Phillip Lindley
Biographic Data
| ID | 3520305 |
|---|---|
| NAME | Phillip Lindley |
| GIVEN NAMES | Phillip |
| FAMILY NAME | Lindley |
| SIGNATURE | LINDLEY P |
| AFFILIATIONS | University of Leicester |
| VERIFIED | No |
| TOTAL WORKS | 21 |
| TOTAL CITATIONS | 3 |
| AUTHOR COUNT | 20 |
| EDITOR COUNT | 1 |
| FIRST PUBLICATION YEAR | 1986 |
| LATEST PUBLICATION YEAR | 2012 |
| H-INDEX | 1 |
The Artistic Practice, Protracted Publication and Posthumous Completion of Charles Alfred Stothard's Monumental Effigies of Great Britain
This paper examines the complicated circumstances surrounding the very slow production of The Monumental Effigies of Great Britain , the great masterpiece of Charles Alfred Stothard, FSA, and the various reasons why it took twenty-one years to complete. The methods and techniques Stothard adopted to produce his celebrated etchings and the evolution of his artistic style are first analysed, as is the role played by Thomas Kerrich, FSA, in the proj…
'Pickpurse' Purgatory, the Dissolution of the Chantries and the Suppression of Intercession for the Dead
Recent historical scholarship has explored the important and varied roles played by chantries and other intercessory foundations, emphasising their positive contributions to late-medieval religion and society. Art historians and archaeologists have also investigated their architecture and imagery. The complex history and the cultural consequences of the chantries' suppression have received less attention, although it has been recognised that they…
Cardinal Wolsey, Church, State and Art
views along lines established in earlier works.Guy tells us something of the activities of the King's Council during Wolsey' s ascendancy.Clearly it did not disappear as has been alleged on occasion.In addition, he also demonstrates the way in which Wolsey tried to exert and keep control over the Commissions of the Peace in the early years of the reign, and to the extent that he was successful, often by imposing outsiders, i.e. his own men.Ostens…
The Funeral and Tomb Effigies of Queen Katharine of Valois and King Henry V
This paper re-examines the identification and function of the funeral effigy of Queen Katharine of Valois in Westminster. The antiquarian evidence is analysed and the fate of her lost tomb-monument is discussed, as also is the scandalous neglect of the queen's remains after they were exhumed in the early 16th century until their translation into the upper part of Henry V's chantry chapel in the time of Dean Stanley.
The Funeral and Tomb Effigies of Queen Katharine of Valois and King Henry V
The Funeral and Tomb Effigies of Queen Katharine of Valois and King Henry V
This paper re-examines the identification and function of the funeral effigy of Queen Katharine of Valois in Westminster. The antiquarian evidence is analysed and the fate of her lost tomb-monument is discussed, as also is the scandalous neglect of the queen's remains after they were exhumed in the early 16th century until their translation into the upper part of Henry V's chantry chapel in the time of Dean Stanley
History and Images
Massingham family
Massingham, John (the younger)
Gothic stone sculpture
Norwich Cathedral
England
John of St Albans
Hurley, William
Massingham, John (the elder)
Winchester Cathedral
History and Images
‘Una Grande Opera Al Mio Re’
This paper examines the medieval and Renaissance gilt-bronze effigies in England, analysing changes in design and construction techniques. It is argued that the Florentine sculptor Pietro Torrigiano introduced new working methods into English practice, monopolising in his own hands responsibility for design and execution both of the gilt-bronze effigy and ancillary components and of the marble tomb-chest on which the effigy lay. In England, respo…
Two Late Medieval Statues at Eton College
Charles Brandon's Westhorpe
This paper describes the courtyard house built in the 1520s and 1530s by Charles Brandon, Duke of Suffolk, at Westhorpe in Suffolk. Discussion is based on a newly-discovered survey of the house made in 1538 and on an eye-witness account by the antiquary Thomas Martin of its demolition in the eighteenth century
The Imagery of The Octagon at Ely
This paper investigates for the first time the imagery of the octagonal crossing-tower at Ely Cathedral, attempting a reconstruction of the original programme in the light of newly-discovered sculptural fragments and antiquarian drawings. The scheme is shown to have been extremely sophisticated, articulated through a variety of media, including wall-paintings, stained glass and sculpture in stone and wood. The relationship between Ely and Westmin…
The Artistic Practice, Protracted Publication and Posthumous Completion of Charles Alfred Stothard's Monumental Effigies of Great Britain
This paper examines the complicated circumstances surrounding the very slow production of The Monumental Effigies of Great Britain , the great masterpiece of Charles Alfred Stothard, FSA, and the various reasons why it took twenty-one years to complete. The methods and techniques Stothard adopted to produce his celebrated etchings and the evolution of his artistic style are first analysed, as is the role played by Thomas Kerrich, FSA, in the proj…
