C Guo
Biographic Data
| ID | 34955 |
|---|---|
| NAME | C Guo |
| GIVEN NAMES | C |
| FAMILY NAME | Guo |
| SIGNATURE | GUO C |
| AFFILIATIONS | South China Normal University |
| ORCID | 0000-0002-1485-3886 |
| VERIFIED | Yes |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 2 |
| WORKS AS AUTHOR | 7 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2016 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 1 |
Using animals as metaphors for current events
As a traditional theme of Chinese oral performance, the “mutual accusations of the cat and the mouse” ( maoshu xianggao 貓鼠相告) underwent obvious local variations in the Hokkien ballads of Fujian and Taiwan in the early twentieth century. The story describes three conflicts between the cat and the mouse, who are finally reconciled with each other under the judgement of King Yama. The Hokkien ballad depicts a scene of council negotiations and introd…
To be numbered among the continents’
Between Collective Will and Individual Standards
What a Desirable Woman Is Like
Hsia Moon (Xia Meng) was a famous leftist film star in postwar Hong Kong, whose social persona was tailored for specific cultural purposes under the prevailing star system. Her early cinematic roles generally portrayed exemplars of women's empowerment, as derived from the programmatic ideas of the New Culture Movement in the early decades of the twentieth century. But from 1958 onward, Hsia Moon's characters began to transform in a more tradition…
The Woman with No Escape
The Zhu Maichen story originates as a case of ‘female-initiated divorce' in an ancient Chinese biography, before later becoming a familiar late imperial narrative. In the last hundred years, it has featured as a prominent part of the narrative heritage available for operatic reworking. The absence of a canonical authorial version gives more space for playwrights and performers to incorporate their current perspectives of gender and sexuality into…
Incorporating Folk Belief into National Heritage
Xiud Yax Lus Qim or Yalu wang 亞魯王 (Ode to the King Yalu) is a type of oral performance inherited verbally and transmitted orally by dongb langf (donglang 東郎, chanters of Yalu wang) at funerals and festive occasions. As one of the most representative cultural sets of the Miao (Hmong) ethnic group located in southern China, Yalu wang is embedded in Miao sorcery beliefs and practices, and serves as a vehicle to unite the community and maintain the i…
Full Issue
This article examines the Community Foundation of Southeast Michigan's launch of a broad-based, multilayered strategy to promote youth leadership in the region, and showcases what can be accomplished when foundations invest in such strategies. In partnership with the University of Michigan School of Social Work and the Dorothy A. Johnson
Incorporating Folk Belief into National Heritage
Xiud Yax Lus Qim or Yalu wang 亞魯王 (Ode to the King Yalu) is a type of oral performance inherited verbally and transmitted orally by dongb langf (donglang 東郎, chanters of Yalu wang) at funerals and festive occasions. As one of the most representative cultural sets of the Miao (Hmong) ethnic group located in southern China, Yalu wang is embedded in Miao sorcery beliefs and practices, and serves as a vehicle to unite the community and maintain the i…
Full Issue
This article examines the Community Foundation of Southeast Michigan's launch of a broad-based, multilayered strategy to promote youth leadership in the region, and showcases what can be accomplished when foundations invest in such strategies. In partnership with the University of Michigan School of Social Work and the Dorothy A. Johnson
The Woman with No Escape
The Zhu Maichen story originates as a case of ‘female-initiated divorce' in an ancient Chinese biography, before later becoming a familiar late imperial narrative. In the last hundred years, it has featured as a prominent part of the narrative heritage available for operatic reworking. The absence of a canonical authorial version gives more space for playwrights and performers to incorporate their current perspectives of gender and sexuality into…
Incorporating Folk Belief into National Heritage
Xiud Yax Lus Qim or Yalu wang 亞魯王 (Ode to the King Yalu) is a type of oral performance inherited verbally and transmitted orally by dongb langf (donglang 東郎, chanters of Yalu wang) at funerals and festive occasions. As one of the most representative cultural sets of the Miao (Hmong) ethnic group located in southern China, Yalu wang is embedded in Miao sorcery beliefs and practices, and serves as a vehicle to unite the community and maintain the i…
Between Collective Will and Individual Standards
What a Desirable Woman Is Like
Hsia Moon (Xia Meng) was a famous leftist film star in postwar Hong Kong, whose social persona was tailored for specific cultural purposes under the prevailing star system. Her early cinematic roles generally portrayed exemplars of women's empowerment, as derived from the programmatic ideas of the New Culture Movement in the early decades of the twentieth century. But from 1958 onward, Hsia Moon's characters began to transform in a more tradition…
To be numbered among the continents’
Using animals as metaphors for current events
As a traditional theme of Chinese oral performance, the “mutual accusations of the cat and the mouse” ( maoshu xianggao 貓鼠相告) underwent obvious local variations in the Hokkien ballads of Fujian and Taiwan in the early twentieth century. The story describes three conflicts between the cat and the mouse, who are finally reconciled with each other under the judgement of King Yama. The Hokkien ballad depicts a scene of council negotiations and introd…
Chinese history and philosophy (3 works) · Hong Kong and Taiwan Politics (3 works) · Political science (3 works) · Art (2 works) · History (2 works) · Law (2 works) · Law (2 works) · Literature (2 works) · Narrative (2 works) · Sociology (2 works)