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Chiara Colombi

Biographic Data

ID3476384
NAMEChiara Colombi
GIVEN NAMESChiara
FAMILY NAMEColombi
SIGNATURECOLOMBI C
AFFILIATIONSPolitecnico di Milano
ORCID0000-0001-5791-2746
VERIFIEDYes
TOTAL WORKS6
TOTAL CITATIONS8
WORKS AS AUTHOR6
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2014
LATEST PUBLICATION YEAR2026
H-INDEX2
  • Fashion archive abilities. The impact of digital technologies on the development and research of fashion heritage

    Open Access•Chiara Colombi, Marcella Martin•ARTICLE•European Journal of Cultural…•2026

    Fashion heritage—the collective memory embodied in garments, accessories, images, and the history, know-how, and craft techniques behind them—has traditionally been preserved through museums, archives, and exhibitions but, in recent years, has been transformed and reinterpreted in its meanings and means through advances in digital technologies. In 2011, Vogue launched the first digital archive of their American magazine, revolutionizing the proce…

  • Trends as Future Prompts in the Anticipatory Design Practice

    Open Access•Manuela Celi, Chiara Colombi•ARTICLE•Futures•2020•Cited by: 5•References: 19

  • From Cultural Branding to Cultural Empowerment through Social Innovation

    Patrick Bertola, Chiara Colombi et al.•ARTICLE•Fashion Practice•2020•Cited by: 1•References: 3

    Branded content appears to be the most promising frontier of contemporary companies' strategies within our hyperconnected society. This new context requires brands to demonstrate an increasing capacity to engage customers in continuous interactions and cultural exchanges through on-going narratives co-created with their audiences and perceived as authentic components of their hybrid physical-digital daily experiences. Within the physical-digital …

  • The Cultural Dimension of Design Driven Innovation. A Perspective from the Fashion Industry

    Patrick Bertola, Paola Bertola et al.•ARTICLE•The Design Journal•2016

    Design, as discipline and practice, is referred to as the interpretation of contemporary culture, both in its tangible and intangible expressions. The design practice acts as an agent that can detect cultural evolutions, identify their drivers and patterns of change, and then design a possible new cultural environment, which can embed the newly-found meanings and drive the innovation of products and services. Through a literature review, the pape…

  • Rebranding Made in Italy

    Patrick Bertola, Paola Bertola et al.•ARTICLE•Fashion Practice•2014

    The article presents an overview of the Italian fashion system using an extensive case study analysis conducted by the authors in the years 2008–14, both through literature review and field research. The aim is to understand the present configuration of the Italian fashion system after the deep transformations that have occurred in the last fifteen years, both regarding the traditional Made in Italy brands, with their specific evolutionary models…

  • Made in Italy

    Chiara Colombi•ARTICLE•Journal of Modern Italian Studies•2014•Cited by: 2

    Since 2011, when Italy celebrated the 150th anniversary of its unification as a nation, many events have been dedicated to the recognition and presentation of the primary traits of Italian identity

  • Trends as Future Prompts in the Anticipatory Design Practice

    Open Access•Manuela Celi, Chiara Colombi•ARTICLE•Futures•2020•Cited by: 5•References: 19

  • Made in Italy

    Chiara Colombi•ARTICLE•Journal of Modern Italian Studies•2014•Cited by: 2

    Since 2011, when Italy celebrated the 150th anniversary of its unification as a nation, many events have been dedicated to the recognition and presentation of the primary traits of Italian identity

  • From Cultural Branding to Cultural Empowerment through Social Innovation

    Patrick Bertola, Chiara Colombi et al.•ARTICLE•Fashion Practice•2020•Cited by: 1•References: 3

    Branded content appears to be the most promising frontier of contemporary companies' strategies within our hyperconnected society. This new context requires brands to demonstrate an increasing capacity to engage customers in continuous interactions and cultural exchanges through on-going narratives co-created with their audiences and perceived as authentic components of their hybrid physical-digital daily experiences. Within the physical-digital …

  • Rebranding Made in Italy

    Patrick Bertola, Paola Bertola et al.•ARTICLE•Fashion Practice•2014

    The article presents an overview of the Italian fashion system using an extensive case study analysis conducted by the authors in the years 2008–14, both through literature review and field research. The aim is to understand the present configuration of the Italian fashion system after the deep transformations that have occurred in the last fifteen years, both regarding the traditional Made in Italy brands, with their specific evolutionary models…

  • Made in Italy

    Chiara Colombi•ARTICLE•Journal of Modern Italian Studies•2014•Cited by: 2

    Since 2011, when Italy celebrated the 150th anniversary of its unification as a nation, many events have been dedicated to the recognition and presentation of the primary traits of Italian identity

  • The Cultural Dimension of Design Driven Innovation. A Perspective from the Fashion Industry

    Patrick Bertola, Paola Bertola et al.•ARTICLE•The Design Journal•2016

    Design, as discipline and practice, is referred to as the interpretation of contemporary culture, both in its tangible and intangible expressions. The design practice acts as an agent that can detect cultural evolutions, identify their drivers and patterns of change, and then design a possible new cultural environment, which can embed the newly-found meanings and drive the innovation of products and services. Through a literature review, the pape…

  • Trends as Future Prompts in the Anticipatory Design Practice

    Open Access•Manuela Celi, Chiara Colombi•ARTICLE•Futures•2020•Cited by: 5•References: 19

  • From Cultural Branding to Cultural Empowerment through Social Innovation

    Patrick Bertola, Chiara Colombi et al.•ARTICLE•Fashion Practice•2020•Cited by: 1•References: 3

    Branded content appears to be the most promising frontier of contemporary companies' strategies within our hyperconnected society. This new context requires brands to demonstrate an increasing capacity to engage customers in continuous interactions and cultural exchanges through on-going narratives co-created with their audiences and perceived as authentic components of their hybrid physical-digital daily experiences. Within the physical-digital …

  • Fashion archive abilities. The impact of digital technologies on the development and research of fashion heritage

    Open Access•Chiara Colombi, Marcella Martin•ARTICLE•European Journal of Cultural…•2026

    Fashion heritage—the collective memory embodied in garments, accessories, images, and the history, know-how, and craft techniques behind them—has traditionally been preserved through museums, archives, and exhibitions but, in recent years, has been transformed and reinterpreted in its meanings and means through advances in digital technologies. In 2011, Vogue launched the first digital archive of their American magazine, revolutionizing the proce…

Computer Science (4 works) · Business (3 works) · Fashion and Cultural Textiles (3 works) · Knowledge management (3 works) · Political science (3 works) · Sociology (3 works) · Crafts, Textile, and Design (2 works) · Cultural Industries and Urban Development (2 works) · Diverse academic and cultural studies (2 works) · Aesthetics (1 work)

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