Ruth Hacohen
Dados Biográficos
| ID | 347633 |
|---|---|
| NOME | Ruth Hacohen |
| PRENOMES | Ruth |
| SOBRENOME | Hacohen |
| ASSINATURA | HACOHEN R |
| AFILIAÇÕES | Hebrew University of Jerusalem |
| ORCID | 0000-0001-7558-4862 |
| VERIFICADO | Sim |
| TOTAL DE OBRAS | 5 |
| TOTAL DE CITAÇÕES | 4 |
| TOTAL COMO AUTOR | 5 |
| TOTAL COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 2001 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2023 |
| ÍNDICE H | 1 |
Inter- and Intrareligious Conflicts through/about Sound
This issue of YJMR includes three articles featuring three case studies that represent different religious worlds and historical moments. In each, the interplay of the above three factors—medium, forms and norms, and religious contest—can be clearly discerned. With all the differences (and a few commonalities) these three case studies comprise, they share one important feature: the agents of conflict, in all cases, were (or still are) courageous …
Rubbled Cities – Sounds and Silence
A travelogue of an Israeli musicologist, descendant of German Jewish émigrés, her real and imaginary sonic journey roams between ruins and rubble in Germany and Israel/Palestine. She takes ruins as iconic, allegoric, and reverberating; partially resisting the ravages of time, enshrining sounds and memory. She deems rubble as formless, plain, and voiceless, devoid of identity, transient, and forgetful. The destruction of Jerusalem in 70 ce by the …
Between Noise and Harmony
Sounds of Revelation
Ruth HaCohen (Hebrew University) explores Modernism's artistic exploration of its relationship to theology by taking up Schoenberg's late, unfinished opera Moses and Aaron. Reading that opera as a theological-political-aesthetic Tractatus in the tradition of Spinoza, HaCohen draws out the theological implications of Schoenberg's radical rethinking of formal conventions as these organize the relationship between music and text
The Music of Sympathy in the Arts of the Baroque; or, the Use of Difference to Overcome Indifference
Sympathy, in the sense of the ability to suffer with or for the other, entered English usage toward the end of the sixteenth century. This marks an important moment in Western culture, the birth of a new artistic sensibility nourished by the Aristotelian notion of poetic compassion. This article delineates strategic points in the emergence of this sensibility and the forms and contexts of its presence in art during the seventeenth century and the…
Between Noise and Harmony
The Music of Sympathy in the Arts of the Baroque; or, the Use of Difference to Overcome Indifference
Sympathy, in the sense of the ability to suffer with or for the other, entered English usage toward the end of the sixteenth century. This marks an important moment in Western culture, the birth of a new artistic sensibility nourished by the Aristotelian notion of poetic compassion. This article delineates strategic points in the emergence of this sensibility and the forms and contexts of its presence in art during the seventeenth century and the…
The Music of Sympathy in the Arts of the Baroque; or, the Use of Difference to Overcome Indifference
Sympathy, in the sense of the ability to suffer with or for the other, entered English usage toward the end of the sixteenth century. This marks an important moment in Western culture, the birth of a new artistic sensibility nourished by the Aristotelian notion of poetic compassion. This article delineates strategic points in the emergence of this sensibility and the forms and contexts of its presence in art during the seventeenth century and the…
Sounds of Revelation
Ruth HaCohen (Hebrew University) explores Modernism's artistic exploration of its relationship to theology by taking up Schoenberg's late, unfinished opera Moses and Aaron. Reading that opera as a theological-political-aesthetic Tractatus in the tradition of Spinoza, HaCohen draws out the theological implications of Schoenberg's radical rethinking of formal conventions as these organize the relationship between music and text
Between Noise and Harmony
Rubbled Cities – Sounds and Silence
A travelogue of an Israeli musicologist, descendant of German Jewish émigrés, her real and imaginary sonic journey roams between ruins and rubble in Germany and Israel/Palestine. She takes ruins as iconic, allegoric, and reverberating; partially resisting the ravages of time, enshrining sounds and memory. She deems rubble as formless, plain, and voiceless, devoid of identity, transient, and forgetful. The destruction of Jerusalem in 70 ce by the …
Inter- and Intrareligious Conflicts through/about Sound
This issue of YJMR includes three articles featuring three case studies that represent different religious worlds and historical moments. In each, the interplay of the above three factors—medium, forms and norms, and religious contest—can be clearly discerned. With all the differences (and a few commonalities) these three case studies comprise, they share one important feature: the agents of conflict, in all cases, were (or still are) courageous …
Art (4 obras) · Philosophy (4 obras) · Aesthetics (3 obras) · History (3 obras) · Literature (3 obras) · Psychology (3 obras) · Sociology (3 obras) · Archaeology (2 obras) · Art history (2 obras) · Diverse Musicological Studies (2 obras)