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Anne-Sophie Radermecker

Biographic Data

ID346489
NAMEAnne-Sophie Radermecker
GIVEN NAMESAnne-Sophie
FAMILY NAMERadermecker
SIGNATURERADERMECKER A
AFFILIATIONSUniversité Libre de Bruxelles
ORCID0000-0001-7795-1048
VERIFIEDYes
TOTAL WORKS10
TOTAL CITATIONS0
AUTHOR COUNT10
EDITOR COUNT0
FIRST PUBLICATION YEAR2022
LATEST PUBLICATION YEAR2026
H-INDEX0
  • Everyday , informal , and overlooked

    Open Access•Roberta Raccomandato, Anne-Sophie Radermecker•ARTICLE•International Journal of Cultural…•2026

    Recent years have witnessed increased interest in everyday forms of heritage and the emergence of alternative terms designating cultural goods, monuments, and sites on the margins of official heritage (e.g., mundane , ordinary , informal ). This paper systematically compares these terminologies to explore how their marginality challenges official discourses, offering insights into epistemic shifts within the Anglophone and Eurocentric heritage do…

  • The valuation of copies for Chinese artworks

    Open Access•Kim Oosterlinck, Anne-Sophie Radermecker et al.•ARTICLE•Journal of Cultural Economics•2025

  • Connoisseurship from below exploring “informal” expertise in art on social media

    Open Access•Anne-Sophie Radermecker•ARTICLE•Journal of Cultural Economics•2025

  • Global art markets

    Anne-Sophie Radermecker•ARTICLE•Cultural Trends•2025•References: 1

  • How Does Meaning Affect the Perceived Value of Art? The Case of Chinese Calligraphy

    Open Access•Yuqing Song, Anne-Sophie Radermecker•ARTICLE•Culture Unbound Journal of…•2024

    How does meaning making affect the perceived value of art? In this paper, we focus on a unique form of art, Chinese calligraphy, to explore the effects of literal meaning on the perceived value of art combining both words and aesthetic quality. Based on a 2*4 between-subjects factorial experiment (n = 451), we find evidence that the provision of transcriptions for Chinese calligraphy artworks can have certain impact on the works' perceived value.…

  • Questioning the NFT “Revolution” within the Art Ecosystem

    Open Access•Anne-Sophie Radermecker, Victor Ginsburgh•ARTICLE•Arts•2023

    Three years after the sensational debut of non-fungible tokens (NFTs) on the art scene, it seems timely to reflect on their presumed revolutionary attributes. The speculative fascination at the beginning has gradually given way to mixed outcomes, with hardly predictable future directions. However, once recontextualized in the art ecosystem and its value chain, one may question the ability of NFT technology to lead to radical changes. Our main arg…

  • Regulation or Reputation? Evidence from the Art Market

    Kim Oosterlinck, Anne-Sophie Radermecker•ARTICLE•The Journal of Arts Management…•2023

    This article investigates the role of regulation and reputation in the art trade. We look at attribution issues in the auction market, and in France in particular, where both regulatory and reputational mechanisms have been implemented. More specifically, we focus on the Marcus Decree—a pioneering decree that regulates the authentication process of artworks in France since 1981—and the self-regulated authentication systems developed by internatio…

  • Valuing European tapestry

    Open Access•Anne-Sophie Radermecker, Koenraad Brosens•ARTICLE•Journal of Cultural Economics•2023

  • Moova – Making Old Objects Valuable Again. The Cultural, Economic Challenges and Sustainability Opportunities of Antiques in the 21st Century

    Open Access•Anne-Sophie Radermecker•ARTICLE•Santander Art and Culture Law…•2023•References: 3

    Santander Art and Culture Law Review » 2023 » 1/2023 (9) » MOOVA – Making Old Objects Valuable Again. The Cultural, Economic Challenges and Sustainability Opportunities of Antiques in the 21st Century A A A

  • Selling lowbrow art and cultural goods in times of pandemic

    Open Access•Anne-Sophie Radermecker•ARTICLE•International Journal of Cultural…•2022

    This article examines the impact of the coronavirus pandemic on a provincial art market to shed light on how gallerists, auctioneers, and antique dealers have coped with this exogenous event. Provincial intermediaries, active in the lower ends of the art market, are characterized by economic properties that differ from those of the upper-end markets. Their location at the periphery of metropolitan centers, combined with the characteristics of sup…

No prominent works on this page.

