Santos M Mateos Rusillo
Biographic Data
| ID | 3519043 |
|---|---|
| NAME | Santos M Mateos Rusillo |
| GIVEN NAMES | Santos M Mateos |
| FAMILY NAME | Rusillo |
| SIGNATURE | RUSILLO S M M |
| AFFILIATIONS | Universitat de Vic - Universitat Central de Catalunya |
| ORCID | 0000-0003-2232-2126 |
| VERIFIED | Yes |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 5 |
| AUTHOR COUNT | 7 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2014 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 2 |
El SDPAN en Barcelona
Acabada la Guerra Civil española, la dictadura franquista emprendió la labor de identificación y devolución del patrimonio artístico que había sido incautado a coleccionistas privados por la Generalitat de Cataluña en 1936. El organismo responsable de las devoluciones sería el Servicio de Defensa del Patrimonio Artístico Nacional (SDPAN), que entre 1939 y 1947 realizaría multitud de gestiones cuyo objetivo era la devolución a sus propietarios o e…
Noticias inéditas sobre algunos aspectos de la salvaguardia del patrimonio artístico y arqueológico en Barcelona entre 1936-1945
La pieza separada undécima de Tesoro artístico y Cultura roja de la Causa General aporta información interesante sobre la salvaguardia, destrucción y robo del patrimonio artístico y arqueológico en territorio de la República durante la Guerra Civil, especialmente rica respecto a la provincia de Barcelona. De la instrucción barcelonesa destacan cuatro casos que aportan información muy valiosa sobre aspectos de la gestión del patrimonio cultural de…
Cataluña, 1936
Se destila aquí un fondo documental poco explotado por la historiografía especializada en el estudio de la salvaguardia y destrucción del patrimonio artístico durante la Guerra Civil española: Tesoro artístico y Cultura roja, la pieza separada undécima de la Causa General. Una documentación que ofrece un torrente informativo que complementa y enriquece determinados aspectos sobre lo sucedido durante el verano y otoño de 1936 en los territorios qu…
The use of the museum as a public relations agency by sponsors
The economic crisis suffered in Spain in the last ten years has forced management of the country’s public museums to look for new sources of funding with which to compensate the reduction of public funding. Business sponsoring has been one of the most intensely studied channels. One of the consequences of the new scenario is the weak bargaining position of museums before sponsors. There are clues that suggest that a new model has arrived in Spain…
Museums and online exhibitions
Temporary exhibitions are a type of cultural activity that art museums have been organising for decades. As their name indicates, they have traditionally been short-lived events, something that began to change with the arrival of Internet. The design of virtual, online versions of temporary exhibitions and their availability to Internet users means that the truth of the adjective 'temporary' has become questionable. This article proposes a model …
Reconstrucción y activación del patrimonio artístico con tecnología audiovisual. Experiencia de Taüll 1123
With the aim of preserving artistic heritage, in the past museums have removed paintings and furniture from the places they were created for. Over the decades the curators of these places have begun to request that these artistic works be returned, conscious of the significance that many of these works now have. Some institutions and museums have responded to these requests by providing copies of the original works. Traditionally these copies wer…
Museos y periodistas. Análisis de la sala de prensa virtual como espacio de relaciones públicas
News production routines were altered with the advent of the Internet and the evolution of the 2.0 technology sources. Corporate virtual spaces have broadly spread for the media, acting as a basic tool of Public Relations. Those who are responsible for museum organizations have understood the need for a relational link with reporters through the network, using the museums official websites. However, according to our results, we can conclude that …
Museums and online exhibitions
Temporary exhibitions are a type of cultural activity that art museums have been organising for decades. As their name indicates, they have traditionally been short-lived events, something that began to change with the arrival of Internet. The design of virtual, online versions of temporary exhibitions and their availability to Internet users means that the truth of the adjective 'temporary' has become questionable. This article proposes a model …
Museos y periodistas. Análisis de la sala de prensa virtual como espacio de relaciones públicas
