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Béatrice Trotignon

Biographic Data

ID3492733
NAMEBéatrice Trotignon
GIVEN NAMESBéatrice
FAMILY NAMETrotignon
SIGNATURETROTIGNON B
AFFILIATIONSUniversité Paris Cité
VERIFIEDNo
TOTAL WORKS8
TOTAL CITATIONS0
WORKS AS AUTHOR8
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1997
LATEST PUBLICATION YEAR2023
H-INDEX0
  • Wayne Thiebaud, 29 January – 21 May 2023, Fondation Beyeler, Basel

    Open Access•Béatrice Trotignon•ARTICLE•Transatlantica•2023

    Two years after his death at the age of 101 on Christmas Day 2021, Wayne Thiebaud was given a major exhibition at the Fondation Beyeler in Basel, Switzerland. The neatly simple steel-and-glass architectural gem designed by Renzo Piano and set in a beautiful park offers a perfect environment in more than one way for the Sacramento-based artist, whose grandfather Rudolph Louis Thiebaud was a Swiss immigrant to the United States in the nineteenth ce…

  • “ I remember dates. Numbers ”

    Béatrice Trotignon•ARTICLE•Études anglaises•2022

  • “ I remember dates. Numbers ”

    Béatrice Trotignon•ARTICLE•Études anglaises•2022

    Prenant au mot le personnage de Carson Wells dans No Country for Old Men , qui dit avoir la mémoire des dates et des chiffres ainsi que l’œil pour des détails comme les étages manquants d’un bâtiment, cet article se propose de relever quelques incohérences dans le roman en termes de géographie et de technologie. On peut les interpréter comme une stratégie mise en œuvre par McCarthy pour saper la forme générique du thriller mais aussi pour mettre …

  • A Portrait of a ‘Selfie’ in the Making

    Open Access•Béatrice Trotignon•ARTICLE•InMedia•2020

    This paper focuses on an iconological analysis of Roberto Schmidt’s photograph of Danish Prime Minister Helle Thorning-Schmidt taking a selfie with U.S. President Barack Obama and U.K. Prime Minister David Cameron during late President Nelson Mandela’s memorial service on December 10th, 2013, at the First National Bank Stadium in Soweto. This analysis shows the compositional strength of the photograph and argues that part of its power rests in th…

  • The Persisting Relic of Prayer in The Road by Cormac McCarthy

    Béatrice Trotignon•ARTICLE•Revue française d’études…•2015

  • Invocation et expression du site dans The California Poem d'Eleni Sikelianos

    Béatrice Trotignon•ARTICLE•Revue française d’études…•2012

    Lawrence Buell has shown that such issues as referentiality and the word-world linkage are central in the critical analysis of nature writing. The study of an extract from The California Poem by Eleni Sikelianos examines the enunciative and intertextual strategies used to evoke a poetic site whilst allowing an ecocentric, non-anthropomorphic voice of nature to be heard

  • Florence Stricker. Cormac McCarthy – Les romans du Sud-Ouest. Paris

    Béatrice Trotignon•ARTICLE•Revue française d’études…•2010

    Musil apparaît comme un penseur qui se situe au confluent de la littérature et de la philosophie européennes. L'intérêt pour sa conception d'un sujet « sans qualités », longtemps comprise en référence à la tradition autrichienne et à Mach, ne rend pas compte de sa vision du caractère ni de son attachement « romantique » à la subjectivité. C'est bien plutôt l'héritage d'Emerson qui éclaire son ambition de sauver le sujet, à travers des notions tel…

  • L’oeil et le regard, ou la crise du témoignage dans Blood Meridian de Cormac McCarthy

    Béatrice Trotignon•ARTICLE•Revue française d’études…•1997

    In McCarthy's Blood Meridian the reader is constantly made to hesitate between opposed and fluctuating modes of reading. The act of witnessing (certainly a crux of the novel as is implied by its opening words "See the child") and that of interpreting undergo a severe crisis, not only through the deviation of such conventions as the use of an epilogue and chapter headings, but more forcibly through the shifts in focalization. These shifts occur in…

No prominent works on this page.