Charles Brandon's Westhorpe
This paper describes the courtyard house built in the 1520s and 1530s by Charles Brandon, Duke of Suffolk, at Westhorpe in Suffolk. Discussion is based on a newly-discovered survey of the house made in 1538 and on an eye-witness account by the antiquary Thomas Martin of its demolition in the eighteenth century
The Imagery of The Octagon at Ely
This paper investigates for the first time the imagery of the octagonal crossing-tower at Ely Cathedral, attempting a reconstruction of the original programme in the light of newly-discovered sculptural fragments and antiquarian drawings. The scheme is shown to have been extremely sophisticated, articulated through a variety of media, including wall-paintings, stained glass and sculpture in stone and wood. The relationship between Ely and Westmin…
Two Late Medieval Statues at Eton College
Charles Brandon's Westhorpe
This paper describes the courtyard house built in the 1520s and 1530s by Charles Brandon, Duke of Suffolk, at Westhorpe in Suffolk. Discussion is based on a newly-discovered survey of the house made in 1538 and on an eye-witness account by the antiquary Thomas Martin of its demolition in the eighteenth century
‘Una Grande Opera Al Mio Re’
This paper examines the medieval and Renaissance gilt-bronze effigies in England, analysing changes in design and construction techniques. It is argued that the Florentine sculptor Pietro Torrigiano introduced new working methods into English practice, monopolising in his own hands responsibility for design and execution both of the gilt-bronze effigy and ancillary components and of the marble tomb-chest on which the effigy lay. In England, respo…
History and Images
Massingham family
Massingham, John (the younger)
Gothic stone sculpture
Norwich Cathedral
England
John of St Albans
Hurley, William
Massingham, John (the elder)
Winchester Cathedral
History and Images
The Funeral and Tomb Effigies of Queen Katharine of Valois and King Henry V
This paper re-examines the identification and function of the funeral effigy of Queen Katharine of Valois in Westminster. The antiquarian evidence is analysed and the fate of her lost tomb-monument is discussed, as also is the scandalous neglect of the queen's remains after they were exhumed in the early 16th century until their translation into the upper part of Henry V's chantry chapel in the time of Dean Stanley.
The Funeral and Tomb Effigies of Queen Katharine of Valois and King Henry V
The Funeral and Tomb Effigies of Queen Katharine of Valois and King Henry V
This paper re-examines the identification and function of the funeral effigy of Queen Katharine of Valois in Westminster. The antiquarian evidence is analysed and the fate of her lost tomb-monument is discussed, as also is the scandalous neglect of the queen's remains after they were exhumed in the early 16th century until their translation into the upper part of Henry V's chantry chapel in the time of Dean Stanley
Cardinal Wolsey, Church, State and Art
views along lines established in earlier works.Guy tells us something of the activities of the King's Council during Wolsey' s ascendancy.Clearly it did not disappear as has been alleged on occasion.In addition, he also demonstrates the way in which Wolsey tried to exert and keep control over the Commissions of the Peace in the early years of the reign, and to the extent that he was successful, often by imposing outsiders, i.e. his own men.Ostens…
'Pickpurse' Purgatory, the Dissolution of the Chantries and the Suppression of Intercession for the Dead
Recent historical scholarship has explored the important and varied roles played by chantries and other intercessory foundations, emphasising their positive contributions to late-medieval religion and society. Art historians and archaeologists have also investigated their architecture and imagery. The complex history and the cultural consequences of the chantries' suppression have received less attention, although it has been recognised that they…
The Artistic Practice, Protracted Publication and Posthumous Completion of Charles Alfred Stothard's Monumental Effigies of Great Britain
This paper examines the complicated circumstances surrounding the very slow production of The Monumental Effigies of Great Britain , the great masterpiece of Charles Alfred Stothard, FSA, and the various reasons why it took twenty-one years to complete. The methods and techniques Stothard adopted to produce his celebrated etchings and the evolution of his artistic style are first analysed, as is the role played by Thomas Kerrich, FSA, in the proj…
Art (13 works) · History (10 works) · Art history (7 works) · Historical Art and Culture Studies (7 works) · Ancient history (5 works) · Geography (4 works) · Historical and Religious Studies of Rome (4 works) · Medieval Literature and History (4 works) · Archaeology (3 works) · Chapel (3 works)