Jessica M Lapp
Biographic Data
| ID | 3493753 |
|---|---|
| NAME | Jessica M Lapp |
| GIVEN NAMES | Jessica M |
| FAMILY NAME | Lapp |
| SIGNATURE | LAPP J M |
| AFFILIATIONS | University of Toronto |
| ORCID | 0000-0002-7433-3401 |
| VERIFIED | Yes |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 10 |
| WORKS AS AUTHOR | 6 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2019 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 2 |
Nothing much was lost”
The only way we knew how
Posters with Glitter Issues
This article explores the Newberry Library's Chicago Protest Collection and its 'posters with glitter issues', that is, protest ephemera classified by conservation concern due to the amount of glitter and glue used in its construction. The Newberry's collection of protest materials is a unique and at-times contradictory archival body. What allows these materials to hang together is their glitter proximity; how they shed, spread, accumulate, and i…
The Evolution of the Ethnographic Object Catalog of the Canadian Museum of History, Part 1
This article reports on the first part of a two-part study that traces the evolution of the Canadian Museum of History’s catalog of its ethnological collections from 1879 to the present day. Drawing on the insights of rhetorical genre studies, we examine how the catalog has been implicated in the formation and shaping of anthropological knowledge in the museum over the course of its history. In this first part, we focus on the ledgers that served…
The Evolution of the Ethnographic Object Catalog of the Canadian Museum of History, Part 2
This article reports on the second part of a two-part study tracing the evolution of the Canadian Museum of History’s catalog of its ethnological collections from 1879 to the present day. Drawing on the insights of rhetorical genre studies, we examine how the catalog has been implicated in the formation and shaping of anthropological knowledge in the museum over the course of its history. In this second part, we trace the catalog’s evolution from…
Handmaidens of history”
The only way we knew how
Handmaidens of history”
Posters with Glitter Issues
This article explores the Newberry Library's Chicago Protest Collection and its 'posters with glitter issues', that is, protest ephemera classified by conservation concern due to the amount of glitter and glue used in its construction. The Newberry's collection of protest materials is a unique and at-times contradictory archival body. What allows these materials to hang together is their glitter proximity; how they shed, spread, accumulate, and i…
Handmaidens of history”
The Evolution of the Ethnographic Object Catalog of the Canadian Museum of History, Part 1
This article reports on the first part of a two-part study that traces the evolution of the Canadian Museum of History’s catalog of its ethnological collections from 1879 to the present day. Drawing on the insights of rhetorical genre studies, we examine how the catalog has been implicated in the formation and shaping of anthropological knowledge in the museum over the course of its history. In this first part, we focus on the ledgers that served…
The Evolution of the Ethnographic Object Catalog of the Canadian Museum of History, Part 2
This article reports on the second part of a two-part study tracing the evolution of the Canadian Museum of History’s catalog of its ethnological collections from 1879 to the present day. Drawing on the insights of rhetorical genre studies, we examine how the catalog has been implicated in the formation and shaping of anthropological knowledge in the museum over the course of its history. In this second part, we trace the catalog’s evolution from…
The only way we knew how
Posters with Glitter Issues
This article explores the Newberry Library's Chicago Protest Collection and its 'posters with glitter issues', that is, protest ephemera classified by conservation concern due to the amount of glitter and glue used in its construction. The Newberry's collection of protest materials is a unique and at-times contradictory archival body. What allows these materials to hang together is their glitter proximity; how they shed, spread, accumulate, and i…
Nothing much was lost”
Art (6 works) · Sociology (6 works) · Computer Science (4 works) · History (4 works) · History (4 works) · Aesthetics (3 works) · Archaeology (3 works) · Digital and Traditional Archives Management (3 works) · Literature (3 works) · Media studies (3 works)