News production routines were altered with the advent of the Internet and the evolution of the 2.0 technology sources. Corporate virtual spaces have broadly spread for the media, acting as a basic tool of Public Relations. Those who are responsible for museum organizations have understood the need for a relational link with reporters through the network, using the museums official websites. However, according to our results, we can conclude that …
Reconstrucción y activación del patrimonio artístico con tecnología audiovisual. Experiencia de Taüll 1123
With the aim of preserving artistic heritage, in the past museums have removed paintings and furniture from the places they were created for. Over the decades the curators of these places have begun to request that these artistic works be returned, conscious of the significance that many of these works now have. Some institutions and museums have responded to these requests by providing copies of the original works. Traditionally these copies wer…
Reconstrucción y activación del patrimonio artístico con tecnología audiovisual. Experiencia de Taüll 1123
With the aim of preserving artistic heritage, in the past museums have removed paintings and furniture from the places they were created for. Over the decades the curators of these places have begun to request that these artistic works be returned, conscious of the significance that many of these works now have. Some institutions and museums have responded to these requests by providing copies of the original works. Traditionally these copies wer…
Museos y periodistas. Análisis de la sala de prensa virtual como espacio de relaciones públicas
News production routines were altered with the advent of the Internet and the evolution of the 2.0 technology sources. Corporate virtual spaces have broadly spread for the media, acting as a basic tool of Public Relations. Those who are responsible for museum organizations have understood the need for a relational link with reporters through the network, using the museums official websites. However, according to our results, we can conclude that …
Museums and online exhibitions
Temporary exhibitions are a type of cultural activity that art museums have been organising for decades. As their name indicates, they have traditionally been short-lived events, something that began to change with the arrival of Internet. The design of virtual, online versions of temporary exhibitions and their availability to Internet users means that the truth of the adjective 'temporary' has become questionable. This article proposes a model …
The use of the museum as a public relations agency by sponsors
The economic crisis suffered in Spain in the last ten years has forced management of the country’s public museums to look for new sources of funding with which to compensate the reduction of public funding. Business sponsoring has been one of the most intensely studied channels. One of the consequences of the new scenario is the weak bargaining position of museums before sponsors. There are clues that suggest that a new model has arrived in Spain…
Noticias inéditas sobre algunos aspectos de la salvaguardia del patrimonio artístico y arqueológico en Barcelona entre 1936-1945
La pieza separada undécima de Tesoro artístico y Cultura roja de la Causa General aporta información interesante sobre la salvaguardia, destrucción y robo del patrimonio artístico y arqueológico en territorio de la República durante la Guerra Civil, especialmente rica respecto a la provincia de Barcelona. De la instrucción barcelonesa destacan cuatro casos que aportan información muy valiosa sobre aspectos de la gestión del patrimonio cultural de…
Cataluña, 1936
Se destila aquí un fondo documental poco explotado por la historiografía especializada en el estudio de la salvaguardia y destrucción del patrimonio artístico durante la Guerra Civil española: Tesoro artístico y Cultura roja, la pieza separada undécima de la Causa General. Una documentación que ofrece un torrente informativo que complementa y enriquece determinados aspectos sobre lo sucedido durante el verano y otoño de 1936 en los territorios qu…
El SDPAN en Barcelona
Acabada la Guerra Civil española, la dictadura franquista emprendió la labor de identificación y devolución del patrimonio artístico que había sido incautado a coleccionistas privados por la Generalitat de Cataluña en 1936. El organismo responsable de las devoluciones sería el Servicio de Defensa del Patrimonio Artístico Nacional (SDPAN), que entre 1939 y 1947 realizaría multitud de gestiones cuyo objetivo era la devolución a sus propietarios o e…
Art (6 works) · Humanities (5 works) · Photographic and Visual Arts (4 works) · Archaeology and Cultural Heritage (3 works) · Political science (3 works) · Art history (2 works) · Computer Science (2 works) · Historical Art and Architecture Studies (2 works) · Museums and Cultural Heritage (2 works) · Sociology (2 works)