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Dan Strutt

Biographic Data

ID3493856
NAMEDan Strutt
GIVEN NAMESDan
FAMILY NAMEStrutt
SIGNATURESTRUTT D
AFFILIATIONSGoldsmiths University of London
ORCID0000-0001-5169-1145
VERIFIEDYes
TOTAL WORKS3
TOTAL CITATIONS2
WORKS AS AUTHOR3
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2019
LATEST PUBLICATION YEAR2021
H-INDEX1
  • New Telematic Technologies for Remote Creation, Rehearsal and Performance of Choreographic Work

    Open Access•Dan Strutt, Daniel Strutt et al.•ARTICLE•Journal of Embodied Research•2021

    A Goldsmiths based AHRC funded project within the ‘Tackling the Impact of COVID-19’ UKRI call. In collaboration with LASALLE College of the Arts Singapore, Akram Khan Dance Company, and Target3D. In this experimental test session recorded in July 2020, two dancers, one in London, and one in Singapore, are dancing together, but virtually, each wearing an inertial sensor motion capture system. Live and pre-captured dance data was streamed from a da…

  • Virtual relationships

    Open Access•Dan Strutt, Rosamaria E Kostic Cisneros•ARTICLE•Theatre & Performance Design•2021

    People might assume that dancing with a digital avatar would be a relatively distant, dehumanizing or disembodied process. However, in this article we propose that effective and creative choreographic practice can be achieved by working with a virtual representation of a dancer, and we offer two case studies to evidence the practical application of motion capture technology within this context. We observed that the virtual model quickly and natur…

  • Feminism and the Politics of Creative Labour

    A Mcrobbie, Dan Strutt et al.•ARTICLE•Australian Feminist Studies•2019•Cited by: 2•References: 16

    This article makes the case for fashion – as part of the creative industries and a major employer of women, as well as a significant space for self-organised work – to attract more sustained attention from feminist scholars in order to develop a stronger policy lobby for the sector with priority given to quality livelihoods. Drawing on interviews and observations carried out within the course of a three-year study which investigated working lives…

  • Feminism and the Politics of Creative Labour

    A Mcrobbie, Dan Strutt et al.•ARTICLE•Australian Feminist Studies•2019•Cited by: 2•References: 16

    This article makes the case for fashion – as part of the creative industries and a major employer of women, as well as a significant space for self-organised work – to attract more sustained attention from feminist scholars in order to develop a stronger policy lobby for the sector with priority given to quality livelihoods. Drawing on interviews and observations carried out within the course of a three-year study which investigated working lives…

  • Feminism and the Politics of Creative Labour

    A Mcrobbie, Dan Strutt et al.•ARTICLE•Australian Feminist Studies•2019•Cited by: 2•References: 16

    This article makes the case for fashion – as part of the creative industries and a major employer of women, as well as a significant space for self-organised work – to attract more sustained attention from feminist scholars in order to develop a stronger policy lobby for the sector with priority given to quality livelihoods. Drawing on interviews and observations carried out within the course of a three-year study which investigated working lives…

  • New Telematic Technologies for Remote Creation, Rehearsal and Performance of Choreographic Work

    Open Access•Dan Strutt, Daniel Strutt et al.•ARTICLE•Journal of Embodied Research•2021

    A Goldsmiths based AHRC funded project within the ‘Tackling the Impact of COVID-19’ UKRI call. In collaboration with LASALLE College of the Arts Singapore, Akram Khan Dance Company, and Target3D. In this experimental test session recorded in July 2020, two dancers, one in London, and one in Singapore, are dancing together, but virtually, each wearing an inertial sensor motion capture system. Live and pre-captured dance data was streamed from a da…

  • Virtual relationships

    Open Access•Dan Strutt, Rosamaria E Kostic Cisneros•ARTICLE•Theatre & Performance Design•2021

    People might assume that dancing with a digital avatar would be a relatively distant, dehumanizing or disembodied process. However, in this article we propose that effective and creative choreographic practice can be achieved by working with a virtual representation of a dancer, and we offer two case studies to evidence the practical application of motion capture technology within this context. We observed that the virtual model quickly and natur…

Art (2 works) · Computer Science (2 works) · Dance (2 works) · Multimedia (2 works) · Sociology (2 works) · Visual arts (2 works) · Aesthetic Perception and Analysis (1 work) · Aesthetics (1 work) · Affordance (1 work) · Argument (complex analysis (1 work)

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