Kürt Vanhoutte
Biographic Data
| ID | 3475363 |
|---|---|
| NAME | Kürt Vanhoutte |
| GIVEN NAMES | Kürt |
| FAMILY NAME | Vanhoutte |
| SIGNATURE | VANHOUTTE K |
| AFFILIATIONS | University of Antwerp |
| ORCID | 0000-0003-2599-6863 |
| VERIFIED | Yes |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 2 |
| WORKS AS AUTHOR | 5 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2014 |
| LATEST PUBLICATION YEAR | 2019 |
| H-INDEX | 1 |
Métempsycoseas attraction on the fairground
Métempsycose shows were popular in fairgrounds in France and Belgium in the last two decades of the nineteenth century, staging mutating ghosts and the supposed migration of the soul as optical illusion. The attraction stands in a tradition of episcopic projection, with mirroring techniques and seamless dissolving views. In this article, we aim to demonstrate the the peculiarity of métempsycose by detailing its technique and genealogy and by unve…
Spectacular astronomy
accessible en accès libre sur le site de la revue
On the passage of a man of the theatre through a rather brief moment in time
After an extensive tour throughout Europe, including venues such as Amsterdam, London and Brussels, the French entrepreneur and magician Henri Robin arrived in Paris in 1862, where he opened a new theatre on the legendary Boulevard du Temple. His arrival remarkably coincided with the destruction of this renowned hub of popular visual culture as it was cleared to make way for Hausmann’s far-reaching programme of urban modernisation. Nonetheless, R…
On the border between performance, science and the digital
(2014). On the border between performance, science and the digital. International Journal of Performance Arts and Digital Media: Vol. 10, Hybridities: The intersections between performance and science and the digital, pp. 246-254
On the border between performance, science and the digital
Métempsycoseas attraction on the fairground
Métempsycose shows were popular in fairgrounds in France and Belgium in the last two decades of the nineteenth century, staging mutating ghosts and the supposed migration of the soul as optical illusion. The attraction stands in a tradition of episcopic projection, with mirroring techniques and seamless dissolving views. In this article, we aim to demonstrate the the peculiarity of métempsycose by detailing its technique and genealogy and by unve…
On the passage of a man of the theatre through a rather brief moment in time
After an extensive tour throughout Europe, including venues such as Amsterdam, London and Brussels, the French entrepreneur and magician Henri Robin arrived in Paris in 1862, where he opened a new theatre on the legendary Boulevard du Temple. His arrival remarkably coincided with the destruction of this renowned hub of popular visual culture as it was cleared to make way for Hausmann’s far-reaching programme of urban modernisation. Nonetheless, R…
On the border between performance, science and the digital
(2014). On the border between performance, science and the digital. International Journal of Performance Arts and Digital Media: Vol. 10, Hybridities: The intersections between performance and science and the digital, pp. 246-254
On the border between performance, science and the digital
Spectacular astronomy
accessible en accès libre sur le site de la revue
On the passage of a man of the theatre through a rather brief moment in time
After an extensive tour throughout Europe, including venues such as Amsterdam, London and Brussels, the French entrepreneur and magician Henri Robin arrived in Paris in 1862, where he opened a new theatre on the legendary Boulevard du Temple. His arrival remarkably coincided with the destruction of this renowned hub of popular visual culture as it was cleared to make way for Hausmann’s far-reaching programme of urban modernisation. Nonetheless, R…
Métempsycoseas attraction on the fairground
Métempsycose shows were popular in fairgrounds in France and Belgium in the last two decades of the nineteenth century, staging mutating ghosts and the supposed migration of the soul as optical illusion. The attraction stands in a tradition of episcopic projection, with mirroring techniques and seamless dissolving views. In this article, we aim to demonstrate the the peculiarity of métempsycose by detailing its technique and genealogy and by unve…
Art (3 works) · Computer Science (2 works) · History and Developments in Astronomy (2 works) · History of Science and Natural History (2 works) · Theatre and Performance Studies (2 works) · Visual arts (2 works) · Aesthetics (1 work) · Art Education and Development (1 work) · Art history (1 work) · Artificial Intelligence (1 work)