Paul Goodfellow
Biographic Data
| ID | 3489413 |
|---|---|
| NAME | Paul Goodfellow |
| GIVEN NAMES | Paul |
| FAMILY NAME | Goodfellow |
| SIGNATURE | GOODFELLOW P |
| AFFILIATIONS | Northumbria University |
| ORCID | 0000-0002-9612-5339 |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2019 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
The Distributed Authorship of Art in the Age of AI
The distribution of authorship in the age of machine learning or artificial intelligence (AI) suggests a taxonomic system that places art objects along a spectrum in terms of authorship: from pure human creation, which draws directly from the interior world of affect, emotions and ideas, through to co-evolved works created with tools and collective production and finally to works that are largely devoid of human involvement. Human and machine pro…
Elliptical Forms
Contemporary systems painting directly engages with the material of contemporary culture, not necessarily the technological substrates of computation, social media, the Internet, and artificial intelligence, but the concept of the algorithm and the circulation and patterning of information at the limit of human apprehension. Systems painting emerged as part of the wider category of systems art in the 1960s—a heterogenous collection of artists who…
Channelling the Unknown
At both the individual and societal levels, we are entangled within environmental, social, and technological systems that shape our material and emotional states. Contemporary art needs to integrate and challenge the information circulating within these interacting systems to address our increasingly complex lifeworld. This systemic understanding emerged in the 1960s as part of a broader growth in relational thinking within the natural and social…
Eerie Systems and Saudade for a Lost Nature
This paper considers Art's engagement with the socio-ecological systems in operation in the world. Drawing from both environmental and art history, this paper employs the Deleuzean concept of the fold to suggest three overlapping periods of ecological-systems awareness over the past sixty years. This paper demonstrates how we have shifted our attention from a material engagement with the Earth to a primary engagement with systems which describe a…
No prominent works on this page.
Eerie Systems and Saudade for a Lost Nature
This paper considers Art's engagement with the socio-ecological systems in operation in the world. Drawing from both environmental and art history, this paper employs the Deleuzean concept of the fold to suggest three overlapping periods of ecological-systems awareness over the past sixty years. This paper demonstrates how we have shifted our attention from a material engagement with the Earth to a primary engagement with systems which describe a…
Channelling the Unknown
At both the individual and societal levels, we are entangled within environmental, social, and technological systems that shape our material and emotional states. Contemporary art needs to integrate and challenge the information circulating within these interacting systems to address our increasingly complex lifeworld. This systemic understanding emerged in the 1960s as part of a broader growth in relational thinking within the natural and social…
Elliptical Forms
Contemporary systems painting directly engages with the material of contemporary culture, not necessarily the technological substrates of computation, social media, the Internet, and artificial intelligence, but the concept of the algorithm and the circulation and patterning of information at the limit of human apprehension. Systems painting emerged as part of the wider category of systems art in the 1960s—a heterogenous collection of artists who…
The Distributed Authorship of Art in the Age of AI
The distribution of authorship in the age of machine learning or artificial intelligence (AI) suggests a taxonomic system that places art objects along a spectrum in terms of authorship: from pure human creation, which draws directly from the interior world of affect, emotions and ideas, through to co-evolved works created with tools and collective production and finally to works that are largely devoid of human involvement. Human and machine pro…
Computer Science (3 works) · Art (2 works) · Art, Technology, and Culture (2 works) · Epistemology (2 works) · Innovation, Sustainability, Human-Machine Systems (2 works) · Sociology (2 works) · Visual arts (2 works) · Aesthetics (1 works) · Apprehension (1 works) · Art, Politics, and Modernism (1 works)