Kevin D Egan
Biographic Data
| ID | 3471238 |
|---|---|
| NAME | Kevin D Egan |
| GIVEN NAMES | Kevin D |
| FAMILY NAME | Egan |
| SIGNATURE | EGAN K D |
| AFFILIATIONS | Virginia Tech |
| ORCID | 0000-0002-9404-6733 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2003 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 1 |
Staging Scores
In this article, Egan and Pinchbeck combine Postdramatic Theatre (Lehmann, 2006), Composed Theatre (Rebstock and Roesner, 2012) and Score Theatre (Spagnolo, 2017) to address the representation of classical music in two separate contemporary performances they were involved in making. Egan addresses the question of ‘adapting scores’ in relation to Plane Performance’s Traviata (2010), where Verdi’s operatic score became the main ‘text’ from which th…
Reason's Bondage
The Neoliberal Wager
Cet article commente les deux ouvrages suivants: The Elusive Quest for Growth: Economists' Adventures and Misadventures in the Tropics de William Easterly et The Future of Life de E. O. Wilson. Le premier examine les echecs des politiques de developpement economique mises en oeuvre par les organismes monetaires internationaux dans les pays du Tiers-Monde, tandis que le second se penche sur les couts environnementaux de ces politiques
The Neoliberal Wager
Cet article commente les deux ouvrages suivants: The Elusive Quest for Growth: Economists' Adventures and Misadventures in the Tropics de William Easterly et The Future of Life de E. O. Wilson. Le premier examine les echecs des politiques de developpement economique mises en oeuvre par les organismes monetaires internationaux dans les pays du Tiers-Monde, tandis que le second se penche sur les couts environnementaux de ces politiques
Reason's Bondage
Staging Scores
In this article, Egan and Pinchbeck combine Postdramatic Theatre (Lehmann, 2006), Composed Theatre (Rebstock and Roesner, 2012) and Score Theatre (Spagnolo, 2017) to address the representation of classical music in two separate contemporary performances they were involved in making. Egan addresses the question of ‘adapting scores’ in relation to Plane Performance’s Traviata (2010), where Verdi’s operatic score became the main ‘text’ from which th…
Art (2 works) · Art history (2 works) · Adventure (1 work) · Aesthetics (1 work) · Classical music (1 work) · Concerto (1 work) · Critical Theory and Philosophy (1 work) · Drama (1 work) · Economic Theory and Policy (1 work) · Ethnology (1 work)