Leland Poague
Biographic Data
| ID | 3491950 |
|---|---|
| NAME | Leland Poague |
| GIVEN NAMES | Leland |
| FAMILY NAME | Poague |
| SIGNATURE | POAGUE L |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1974 |
| LATEST PUBLICATION YEAR | 1988 |
| H-INDEX | 1 |
All I Can See Is the Flags
In Genre and History: Fort Apache and Liberty Valance, Douglas Pye asserts that genre Western remains vital by being unreflective-the condition of its viability is not to know present.' John Ford's films are interesting in this context precisely because certain among them address with varying degrees of explicitness question, How did that past become this present?2 In case of Fort Apache, this entails historicising generic West (by reference to C…
Leland Poague Replies
Leland Poague Replies to Robert Self's "Robert Altman and the Theory of Authorship" ("Cinema Journal," Fall 1985)
Dylan as Auteur
Dylan as Auteur
Leland Poague Replies to Robert Self's "Robert Altman and the Theory of Authorship" ("Cinema Journal," Fall 1985)
All I Can See Is the Flags
In Genre and History: Fort Apache and Liberty Valance, Douglas Pye asserts that genre Western remains vital by being unreflective-the condition of its viability is not to know present.' John Ford's films are interesting in this context precisely because certain among them address with varying degrees of explicitness question, How did that past become this present?2 In case of Fort Apache, this entails historicising generic West (by reference to C…
Leland Poague Replies
Art (4 works) · Humanities (4 works) · American and British Literature Analysis (1 works) · American Sports and Literature (1 works) · Art history (1 works) · Art History and Market Analysis (1 works) · Auteur theory (1 works) · Cinema and Media Studies (1 works) · Computer Science (1 works) · Critical Realism in Sociology (1 works)