  • Selling lowbrow art and cultural goods in times of pandemic

    Open Access•Anne-Sophie Radermecker•ARTICLE•International Journal of Cultural…•2022

    This article examines the impact of the coronavirus pandemic on a provincial art market to shed light on how gallerists, auctioneers, and antique dealers have coped with this exogenous event. Provincial intermediaries, active in the lower ends of the art market, are characterized by economic properties that differ from those of the upper-end markets. Their location at the periphery of metropolitan centers, combined with the characteristics of sup…

  • Questioning the NFT “Revolution” within the Art Ecosystem

    Open Access•Anne-Sophie Radermecker, Victor Ginsburgh•ARTICLE•Arts•2023

    Three years after the sensational debut of non-fungible tokens (NFTs) on the art scene, it seems timely to reflect on their presumed revolutionary attributes. The speculative fascination at the beginning has gradually given way to mixed outcomes, with hardly predictable future directions. However, once recontextualized in the art ecosystem and its value chain, one may question the ability of NFT technology to lead to radical changes. Our main arg…

  • Regulation or Reputation? Evidence from the Art Market

    Kim Oosterlinck, Anne-Sophie Radermecker•ARTICLE•The Journal of Arts Management…•2023

    This article investigates the role of regulation and reputation in the art trade. We look at attribution issues in the auction market, and in France in particular, where both regulatory and reputational mechanisms have been implemented. More specifically, we focus on the Marcus Decree—a pioneering decree that regulates the authentication process of artworks in France since 1981—and the self-regulated authentication systems developed by internatio…

  • Valuing European tapestry

    Open Access•Anne-Sophie Radermecker, Koenraad Brosens•ARTICLE•Journal of Cultural Economics•2023

  • Moova – Making Old Objects Valuable Again. The Cultural, Economic Challenges and Sustainability Opportunities of Antiques in the 21st Century

    Open Access•Anne-Sophie Radermecker•ARTICLE•Santander Art and Culture Law…•2023•References: 3

    Santander Art and Culture Law Review » 2023 » 1/2023 (9) » MOOVA – Making Old Objects Valuable Again. The Cultural, Economic Challenges and Sustainability Opportunities of Antiques in the 21st Century A A A

  • How Does Meaning Affect the Perceived Value of Art? The Case of Chinese Calligraphy

    Open Access•Yuqing Song, Anne-Sophie Radermecker•ARTICLE•Culture Unbound Journal of…•2024

    How does meaning making affect the perceived value of art? In this paper, we focus on a unique form of art, Chinese calligraphy, to explore the effects of literal meaning on the perceived value of art combining both words and aesthetic quality. Based on a 2*4 between-subjects factorial experiment (n = 451), we find evidence that the provision of transcriptions for Chinese calligraphy artworks can have certain impact on the works' perceived value.…

  • The valuation of copies for Chinese artworks

    Open Access•Kim Oosterlinck, Anne-Sophie Radermecker et al.•ARTICLE•Journal of Cultural Economics•2025

  • Connoisseurship from below exploring “informal” expertise in art on social media

    Open Access•Anne-Sophie Radermecker•ARTICLE•Journal of Cultural Economics•2025

  • Global art markets

    Anne-Sophie Radermecker•ARTICLE•Cultural Trends•2025•References: 1

  • Everyday , informal , and overlooked

    Open Access•Roberta Raccomandato, Anne-Sophie Radermecker•ARTICLE•International Journal of Cultural…•2026

    Recent years have witnessed increased interest in everyday forms of heritage and the emergence of alternative terms designating cultural goods, monuments, and sites on the margins of official heritage (e.g., mundane , ordinary , informal ). This paper systematically compares these terminologies to explore how their marginality challenges official discourses, offering insights into epistemic shifts within the Anglophone and Eurocentric heritage do…

Art History and Market Analysis (7 works) · Art (6 works) · Political science (6 works) · Business (5 works) · Visual arts (5 works) · Aesthetic Perception and Analysis (4 works) · Economics (4 works) · Aesthetics (3 works) · Cultural economics (3 works) · Cultural Industries and Urban Development (3 works)

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