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Federica Vacca

Biographic Data

ID3476386
NAMEFederica Vacca
GIVEN NAMESFederica
FAMILY NAMEVacca
SIGNATUREVACCA F
AFFILIATIONSPolitecnico di Milano
ORCID0000-0001-5210-9356
VERIFIEDYes
TOTAL WORKS3
TOTAL CITATIONS1
WORKS AS AUTHOR3
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2014
LATEST PUBLICATION YEAR2020
H-INDEX1
  • From Cultural Branding to Cultural Empowerment through Social Innovation

    Patrick Bertola, Chiara Colombi et al.•ARTICLE•Fashion Practice•2020•Cited by: 1•References: 3

    Branded content appears to be the most promising frontier of contemporary companies' strategies within our hyperconnected society. This new context requires brands to demonstrate an increasing capacity to engage customers in continuous interactions and cultural exchanges through on-going narratives co-created with their audiences and perceived as authentic components of their hybrid physical-digital daily experiences. Within the physical-digital …

  • The Cultural Dimension of Design Driven Innovation. A Perspective from the Fashion Industry

    Patrick Bertola, Paola Bertola et al.•ARTICLE•The Design Journal•2016

    Design, as discipline and practice, is referred to as the interpretation of contemporary culture, both in its tangible and intangible expressions. The design practice acts as an agent that can detect cultural evolutions, identify their drivers and patterns of change, and then design a possible new cultural environment, which can embed the newly-found meanings and drive the innovation of products and services. Through a literature review, the pape…

  • Knowledge in Memory

    Federica Vacca•ARTICLE•Fashion Practice•2014

    In recent decades, we have witnessed the affirmation of the corporate museum as a systematization tool of memory and knowledge about history and activities of specific companies that have distinguished themselves over the years as manufacturers of unique and iconic products. In the contemporary scene in fact companies are immersed in in what Rullani (2004) defines as the economy knowledge paradigm in which the symbolic components and intangible a…

  • From Cultural Branding to Cultural Empowerment through Social Innovation

    Patrick Bertola, Chiara Colombi et al.•ARTICLE•Fashion Practice•2020•Cited by: 1•References: 3

    Branded content appears to be the most promising frontier of contemporary companies' strategies within our hyperconnected society. This new context requires brands to demonstrate an increasing capacity to engage customers in continuous interactions and cultural exchanges through on-going narratives co-created with their audiences and perceived as authentic components of their hybrid physical-digital daily experiences. Within the physical-digital …

  • Knowledge in Memory

    Federica Vacca•ARTICLE•Fashion Practice•2014

    In recent decades, we have witnessed the affirmation of the corporate museum as a systematization tool of memory and knowledge about history and activities of specific companies that have distinguished themselves over the years as manufacturers of unique and iconic products. In the contemporary scene in fact companies are immersed in in what Rullani (2004) defines as the economy knowledge paradigm in which the symbolic components and intangible a…

  • The Cultural Dimension of Design Driven Innovation. A Perspective from the Fashion Industry

    Patrick Bertola, Paola Bertola et al.•ARTICLE•The Design Journal•2016

    Design, as discipline and practice, is referred to as the interpretation of contemporary culture, both in its tangible and intangible expressions. The design practice acts as an agent that can detect cultural evolutions, identify their drivers and patterns of change, and then design a possible new cultural environment, which can embed the newly-found meanings and drive the innovation of products and services. Through a literature review, the pape…

  • From Cultural Branding to Cultural Empowerment through Social Innovation

    Patrick Bertola, Chiara Colombi et al.•ARTICLE•Fashion Practice•2020•Cited by: 1•References: 3

    Branded content appears to be the most promising frontier of contemporary companies' strategies within our hyperconnected society. This new context requires brands to demonstrate an increasing capacity to engage customers in continuous interactions and cultural exchanges through on-going narratives co-created with their audiences and perceived as authentic components of their hybrid physical-digital daily experiences. Within the physical-digital …

Business (2 works) · Computer Science (2 works) · Political science (2 works) · Sociology (2 works) · Archaeology (1 work) · Art (1 work) · Consumer Behavior in Brand Consumption and Identification (1 work) · Consumer Packaging Perceptions and Trends (1 work) · Crafts, Textile, and Design (1 work) · Cultural heritage (1 work)

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