Christel Stalpaert
Datos Biográficos
| ID | 348596 |
|---|---|
| NOMBRE | Christel Stalpaert |
| NOMBRES | Christel |
| APELLIDO | Stalpaert |
| FIRMA | STALPAERT C |
| AFILIACIONES | Ghent University |
| ORCID | 0000-0003-3733-4103 |
| VERIFICADO | Sí |
| TOTAL DE OBRAS | 14 |
| TOTAL DE CITAS | 16 |
| TOTAL COMO AUTOR | 13 |
| TOTAL COMO EDITOR | 1 |
| PRIMER AÑO DE PUBLICACIÓN | 2002 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2024 |
| ÍNDICE H | 2 |
The ephemerality of bearing witness
In this essay, we critically reflect upon the ephemeral nature of theatre. Such a reflection becomes particularly important in participatory refugee theatre, since the process of participants' bearing witness to experiences of trauma and violence is emphasised as the core impetus. To this end, we investigate the experiences of Syrian young adults participating in a theatre project in Belgium. We argue that the ephemeral nature of theatre enables …
It will always be Temporary
Given the increased prevalence of mental health problems in Syrian refugee communities, there have been efforts to develop adequate mental health care for their well-being. Herein, clinical literature is increasingly emphasizing the importance of locating refugees' healing at the nexus of personal and social realities, understanding the process of trauma narration within social restorative spaces of witnessing and communal support. Alongside this…
On Activation
This text is the preliminary part of a thematic issue of Performance Research ‘On Activation’, but it does not refer to a beginning to start from. The noun ‘introduction’ comes from the Latin verb
Performing Arts Activating Climate Change Awareness
The complexity of current ecological crises, such as climate change, calls for new modes of knowledge production. Common Dreams — Flotation School (2017) by the Portuguese, Brussels-based artist Maria Lucia Cruz Correia is a construction site and a pedagogical prototype that challenges the linear transfer of knowledge in scientific research
Tentacular Thinking in Storied Places
This text emerges from within the long-term performance project Necropolis, initiated by Arkadi Zaides, and operates not as an external analysis but as a co-produced document shaped through an ongoing collaboration between artistic, scientific, and activist practices. Rejecting singular authorship and linear knowledge production, the text foregrounds a relational, process-based methodology - what Donna Haraway terms “tentacular thinking” - in whi…
Choreographic Gestures of Resurgence and Repair
With the Institut des Croisements, choreographer, dancer and curator Arkadi Zaides unfolds a continuing engagement in human rights issues. His latest performance, Necropolis, considers the 'movements of people who are systematically and brutally stopped by border policies' (Zaides in Noeth 2020: 51). The starting point of every performance is extensive research into local cases of deaths of migrants. An important aspect of Necropolis lies in the …
A contextualized perspective on research participation in collaborative refugee research
Objective: An increasing body of literature emphasizes the role of refugees' social context, with social conditions both at home and in the host society having an impact on the possibility of power redistribution and the mobilization of agency in collaborative research practices.Our aim is to develop a contextualized understanding of research participation for refugees in collaborative research in order to further enhance insights on the potentia…
I Look at You and See You Looking at Me
In institutional ethical and deontological guidelines, there is a prevailing, static understanding of the research partnership, with a clear boundary between researcher and participant. In this article, we argue that such a static understanding may run the risk of impeding the development of an enhanced contextual and dynamic intersubjective understanding of the research partnership and its impact on the growing importance of role boundaries in q…
Behind every stone awaits an Alexander’
In this article, we question the unilateral discourse of benefit of participation in participatory refugee theatre in the context of a growing socio-political climate of polarisation and stigmatisation of refugees in European countries of resettlement. By integrating critical voices from the fields of applied theatre and refugee research, we analyse the micro and macro dramaturgy of a Berlin-based participatory refugee theatre project. Through th…
When the past strikes the present
Although the positive effects of the South African Truth and Reconciliation Commission (TRC) are commonly acknowledged, an increasing critical debate points at the limitations of the Commission's meta-narrative approach in ‘mastering’ the cultural trauma of apartheid. It is important to find relief in drawing meaning from traumatic experiences; however, the danger of a master narrative is that it constitutes a unilateral discourse with defined ch…
Drunk on Capitalism. An Interdisciplinary Reflection on Market Economy, Art and Science
Reenacting Modernity
To reenact nine solos Mary Wigman performed during her first U.S. tour (1930–31), Fabian Barba establishes a contract with the audience based on representational codes of modernist dance in the early twentieth century. As one enters the theater, a little program is found on one's seat with the intended course of the evening. The program mentions the place and date of the reenactment—in German, with an English translation, as it might have been du…
On Poet-Dancers and Animal-Thinkers
The Flemish artist and theater maker Wayn Traub uses the idea of embodied poetics to outwit logos, to introduce intensity and physicality into the cognitive viewing experience and hence to develop a postdramatic theater aesthetic. In his film-opera Maria Dolores (2003), he refers to his actors as “poet-dancers” and “animal-thinkers,” thus reflecting a particular desire for poetry to shape language, identity, community, and culture
The Entry of Charles-Alexandre de Lorraine into Brussels
Eighteenth-Century Life - Volume 26, Number 2, Spring 2002
A contextualized perspective on research participation in collaborative refugee research
Objective: An increasing body of literature emphasizes the role of refugees' social context, with social conditions both at home and in the host society having an impact on the possibility of power redistribution and the mobilization of agency in collaborative research practices.Our aim is to develop a contextualized understanding of research participation for refugees in collaborative research in order to further enhance insights on the potentia…
I Look at You and See You Looking at Me
In institutional ethical and deontological guidelines, there is a prevailing, static understanding of the research partnership, with a clear boundary between researcher and participant. In this article, we argue that such a static understanding may run the risk of impeding the development of an enhanced contextual and dynamic intersubjective understanding of the research partnership and its impact on the growing importance of role boundaries in q…
