Andrew Dell’antonio

Biographic Data

ID3476404
NAMEAndrew Dell’antonio
GIVEN NAMESAndrew
FAMILY NAMEDell’antonio
SIGNATUREDELL’ANTONIO A
AFFILIATIONSThe University of Texas at Austin
VERIFIEDNo
TOTAL WORKS9
TOTAL CITATIONS1
WORKS AS AUTHOR9
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1994
LATEST PUBLICATION YEAR2023
H-INDEX1

  • Improvising Across Abilities

    Open AccessWilliam C Cheng, Andrew Dell’antonio et al.BOOKImprovising Across Abilities2023References: 5

    Improvising Across Abilities: Pauline Oliveros and the Adaptive Use Musical Instrument (AUMI) brings together scholars, musicians, and family members of people with disabilities to collectively recount years of personal experiences, research, and perspectives on the societal and community impact of inclusive musical improvisation. One of the lesser-known projects of composer, improviser, and humanitarian, Pauline Oliveros (1932-2016), the AUMI wa…

  • Performances of Identity in Early Modern Italian Music

    Andrew Dell’antonioARTICLEI Tatti Studies2015

  • Postmodernism (USA)

    Andrew Dell’antonioCHAPTERThe new Grove dictionary of music…2014

  • Inventing the Business of Opera

    Open AccessAndrew Dell’antonioARTICLERenaissance Quarterly2006

    Jonathan E. Glixon and Beth L. Glixon. Inventing the Business of Opera: The Impresario and His World in Seventeenth-Century Venice. AMS Studies in Music. Oxford: Oxford University Press, 2006. viii + 398 pp. index. append. illus. tbls. gloss. chron. bibl. $50. ISBN: 0-19-515416-9. - Volume 59 Issue 4

  • Beyond Structural Listening?Postmodern Modes of Hearing

    Andrew Dell’antonio, Andrew Dell'AntonioBOOKBeyond Structural Listening?2004

    In a highly influential essay, Rose Rosengard Subotnik critiques “structural listening” as an attempt to situate musical meaning solely within the unfolding of the musical structure itself. The authors of this volume, prominent young music historians and theorists writing on repertories ranging from Beethoven to MTV, take up Subotnik's challenge. The chapters here explore not only the implications of the “structural listening” model but also the …

  • Musical Virtues

    Andrew Dell’antonio, Andrew Dell'AntonioCHAPTERBeyond Structural Listening?2004

    This chapter presents a discussion on structural listening as a moral position and the various alternatives to it. It also discusses the essay “Toward a Deconstruction of Structural Listening: A Critique of Schoenberg, Adorno, and Stravinsky,” written by Rose Rosengard Subotnik which focuses on uncritically maintained musical formalism embodied in structural listening. According to her, Stravinsky, while seeking to divorce Hanslick's formalism fr…

  • Honoring God and the City

    Open AccessAndrew Dell’antonio, Andrew Dell'AntonioARTICLERenaissance Quarterly2004

    Jonathan E. Glixon. Honoring God and the City: Music at the Venetian Confraternities, 1260-1807. Oxford and New York: Oxford University Press, 2003. xvi + 372 pp. index, append, tbls. gloss, bibl. $75. ISBN: 0-19-513489-3. - Volume 57 Issue 2

  • Florestan and Butt-head

    Andrew Dell’antonio, Andrew Dell'AntonioARTICLEAmerican Music1999

    Much reviled in the press as avatars of teenage nihilism, banished from prime time to late night owing to their purported encouragement of impressionable young pyromaniacs, Beavis & Butt-head have drawn a substantially larger audience than almost all other MTV programs: in 1995 the show grossed over $17 million in advertising revenues for the network, and box office sales for their feature-length film topped $55 million within the first two month…

  • The Song of the Soul

    Open AccessAndrew Dell’antonio, Andrew Dell'Antonio et al.ARTICLENotes1994Cited by: 1