Lilian Moncrieff
Biographic Data
| ID | 3482531 |
|---|---|
| NAME | Lilian Moncrieff |
| GIVEN NAMES | Lilian |
| FAMILY NAME | Moncrieff |
| SIGNATURE | MONCRIEFF L |
| AFFILIATIONS | University of Glasgow |
| ORCID | 0000-0002-4927-7188 |
| VERIFIED | Yes |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 5 |
| WORKS AS AUTHOR | 5 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2011 |
| LATEST PUBLICATION YEAR | 2020 |
| H-INDEX | 1 |
In the Air of the Natural History Museum
This paper discusses corporate entanglement, impactfulness and responsibility in the Anthropocene, amidst events and conditions that 'uncontain' time. It takes its direction of travel from artist Brian Jungen's 'Cetology' (2002), a whalebone sculpture made out of cut-up plastic garden chairs, which conjoins the times of earth and world history, as it hangs in the air of the art gallery, 'as if' exhibited in the natural history museum. The paper r…
Trumpism and Being in Worlds that Fall Between Worlds
Law, Scale, Anti-zooming, and Corporate Short-termism
This article uses “Contact,” an art installation by Olafur Eliasson, and “anti-zoom,” an essay by Bruno Latour to reimagine the problem of corporate short-termism. It investigates what it means to propose, under the gaze of law, that directors and investors look to the “long-term” when pursuing corporate purposes. The article contests that it is possible to zoom, as if using a telescopic lens, between the demands of different time frames. It is o…
Karl Polanyi and the Problem of Corporate Social Responsibility
This article considers Corporate Social Responsibility (CSR) as part of the projects in 'new governance and decentred regulation', which draw social forces towards the regulation of economic behaviour. It uses Karl Polanyi to open up pertinent interfaces between society and economy for observation, and Gunther Teubner to substantiate a 'regulatory' view of the company's social relationships. The article finds that CSR combines movements for the r…
The Molotov Milkshake
Karl Polanyi and the Problem of Corporate Social Responsibility
This article considers Corporate Social Responsibility (CSR) as part of the projects in 'new governance and decentred regulation', which draw social forces towards the regulation of economic behaviour. It uses Karl Polanyi to open up pertinent interfaces between society and economy for observation, and Gunther Teubner to substantiate a 'regulatory' view of the company's social relationships. The article finds that CSR combines movements for the r…
Law, Scale, Anti-zooming, and Corporate Short-termism
This article uses “Contact,” an art installation by Olafur Eliasson, and “anti-zoom,” an essay by Bruno Latour to reimagine the problem of corporate short-termism. It investigates what it means to propose, under the gaze of law, that directors and investors look to the “long-term” when pursuing corporate purposes. The article contests that it is possible to zoom, as if using a telescopic lens, between the demands of different time frames. It is o…
The Molotov Milkshake
The Molotov Milkshake
Karl Polanyi and the Problem of Corporate Social Responsibility
This article considers Corporate Social Responsibility (CSR) as part of the projects in 'new governance and decentred regulation', which draw social forces towards the regulation of economic behaviour. It uses Karl Polanyi to open up pertinent interfaces between society and economy for observation, and Gunther Teubner to substantiate a 'regulatory' view of the company's social relationships. The article finds that CSR combines movements for the r…
Law, Scale, Anti-zooming, and Corporate Short-termism
This article uses “Contact,” an art installation by Olafur Eliasson, and “anti-zoom,” an essay by Bruno Latour to reimagine the problem of corporate short-termism. It investigates what it means to propose, under the gaze of law, that directors and investors look to the “long-term” when pursuing corporate purposes. The article contests that it is possible to zoom, as if using a telescopic lens, between the demands of different time frames. It is o…
Trumpism and Being in Worlds that Fall Between Worlds
In the Air of the Natural History Museum
This paper discusses corporate entanglement, impactfulness and responsibility in the Anthropocene, amidst events and conditions that 'uncontain' time. It takes its direction of travel from artist Brian Jungen's 'Cetology' (2002), a whalebone sculpture made out of cut-up plastic garden chairs, which conjoins the times of earth and world history, as it hangs in the air of the art gallery, 'as if' exhibited in the natural history museum. The paper r…
Law and economics (4 works) · Political science (4 works) · Economics (3 works) · Law (3 works) · Law (3 works) · Sociology (3 works) · Aesthetics (2 works) · Business (2 works) · Corporate social responsibility (2 works) · Environmental ethics (2 works)