in the vanguard of absorbing Belfast into English poetry generally’. Ironically, MacNeice cites the countryside as …

  • The Poetry of Derek Mahon

    Brian Burton, Elmer Kennedy-Andrews et al.•ARTICLE•The Canadian Journal of Irish…•2003

  • Representations of the Jew in the Modern Irish Novel since Joyce

    Open Access•Elmer Kennedy-Andrews•ARTICLE•Irish University Review•2013•Cited by: 1

    This study reads the Semitic discourse in five modern Irish novels - Francis Stuart's Black List Section H (1971), Robert MacLiam Wilson's Manfred's Pain (1992), Robert Welch's Groundwork (1997), Jennifer Johnston's This is Not a Novel (2002), and John Banville's Shroud (2002) - for what it tells us about the cultural identity of modern Ireland, and for what it reveals of the psychohistory, and even the psychopathology, of Irishness hidden in the…

  • The Poetry of Derek Mahon

    Brian Burton, Elmer Kennedy-Andrews et al.•ARTICLE•The Canadian Journal of Irish…•2003

  • In Belfast

    Elmer Kennedy-Andrews•BOOK•The Oxford Handbook Of Modern…•2012

    In recent years, Ireland/Ulster has undergone rapid changes ranging from urbanisation to the mobility generated by new technology, the influx of foreign investment, and the growth of travel and tourism, all of which developments have eroded traditional cultural values. In Northern Ireland, Edna Longley notes that Louis MacNeice was ‘in the vanguard of absorbing Belfast into English poetry generally’. Ironically, MacNeice cites the countryside as …

  • Representations of the Jew in the Modern Irish Novel since Joyce

    Open Access•Elmer Kennedy-Andrews•ARTICLE•Irish University Review•2013•Cited by: 1

    This study reads the Semitic discourse in five modern Irish novels - Francis Stuart's Black List Section H (1971), Robert MacLiam Wilson's Manfred's Pain (1992), Robert Welch's Groundwork (1997), Jennifer Johnston's This is Not a Novel (2002), and John Banville's Shroud (2002) - for what it tells us about the cultural identity of modern Ireland, and for what it reveals of the psychohistory, and even the psychopathology, of Irishness hidden in the…

  • Transnational Poetics

    Open Access•Elmer Kennedy-Andrews•CHAPTER•Northern Irish Poetry•2014

    There is of course an element of artificiality in hiving off 'Northern Irish' poetry from 'Irish' poetry more generally, especially when the poets themselves identify with a conglomerate cultural Irishness and disregard political partition. Nevertheless, I have retained 'Northern Irish' as a means of designating a group of poets who are all products of a particular geographical, historical and cultural matrix which has uniquely shaped their respo…

  • Northern Irish Poetry: The American Connection

    Open Access•Elmer Kennedy-Andrews•BOOK•Northern Irish Poetry•2014

    Through discussion of the ways in which major Northern Irish poets (such as John Hewitt, Seamus Heaney, Michael Longley, Louis MacNeice and Derek Mahon) have been influenced by America, this study sho

Art (5 works) · Literature (5 works) · Poetry (4 works) · Irish (3 works) · Irish and British Studies (3 works) · Linguistics (3 works) · Philosophy (3 works) · Sociology (3 works) · History (2 works) · Philosophy (2 works)

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