Marshall Deutelbaum
Biographic Data
| ID | 3491949 |
|---|---|
| NAME | Marshall Deutelbaum |
| GIVEN NAMES | Marshall |
| FAMILY NAME | Deutelbaum |
| SIGNATURE | DEUTELBAUM M |
| AFFILIATIONS | Purdue University West Lafayette |
| ORCID | 0000-0001-5836-3857 |
| VERIFIED | Yes |
| TOTAL WORKS | 11 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 11 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1979 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
John Ford at Work
Conversations avec / with Dean Tavoularis
Published in conjunction with the November 2022 retrospective of Dean Tavoularis’ films at the Cinematheque Française, Conversations avec / with Dean Tavoularis is a large format, heavily illustrated, dual language text that surveys the eminent set designer’s most significant work from sixty years of filmmaking. The text’s four main parts cover Tavoularis’ design of films related to “New Hollywood” (Bonnie and Clyde, Little Big Man, and Zabriskie…
Playful Frames
Review of: Playful Frames: Styles of Widescreen Cinema , Steven Rybin (2024) New Brunswick, NJ: Rutgers University Press, 186 pp., ISBN 978-1-97881-595-7, h/bk, $150.00 ISBN 978-1-97881-594-0, p/bk, $42.95
The play of parallel editing in Hong Sangsoo’s The Day After
This essay surveys how from time to time over the course of his filmmaking, Hong Sangsoo has experimented with crosscutting and parallel editing, taking apart their basic elements and recombining them in novel ways. This essay focuses on the way The Day After presents two plot line edited in parallel that move in opposite chronological directions. One plot line moves forward in time while the other moves backwards. Hong's considerable ingenuity a…
The Architecture of Suspense
Review of: The Architecture of Suspense: The Built World in the Films of Alfred Hitchcock by Christine Madrid French The Wrong House: The Architecture of Alfred Hitchcock by Steven Jacobs
Resetting the Scene
Mysteries of Lisbon
This essay analyzes the structure of Mysteries of Lisbon by reconstructing its story in chronological sequence and by examining how in place of the single character striving to achieve a goal or solve a puzzle as one would expect to discover at the heart of the typical classical Hollywood film, Mysteries of Lisbon employs an unusual, echoing structure between the film’s two parts that tightly interrelates the actions of multiple characters who ap…
A closer look at the structure of Hong Sangsoo’s Hahaha
Hahaha by Hong Sangsoo (2010) alternates between a conversation taking place in the present between narrators photographed in black-and-white still images who take turns describing the experiences each had in a small South Korean seaside town and images in colour and motion that present those past experiences. Viewers quickly realize that the men were in the town at the same time, though the pair never understands this because they frequently cro…
The Deceptive Design of Hong Sangsoo's Virgin Stripped Bare by Her Bachelors
Sandwiched between sequences set in the present, Hong Sangsoo's unusually structured Virgin Stripped Bare by Her Bachelors (Oh!, Soojung!, 2000) twice presents the history of a couple's developing relationship from its beginning to the day before the film's present time. Critics assume that the first telling represents the man's point of view, while the second presents events from the woman's point of view. And because at certain points the two r…
Remembering Henri Langlois
Richard Roud. A Passion for Films: Henri Langlois and the Cinémathèque Française. Foreword by François Truffaut. New York: The Viking Press, 1983. 218 pp. $16.95 cloth
"The Narrative Structure of "She Wore a Yellow Ribbon
The uncertainty of auteurist critics about the narrative structure of John Ford's She Wore a Yellow Ribbon illustrates the difficulty this mode of criticism has in moving from the perception of the generally recurrent themes and stylistic features revealed over the course of a director's films to the analysis of the specific organization of a single film within that group. Traditional genre criticism, of course, often reveals the same difficulty.…
No prominent works on this page.
"The Narrative Structure of "She Wore a Yellow Ribbon
The uncertainty of auteurist critics about the narrative structure of John Ford's She Wore a Yellow Ribbon illustrates the difficulty this mode of criticism has in moving from the perception of the generally recurrent themes and stylistic features revealed over the course of a director's films to the analysis of the specific organization of a single film within that group. Traditional genre criticism, of course, often reveals the same difficulty.…
Remembering Henri Langlois
Richard Roud. A Passion for Films: Henri Langlois and the Cinémathèque Française. Foreword by François Truffaut. New York: The Viking Press, 1983. 218 pp. $16.95 cloth
The Deceptive Design of Hong Sangsoo's Virgin Stripped Bare by Her Bachelors
Sandwiched between sequences set in the present, Hong Sangsoo's unusually structured Virgin Stripped Bare by Her Bachelors (Oh!, Soojung!, 2000) twice presents the history of a couple's developing relationship from its beginning to the day before the film's present time. Critics assume that the first telling represents the man's point of view, while the second presents events from the woman's point of view. And because at certain points the two r…
A closer look at the structure of Hong Sangsoo’s Hahaha
Hahaha by Hong Sangsoo (2010) alternates between a conversation taking place in the present between narrators photographed in black-and-white still images who take turns describing the experiences each had in a small South Korean seaside town and images in colour and motion that present those past experiences. Viewers quickly realize that the men were in the town at the same time, though the pair never understands this because they frequently cro…
Mysteries of Lisbon
This essay analyzes the structure of Mysteries of Lisbon by reconstructing its story in chronological sequence and by examining how in place of the single character striving to achieve a goal or solve a puzzle as one would expect to discover at the heart of the typical classical Hollywood film, Mysteries of Lisbon employs an unusual, echoing structure between the film’s two parts that tightly interrelates the actions of multiple characters who ap…
Resetting the Scene
The play of parallel editing in Hong Sangsoo’s The Day After
This essay surveys how from time to time over the course of his filmmaking, Hong Sangsoo has experimented with crosscutting and parallel editing, taking apart their basic elements and recombining them in novel ways. This essay focuses on the way The Day After presents two plot line edited in parallel that move in opposite chronological directions. One plot line moves forward in time while the other moves backwards. Hong's considerable ingenuity a…
The Architecture of Suspense
Review of: The Architecture of Suspense: The Built World in the Films of Alfred Hitchcock by Christine Madrid French The Wrong House: The Architecture of Alfred Hitchcock by Steven Jacobs
Conversations avec / with Dean Tavoularis
Published in conjunction with the November 2022 retrospective of Dean Tavoularis’ films at the Cinematheque Française, Conversations avec / with Dean Tavoularis is a large format, heavily illustrated, dual language text that surveys the eminent set designer’s most significant work from sixty years of filmmaking. The text’s four main parts cover Tavoularis’ design of films related to “New Hollywood” (Bonnie and Clyde, Little Big Man, and Zabriskie…
Playful Frames
Review of: Playful Frames: Styles of Widescreen Cinema , Steven Rybin (2024) New Brunswick, NJ: Rutgers University Press, 186 pp., ISBN 978-1-97881-595-7, h/bk, $150.00 ISBN 978-1-97881-594-0, p/bk, $42.95
John Ford at Work
Art (10 works) · Art history (5 works) · Visual arts (5 works) · Aesthetics (4 works) · Cinema and Media Studies (4 works) · History (4 works) · Literature (4 works) · Mathematics (4 works) · Asian Culture and Media Studies (3 works) · Geometry (3 works)