Jefferson Gomes Teixeira Guedes
Biographic Data
| ID | 3479412 |
|---|---|
| NAME | Jefferson Gomes Teixeira Guedes |
| GIVEN NAMES | Jefferson Gomes Teixeira |
| FAMILY NAME | Guedes |
| SIGNATURE | GUEDES J G T |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 2 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2011 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 1 |
Práticas sexuais, Hollywood e imagens da América nos anos 80: (Re)construções Fílmicas Do Sexo Pós Contracultura
ainda que incessantemente globalizante) na prova de revezamento da história
Formas de produção da "Realidade" no modo de representação observacional: Uma Análise Do Cinema Direto Norte-Americano Dos Anos 1960 E De Filmes Brasileiros Dos Anos 2000
This work analyzes as certain films of the observational mode of representation are capable of provoking in the spectator the impression of glimpsing the "reality" itself on the screen in two periods and particular contexts: in the 60s, when the Direct Cinema appeared in the United States around the Drew Associates, and in the years 2000, through two Brazilian documentaries
Formas de produção da "Realidade" no modo de representação observacional: Uma Análise Do Cinema Direto Norte-Americano Dos Anos 1960 E De Filmes Brasileiros Dos Anos 2000
This work analyzes as certain films of the observational mode of representation are capable of provoking in the spectator the impression of glimpsing the "reality" itself on the screen in two periods and particular contexts: in the 60s, when the Direct Cinema appeared in the United States around the Drew Associates, and in the years 2000, through two Brazilian documentaries
Formas de produção da "Realidade" no modo de representação observacional: Uma Análise Do Cinema Direto Norte-Americano Dos Anos 1960 E De Filmes Brasileiros Dos Anos 2000
This work analyzes as certain films of the observational mode of representation are capable of provoking in the spectator the impression of glimpsing the "reality" itself on the screen in two periods and particular contexts: in the 60s, when the Direct Cinema appeared in the United States around the Drew Associates, and in the years 2000, through two Brazilian documentaries
Práticas sexuais, Hollywood e imagens da América nos anos 80: (Re)construções Fílmicas Do Sexo Pós Contracultura
ainda que incessantemente globalizante) na prova de revezamento da história
Art (2 works) · Art history (2 works) · Humanities (2 works) · Brazilian cultural history and politics (1 works) · Cinema and Media Studies (1 works) · Cuban History and Society (1 works) · Cultural, Media, and Literary Studies (1 works) · Gender, Sexuality, and Education (1 works) · Hollywood (1 works) · Law (1 works)