Inmaculada Vivas Sainz
Biographic Data
| ID | 3502238 |
|---|---|
| NAME | Inmaculada Vivas Sainz |
| GIVEN NAMES | Inmaculada Vivas |
| FAMILY NAME | Sainz |
| SIGNATURE | SAINZ I V |
| AFFILIATIONS | Universidad Nacional de Educación a Distancia |
| ORCID | 0000-0003-1914-4314 |
| VERIFIED | Yes |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 7 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2013 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 1 |
The Creative Impulse
The present research analyses the role of the Egyptian artist within the context of New Kingdom art, paying attention to the appearance of new details in Theban tomb chapels that reflect the originality of their creators. On the one hand, the visibility of the case studies investigated is explored, looking for a possible explanation as to their function within the tomb scenes (such as ‘visual hooks’) and offering a brief experimental approach. To…
La tumba de Amenmose e Iuy en Dra Abu el-Naga (TT 19). Nuevo proyecto y una propuesta de estudio artístico
El presente artículo pretende presentar un proyecto de investigación que se encuentra en su fase embrionaria y que tiene como principal protagonista la tumba de Amenmose e Iuy (TT 19) en la necrópolis tebana de Dra Abu el-Naga. La construcción, de comienzos de la dinastía XIX, conserva un repertorio artístico y un estilismo propio de los mejores pintores. A través de un recorrido historiográfico conoceremos los trabajos y estudios previos realiza…
Sadness, Gender and Empathy
This paper is focused on private tomb scenes with mourners dated to the end of the 18th Dynasty located in the Egyptian Memphite necropolis, with a special interest on the artistic resources and the clear division of groups according to the gender of mourners, as mourning men in expressive attitudes are particularly rare in ancient Egyptian scenes. The presence of men in grief, together with the traditional female mourners, within the funerary pr…
Imágenes de Egipto en el corazón de Occidente
Este trabajo pretende investigar las motivaciones del prominente papel del antiguo Egipto en la primera exposición universal de Londres (1851) y sobre todo en la posterior desarrollada en París (1867). El Crystal Palace de Londres albergó una interesante recreación de arquitectura egipcia y a la vez un conjunto de antigüedades procedentes del país del Nilo. Del mismo modo, Auguste Mariette diseñó un templo egipcio en la sede de la exposición de P…
Un análisis comparativo de los grafitis en la zona tebana
The current research is mainly a preliminary study of some of the most significant graffiti located in the wadi C2, in the context of the ongoing investigation of the C2 Project. The Royal Cache Wadi Survey, and tries to clear out the motivations behind the location and concentration of graffiti in the area, probably related to the sacred character of the place. Through the analysis of C2 graffiti published in the work Graffiti de la Montaigne Th…
The Artist in his Context. New Tendencies on the Research of Ancient Egyptian Art
The interest in Egyptian art starts with the origins of Egyptology, when the first travellers and adventurers began to draw and document the monuments. Napoleon Bonaparte's expedition to Egypt, developed between 1798 and 1801, can be considered as a milestone in the study of the artistic legacy of ancient Egypt. The extensive number of one hundred and sixty-seven scientists and artists who accompanied Napoleon in his campaign not only admired the…
Las pinturas egipcias de Malkata
Our study will focus on the paintings found on the palace of Amenophis III at the site of Malkata, analyzing their iconography which includes traditional Egyptian themes and also new elements which reflect the influence of Aegean Art such as geometric and spirals decoration, animals rendered in “flying gallop” and symbols like the bull head with a rosette between its horns. We will trace the origin of these symbols, looking for similar examples o…
Sadness, Gender and Empathy
This paper is focused on private tomb scenes with mourners dated to the end of the 18th Dynasty located in the Egyptian Memphite necropolis, with a special interest on the artistic resources and the clear division of groups according to the gender of mourners, as mourning men in expressive attitudes are particularly rare in ancient Egyptian scenes. The presence of men in grief, together with the traditional female mourners, within the funerary pr…
Las pinturas egipcias de Malkata
Our study will focus on the paintings found on the palace of Amenophis III at the site of Malkata, analyzing their iconography which includes traditional Egyptian themes and also new elements which reflect the influence of Aegean Art such as geometric and spirals decoration, animals rendered in “flying gallop” and symbols like the bull head with a rosette between its horns. We will trace the origin of these symbols, looking for similar examples o…
The Artist in his Context. New Tendencies on the Research of Ancient Egyptian Art
The interest in Egyptian art starts with the origins of Egyptology, when the first travellers and adventurers began to draw and document the monuments. Napoleon Bonaparte's expedition to Egypt, developed between 1798 and 1801, can be considered as a milestone in the study of the artistic legacy of ancient Egypt. The extensive number of one hundred and sixty-seven scientists and artists who accompanied Napoleon in his campaign not only admired the…
Un análisis comparativo de los grafitis en la zona tebana
The current research is mainly a preliminary study of some of the most significant graffiti located in the wadi C2, in the context of the ongoing investigation of the C2 Project. The Royal Cache Wadi Survey, and tries to clear out the motivations behind the location and concentration of graffiti in the area, probably related to the sacred character of the place. Through the analysis of C2 graffiti published in the work Graffiti de la Montaigne Th…
Imágenes de Egipto en el corazón de Occidente
Este trabajo pretende investigar las motivaciones del prominente papel del antiguo Egipto en la primera exposición universal de Londres (1851) y sobre todo en la posterior desarrollada en París (1867). El Crystal Palace de Londres albergó una interesante recreación de arquitectura egipcia y a la vez un conjunto de antigüedades procedentes del país del Nilo. Del mismo modo, Auguste Mariette diseñó un templo egipcio en la sede de la exposición de P…
Sadness, Gender and Empathy
This paper is focused on private tomb scenes with mourners dated to the end of the 18th Dynasty located in the Egyptian Memphite necropolis, with a special interest on the artistic resources and the clear division of groups according to the gender of mourners, as mourning men in expressive attitudes are particularly rare in ancient Egyptian scenes. The presence of men in grief, together with the traditional female mourners, within the funerary pr…
La tumba de Amenmose e Iuy en Dra Abu el-Naga (TT 19). Nuevo proyecto y una propuesta de estudio artístico
El presente artículo pretende presentar un proyecto de investigación que se encuentra en su fase embrionaria y que tiene como principal protagonista la tumba de Amenmose e Iuy (TT 19) en la necrópolis tebana de Dra Abu el-Naga. La construcción, de comienzos de la dinastía XIX, conserva un repertorio artístico y un estilismo propio de los mejores pintores. A través de un recorrido historiográfico conoceremos los trabajos y estudios previos realiza…
The Creative Impulse
The present research analyses the role of the Egyptian artist within the context of New Kingdom art, paying attention to the appearance of new details in Theban tomb chapels that reflect the originality of their creators. On the one hand, the visibility of the case studies investigated is explored, looking for a possible explanation as to their function within the tomb scenes (such as ‘visual hooks’) and offering a brief experimental approach. To…
Art (7 works) · Ancient Egypt and Archaeology (6 works) · Visual arts (5 works) · Humanities (4 works) · Ancient Mediterranean Archaeology and History (3 works) · History (3 works) · Ancient history (2 works) · Archaeology (2 works) · Art history (2 works) · Iconography (2 works)