Lee Grieveson
Biographic Data
| ID | 3469305 |
|---|---|
| NAME | Lee Grieveson |
| GIVEN NAMES | Lee |
| FAMILY NAME | Grieveson |
| SIGNATURE | GRIEVESON L |
| AFFILIATIONS | University College London Gower St London WC1E 6BT United Kingdom |
| ORCID | 0000-0002-5447-1372 |
| VERIFIED | Yes |
| TOTAL WORKS | 15 |
| TOTAL CITATIONS | 8 |
| AUTHOR COUNT | 12 |
| EDITOR COUNT | 3 |
| FIRST PUBLICATION YEAR | 1998 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 2 |
Reality Winners
Reality Winners'Reality Winners' is the final part of a trilogy of essays in this journal that sketch a history of the present focussing on the ways media and information in the digital epoch are operationalised to re-shape political and economic reality.The first of these concentrated on the forces at play in the election of Donald Trump in 2016 and the related Brexit referendum in Britain.The second explored the emergence of a new praxis of con…
Media and extraction
This short essay is a polemical exploration of recent scholarship on media and resource extraction, with remarks on the necessary revisions this work entails to the purview and practice of studying cinema and media. Drawing on emergent works that elucidate the significance of media’s embeddedness in extractivist logics, we reflect on the ideas that propel them and the future conversations we hope they will provoke. As old disciplinary configurati…
Prediction Machines
My essay has several connected histories to unravel about the construction and use of new forms of informational and mediated control by elite groups to secure new political and economic realities. It is part of a longer project on the political history of “the digital” as a modality of a specific praxis of control. “Prediction Machines” began as an experiment in writing a history of the present with “the backward-directed glance of the historian…
On Data, Media, and the Deconstruction of the Administrative State
I shall start with some belated and limited conclusions.11 I shall focus principally on the United States and the United Kingdom. Obviously, many of the developments I shall explore are global ones, albeit of course with local and contingent variations. Resurgent forms of authoritarian nationalism, for example, are currently key to governing regimes in countries as diverse as Brazil, China, Hungary, India, Indonesia, the Philippines, Russia, and …
War, Media, and the Security of State and Capital
The Military’s Cinema Complex
Cinema's Military Industrial Complex
Cinema’s Military Industrial Complex examines how the American military has used cinema and related visual, sonic, and mobile technologies to further its varied aims. The essays in this book address the way cinema was put to work for purposes of training, orientation, record keeping, internal and external communication, propaganda, research and development, tactical analysis, surveillance, physical and mental health, recreation, and morale. The c…
War, Media, and the Security of State and Capital
This chapter, by Lee Grieveson, explores the U.S. state’s use of cinema and its regulation of media and communication during World War I and in its immediate aftermath. It examines, in particular, the establishment and functioning of the Committee on Public Information (CPI) and state orchestration of new forms of war funding. It explores also the legal regulation of communication and media encoded in the Espionage and Sedition Acts of 1917 and 1…
The Military’s Cinema Complex
This chapter, by Lee Grieveson and Haidee Wasson, establishes a framework for studying the American military, a singularly powerful institution, and its relationship to cinema. It first lays out a brief history of the American military and its rise to prominence and power, and then situates the enduring use of cinema across the broad remit of the armed forces alongside previous work in this area. Special attention is paid to the economic and indu…
Cinema's Military Industrial Complex
Cinema and the Wealth of Nations
Empire and Film
Introduction
On governmentality and screens
Journal Article On governmentality and screens Get access Lee Grieveson Lee Grieveson [email protected] Search for other works by this author on: Oxford Academic Google Scholar Screen, Volume 50, Issue 1, Spring 2009, Pages 180–187, https://doi.org/10.1093/screen/hjn079 Published: 01 March 2009
Fighting Films
On governmentality and screens
Journal Article On governmentality and screens Get access Lee Grieveson Lee Grieveson [email protected] Search for other works by this author on: Oxford Academic Google Scholar Screen, Volume 50, Issue 1, Spring 2009, Pages 180–187, https://doi.org/10.1093/screen/hjn079 Published: 01 March 2009
Fighting Films
Fighting Films
On governmentality and screens
Journal Article On governmentality and screens Get access Lee Grieveson Lee Grieveson [email protected] Search for other works by this author on: Oxford Academic Google Scholar Screen, Volume 50, Issue 1, Spring 2009, Pages 180–187, https://doi.org/10.1093/screen/hjn079 Published: 01 March 2009
Empire and Film
Introduction
Cinema and the Wealth of Nations
Cinema's Military Industrial Complex
Cinema’s Military Industrial Complex examines how the American military has used cinema and related visual, sonic, and mobile technologies to further its varied aims. The essays in this book address the way cinema was put to work for purposes of training, orientation, record keeping, internal and external communication, propaganda, research and development, tactical analysis, surveillance, physical and mental health, recreation, and morale. The c…
War, Media, and the Security of State and Capital
This chapter, by Lee Grieveson, explores the U.S. state’s use of cinema and its regulation of media and communication during World War I and in its immediate aftermath. It examines, in particular, the establishment and functioning of the Committee on Public Information (CPI) and state orchestration of new forms of war funding. It explores also the legal regulation of communication and media encoded in the Espionage and Sedition Acts of 1917 and 1…
The Military’s Cinema Complex
This chapter, by Lee Grieveson and Haidee Wasson, establishes a framework for studying the American military, a singularly powerful institution, and its relationship to cinema. It first lays out a brief history of the American military and its rise to prominence and power, and then situates the enduring use of cinema across the broad remit of the armed forces alongside previous work in this area. Special attention is paid to the economic and indu…
Cinema's Military Industrial Complex
War, Media, and the Security of State and Capital
The Military’s Cinema Complex
On Data, Media, and the Deconstruction of the Administrative State
I shall start with some belated and limited conclusions.11 I shall focus principally on the United States and the United Kingdom. Obviously, many of the developments I shall explore are global ones, albeit of course with local and contingent variations. Resurgent forms of authoritarian nationalism, for example, are currently key to governing regimes in countries as diverse as Brazil, China, Hungary, India, Indonesia, the Philippines, Russia, and …
Media and extraction
This short essay is a polemical exploration of recent scholarship on media and resource extraction, with remarks on the necessary revisions this work entails to the purview and practice of studying cinema and media. Drawing on emergent works that elucidate the significance of media’s embeddedness in extractivist logics, we reflect on the ideas that propel them and the future conversations we hope they will provoke. As old disciplinary configurati…
Prediction Machines
My essay has several connected histories to unravel about the construction and use of new forms of informational and mediated control by elite groups to secure new political and economic realities. It is part of a longer project on the political history of “the digital” as a modality of a specific praxis of control. “Prediction Machines” began as an experiment in writing a history of the present with “the backward-directed glance of the historian…
Reality Winners
Reality Winners'Reality Winners' is the final part of a trilogy of essays in this journal that sketch a history of the present focussing on the ways media and information in the digital epoch are operationalised to re-shape political and economic reality.The first of these concentrated on the forces at play in the election of Donald Trump in 2016 and the related Brexit referendum in Britain.The second explored the emergence of a new praxis of con…
Art (8 works) · Movie theater (7 works) · Political science (7 works) · Sociology (7 works) · Art history (6 works) · Cinema and Media Studies (6 works) · History (6 works) · Law (5 works) · Media studies (4 works) · Ancient history (3 works)