Reenacting Modernity
To reenact nine solos Mary Wigman performed during her first U.S. tour (1930–31), Fabian Barba establishes a contract with the audience based on representational codes of modernist dance in the early twentieth century. As one enters the theater, a little program is found on one's seat with the intended course of the evening. The program mentions the place and date of the reenactment—in German, with an English translation, as it might have been du…
It will always be Temporary
Given the increased prevalence of mental health problems in Syrian refugee communities, there have been efforts to develop adequate mental health care for their well-being. Herein, clinical literature is increasingly emphasizing the importance of locating refugees' healing at the nexus of personal and social realities, understanding the process of trauma narration within social restorative spaces of witnessing and communal support. Alongside this…
The Entry of Charles-Alexandre de Lorraine into Brussels
Eighteenth-Century Life - Volume 26, Number 2, Spring 2002
On Poet-Dancers and Animal-Thinkers
The Flemish artist and theater maker Wayn Traub uses the idea of embodied poetics to outwit logos, to introduce intensity and physicality into the cognitive viewing experience and hence to develop a postdramatic theater aesthetic. In his film-opera Maria Dolores (2003), he refers to his actors as “poet-dancers” and “animal-thinkers,” thus reflecting a particular desire for poetry to shape language, identity, community, and culture
Reenacting Modernity
To reenact nine solos Mary Wigman performed during her first U.S. tour (1930–31), Fabian Barba establishes a contract with the audience based on representational codes of modernist dance in the early twentieth century. As one enters the theater, a little program is found on one's seat with the intended course of the evening. The program mentions the place and date of the reenactment—in German, with an English translation, as it might have been du…
Drunk on Capitalism. An Interdisciplinary Reflection on Market Economy, Art and Science
When the past strikes the present
Although the positive effects of the South African Truth and Reconciliation Commission (TRC) are commonly acknowledged, an increasing critical debate points at the limitations of the Commission's meta-narrative approach in ‘mastering’ the cultural trauma of apartheid. It is important to find relief in drawing meaning from traumatic experiences; however, the danger of a master narrative is that it constitutes a unilateral discourse with defined ch…
Behind every stone awaits an Alexander’
In this article, we question the unilateral discourse of benefit of participation in participatory refugee theatre in the context of a growing socio-political climate of polarisation and stigmatisation of refugees in European countries of resettlement. By integrating critical voices from the fields of applied theatre and refugee research, we analyse the micro and macro dramaturgy of a Berlin-based participatory refugee theatre project. Through th…
I Look at You and See You Looking at Me
In institutional ethical and deontological guidelines, there is a prevailing, static understanding of the research partnership, with a clear boundary between researcher and participant. In this article, we argue that such a static understanding may run the risk of impeding the development of an enhanced contextual and dynamic intersubjective understanding of the research partnership and its impact on the growing importance of role boundaries in q…
Tentacular Thinking in Storied Places
This text emerges from within the long-term performance project Necropolis, initiated by Arkadi Zaides, and operates not as an external analysis but as a co-produced document shaped through an ongoing collaboration between artistic, scientific, and activist practices. Rejecting singular authorship and linear knowledge production, the text foregrounds a relational, process-based methodology - what Donna Haraway terms “tentacular thinking” - in whi…
Choreographic Gestures of Resurgence and Repair
With the Institut des Croisements, choreographer, dancer and curator Arkadi Zaides unfolds a continuing engagement in human rights issues. His latest performance, Necropolis, considers the 'movements of people who are systematically and brutally stopped by border policies' (Zaides in Noeth 2020: 51). The starting point of every performance is extensive research into local cases of deaths of migrants. An important aspect of Necropolis lies in the …
A contextualized perspective on research participation in collaborative refugee research
Objective: An increasing body of literature emphasizes the role of refugees' social context, with social conditions both at home and in the host society having an impact on the possibility of power redistribution and the mobilization of agency in collaborative research practices.Our aim is to develop a contextualized understanding of research participation for refugees in collaborative research in order to further enhance insights on the potentia…
On Activation
This text is the preliminary part of a thematic issue of Performance Research ‘On Activation’, but it does not refer to a beginning to start from. The noun ‘introduction’ comes from the Latin verb
Performing Arts Activating Climate Change Awareness
The complexity of current ecological crises, such as climate change, calls for new modes of knowledge production. Common Dreams — Flotation School (2017) by the Portuguese, Brussels-based artist Maria Lucia Cruz Correia is a construction site and a pedagogical prototype that challenges the linear transfer of knowledge in scientific research
The ephemerality of bearing witness
In this essay, we critically reflect upon the ephemeral nature of theatre. Such a reflection becomes particularly important in participatory refugee theatre, since the process of participants' bearing witness to experiences of trauma and violence is emphasised as the core impetus. To this end, we investigate the experiences of Syrian young adults participating in a theatre project in Belgium. We argue that the ephemeral nature of theatre enables …
It will always be Temporary
Given the increased prevalence of mental health problems in Syrian refugee communities, there have been efforts to develop adequate mental health care for their well-being. Herein, clinical literature is increasingly emphasizing the importance of locating refugees' healing at the nexus of personal and social realities, understanding the process of trauma narration within social restorative spaces of witnessing and communal support. Alongside this…
Art (11 obras) · Aesthetics (7 obras) · Political science (7 obras) · Sociology (7 obras) · History (6 obras) · Law (5 obras) · Philosophy (5 obras) · Visual arts (5 obras) · Computer Science (4 obras) · Migration, Health and Trauma (4 obras)