  • L’oeil et le regard, ou la crise du témoignage dans Blood Meridian de Cormac McCarthy

    Béatrice Trotignon•ARTICLE•Revue française d’études…•1997

    In McCarthy's Blood Meridian the reader is constantly made to hesitate between opposed and fluctuating modes of reading. The act of witnessing (certainly a crux of the novel as is implied by its opening words "See the child") and that of interpreting undergo a severe crisis, not only through the deviation of such conventions as the use of an epilogue and chapter headings, but more forcibly through the shifts in focalization. These shifts occur in…

  • Florence Stricker. Cormac McCarthy – Les romans du Sud-Ouest. Paris

    Béatrice Trotignon•ARTICLE•Revue française d’études…•2010

    Musil apparaît comme un penseur qui se situe au confluent de la littérature et de la philosophie européennes. L'intérêt pour sa conception d'un sujet « sans qualités », longtemps comprise en référence à la tradition autrichienne et à Mach, ne rend pas compte de sa vision du caractère ni de son attachement « romantique » à la subjectivité. C'est bien plutôt l'héritage d'Emerson qui éclaire son ambition de sauver le sujet, à travers des notions tel…

  • Invocation et expression du site dans The California Poem d'Eleni Sikelianos

    Béatrice Trotignon•ARTICLE•Revue française d’études…•2012

    Lawrence Buell has shown that such issues as referentiality and the word-world linkage are central in the critical analysis of nature writing. The study of an extract from The California Poem by Eleni Sikelianos examines the enunciative and intertextual strategies used to evoke a poetic site whilst allowing an ecocentric, non-anthropomorphic voice of nature to be heard

  • The Persisting Relic of Prayer in The Road by Cormac McCarthy

    Béatrice Trotignon•ARTICLE•Revue française d’études…•2015

  • A Portrait of a ‘Selfie’ in the Making

    Open Access•Béatrice Trotignon•ARTICLE•InMedia•2020

    This paper focuses on an iconological analysis of Roberto Schmidt’s photograph of Danish Prime Minister Helle Thorning-Schmidt taking a selfie with U.S. President Barack Obama and U.K. Prime Minister David Cameron during late President Nelson Mandela’s memorial service on December 10th, 2013, at the First National Bank Stadium in Soweto. This analysis shows the compositional strength of the photograph and argues that part of its power rests in th…

  • “ I remember dates. Numbers ”

    Béatrice Trotignon•ARTICLE•Études anglaises•2022

  • “ I remember dates. Numbers ”

    Béatrice Trotignon•ARTICLE•Études anglaises•2022

    Prenant au mot le personnage de Carson Wells dans No Country for Old Men , qui dit avoir la mémoire des dates et des chiffres ainsi que l’œil pour des détails comme les étages manquants d’un bâtiment, cet article se propose de relever quelques incohérences dans le roman en termes de géographie et de technologie. On peut les interpréter comme une stratégie mise en œuvre par McCarthy pour saper la forme générique du thriller mais aussi pour mettre …

  • Wayne Thiebaud, 29 January – 21 May 2023, Fondation Beyeler, Basel

    Open Access•Béatrice Trotignon•ARTICLE•Transatlantica•2023

    Two years after his death at the age of 101 on Christmas Day 2021, Wayne Thiebaud was given a major exhibition at the Fondation Beyeler in Basel, Switzerland. The neatly simple steel-and-glass architectural gem designed by Renzo Piano and set in a beautiful park offers a perfect environment in more than one way for the Sacramento-based artist, whose grandfather Rudolph Louis Thiebaud was a Swiss immigrant to the United States in the nineteenth ce…

Art (4 works) · Crime and Detective Fiction Studies (4 works) · Modern American Literature Studies (4 works) · Gothic Literature and Media Analysis (3 works) · Humanities (3 works) · Philosophy (3 works) · Literature (2 works) · Philosophy (2 works) · American and British Literature Analysis (1 work) · Art history (1 work)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae