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Sharon D Raynor

Biographic Data

ID3493971
NAMESharon D Raynor
GIVEN NAMESSharon D
FAMILY NAMERaynor
SIGNATURERAYNOR S D
AFFILIATIONSJohnson C. Smith University
VERIFIEDNo
TOTAL WORKS5
TOTAL CITATIONS6
WORKS AS AUTHOR4
WORKS AS EDITOR1
FIRST PUBLICATION YEAR2009
LATEST PUBLICATION YEAR2021
H-INDEX2
  • Teaching Race in Perilous Times

    Jason E Cohen, Sharon D Raynor et al.•EDITOR•BOOK•Teaching Race in Perilous Times•2021

  • South Vietnamese Soldiers

    Open Access•Sharon D Raynor•ARTICLE•The Oral History Review•2019

  • Daisy Turner’s Kin

    Sharon D Raynor•ARTICLE•The Oral History Review•2016

    If you are interested in learning how oral history can lead to discovery and help chronicle a family legacy, then you will find Daisy Turner’s Kin: An African American Family Saga a necessary guide...

  • Victim, Risqué, Provocateur

    Annette Houlihan, Sharon D Raynor•ARTICLE•Australian Feminist Studies•2014•Cited by: 2•References: 12

    Using lenses of Black and Brown feminisms, this article examines popular music artist Chris Brown's 2009 assault of his then partner, Rihanna. Since the assault, Rihanna's identity has been continually written and represented as both inherently victimised and somehow responsible for provoking Brown's violence. The article draws attention to young Black and Brown women's constructions as both 'at-risk' and 'risky', and how Rihanna's 'risqu駠public …

  • My First Black Barbie

    Open Access•Sharon D Raynor, Sharon Raynor•ARTICLE•Culture Studies ↔ Critical…•2009•Cited by: 4•References: 2

    This essay addresses issues about how the image of Black Barbie dolls can transform the standards of beauty for little Black girls. This image may help the construction or even the re-construction of self and identity. Exploring and perhaps embracing the Barbie image can serve as a form of resistance for Black girls/woman, or it may even help address issues of domination, racism, sexism, and class exploitation that oppress and threaten the surviv…

  • My First Black Barbie

    Open Access•Sharon D Raynor, Sharon Raynor•ARTICLE•Culture Studies ↔ Critical…•2009•Cited by: 4•References: 2

    This essay addresses issues about how the image of Black Barbie dolls can transform the standards of beauty for little Black girls. This image may help the construction or even the re-construction of self and identity. Exploring and perhaps embracing the Barbie image can serve as a form of resistance for Black girls/woman, or it may even help address issues of domination, racism, sexism, and class exploitation that oppress and threaten the surviv…

  • Victim, Risqué, Provocateur

    Annette Houlihan, Sharon D Raynor•ARTICLE•Australian Feminist Studies•2014•Cited by: 2•References: 12

    Using lenses of Black and Brown feminisms, this article examines popular music artist Chris Brown's 2009 assault of his then partner, Rihanna. Since the assault, Rihanna's identity has been continually written and represented as both inherently victimised and somehow responsible for provoking Brown's violence. The article draws attention to young Black and Brown women's constructions as both 'at-risk' and 'risky', and how Rihanna's 'risqu駠public …

  • My First Black Barbie

    Open Access•Sharon D Raynor, Sharon Raynor•ARTICLE•Culture Studies ↔ Critical…•2009•Cited by: 4•References: 2

    This essay addresses issues about how the image of Black Barbie dolls can transform the standards of beauty for little Black girls. This image may help the construction or even the re-construction of self and identity. Exploring and perhaps embracing the Barbie image can serve as a form of resistance for Black girls/woman, or it may even help address issues of domination, racism, sexism, and class exploitation that oppress and threaten the surviv…

  • Victim, Risqué, Provocateur

    Annette Houlihan, Sharon D Raynor•ARTICLE•Australian Feminist Studies•2014•Cited by: 2•References: 12

    Using lenses of Black and Brown feminisms, this article examines popular music artist Chris Brown's 2009 assault of his then partner, Rihanna. Since the assault, Rihanna's identity has been continually written and represented as both inherently victimised and somehow responsible for provoking Brown's violence. The article draws attention to young Black and Brown women's constructions as both 'at-risk' and 'risky', and how Rihanna's 'risqu駠public …

  • Daisy Turner’s Kin

    Sharon D Raynor•ARTICLE•The Oral History Review•2016

    If you are interested in learning how oral history can lead to discovery and help chronicle a family legacy, then you will find Daisy Turner’s Kin: An African American Family Saga a necessary guide...

  • South Vietnamese Soldiers

    Open Access•Sharon D Raynor•ARTICLE•The Oral History Review•2019

  • Teaching Race in Perilous Times

    Jason E Cohen, Sharon D Raynor et al.•EDITOR•BOOK•Teaching Race in Perilous Times•2021

History (3 works) · Sociology (3 works) · Aesthetics (2 works) · Art (2 works) · Gender Studies (2 works) · Gender, Feminism, and Media (2 works) · Identity (music (2 works) · Anthropology (1 work) · Archaeology (1 work) · Artificial Intelligence (1 work)

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