Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

Phillip Lindley

Biographic Data

ID3520305
NAMEPhillip Lindley
GIVEN NAMESPhillip
FAMILY NAMELindley
SIGNATURELINDLEY P
AFFILIATIONSUniversity of Leicester
VERIFIEDNo
TOTAL WORKS21
TOTAL CITATIONS3
AUTHOR COUNT20
EDITOR COUNT1
FIRST PUBLICATION YEAR1986
LATEST PUBLICATION YEAR2012
H-INDEX1
  • The Artistic Practice, Protracted Publication and Posthumous Completion of Charles Alfred Stothard's Monumental Effigies of Great Britain

    Open Access•Phillip Lindley•ARTICLE•The Antiquaries Journal•2012•Cited by: 2•References: 11

    This paper examines the complicated circumstances surrounding the very slow production of The Monumental Effigies of Great Britain , the great masterpiece of Charles Alfred Stothard, FSA, and the various reasons why it took twenty-one years to complete. The methods and techniques Stothard adopted to produce his celebrated etchings and the evolution of his artistic style are first analysed, as is the role played by Thomas Kerrich, FSA, in the proj…

  • 'Pickpurse' Purgatory, the Dissolution of the Chantries and the Suppression of Intercession for the Dead

    Phillip Lindley•ARTICLE•Journal of the British…•2011

    Recent historical scholarship has explored the important and varied roles played by chantries and other intercessory foundations, emphasising their positive contributions to late-medieval religion and society. Art historians and archaeologists have also investigated their architecture and imagery. The complex history and the cultural consequences of the chantries' suppression have received less attention, although it has been recognised that they…

  • Cardinal Wolsey, Church, State and Art

    Steven Gunn, S J Gunn et al.•ARTICLE•Renaissance and Reformation•2009

    views along lines established in earlier works.Guy tells us something of the activities of the King's Council during Wolsey' s ascendancy.Clearly it did not disappear as has been alleged on occasion.In addition, he also demonstrates the way in which Wolsey tried to exert and keep control over the Commissions of the Peace in the early years of the reign, and to the extent that he was successful, often by imposing outsiders, i.e. his own men.Ostens…

  • The Funeral and Tomb Effigies of Queen Katharine of Valois and King Henry V

    Phillip Lindley•ARTICLE•Journal of the British…•2007

    This paper re-examines the identification and function of the funeral effigy of Queen Katharine of Valois in Westminster. The antiquarian evidence is analysed and the fate of her lost tomb-monument is discussed, as also is the scandalous neglect of the queen's remains after they were exhumed in the early 16th century until their translation into the upper part of Henry V's chantry chapel in the time of Dean Stanley.

  • The Funeral and Tomb Effigies of Queen Katharine of Valois and King Henry V

    Phillip Lindley•ARTICLE•Journal of the British…•2007

  • The Funeral and Tomb Effigies of Queen Katharine of Valois and King Henry V

    Phillip Lindley•ARTICLE•Journal of the British…•2007

    This paper re-examines the identification and function of the funeral effigy of Queen Katharine of Valois in Westminster. The antiquarian evidence is analysed and the fate of her lost tomb-monument is discussed, as also is the scandalous neglect of the queen's remains after they were exhumed in the early 16th century until their translation into the upper part of Henry V's chantry chapel in the time of Dean Stanley

  • History and Images

    Axel Bolvig, Phillip Lindley•BOOK•History and images•2003

  • Massingham family

    Phillip Lindley•CHAPTER•2003

  • Massingham, John (the younger)

    Phillip Lindley•CHAPTER•2003

  • Gothic stone sculpture

    Francesco Aceto, Pamela Z Blum et al.•CHAPTER•2003

  • Norwich Cathedral

    Phillip Lindley, Francis Woodman•CHAPTER•2003

  • England

    Phillip Lindley, Marco Livingstone et al.•CHAPTER•2003

  • John of St Albans

    Phillip Lindley•CHAPTER•2003

  • Hurley, William

    Phillip Lindley•CHAPTER•2003

  • Massingham, John (the elder)

    Phillip Lindley•CHAPTER•2003

  • Winchester Cathedral

    Martin Biddle, John Crook et al.•CHAPTER•2003

  • History and Images

    Axel Bolvig, Phillip Lindley•BOOK•History and images•2003

  • ‘Una Grande Opera Al Mio Re’

    Phillip Lindley•ARTICLE•Journal of the British…•1990

    This paper examines the medieval and Renaissance gilt-bronze effigies in England, analysing changes in design and construction techniques. It is argued that the Florentine sculptor Pietro Torrigiano introduced new working methods into English practice, monopolising in his own hands responsibility for design and execution both of the gilt-bronze effigy and ancillary components and of the marble tomb-chest on which the effigy lay. In England, respo…

  • Two Late Medieval Statues at Eton College

    Phillip Lindley•ARTICLE•Journal of the British…•1988

  • Charles Brandon's Westhorpe

    Steven Gunn, S J Gunn et al.•ARTICLE•Archaeological Journal•1988•Cited by: 1•References: 4

    This paper describes the courtyard house built in the 1520s and 1530s by Charles Brandon, Duke of Suffolk, at Westhorpe in Suffolk. Discussion is based on a newly-discovered survey of the house made in 1538 and on an eye-witness account by the antiquary Thomas Martin of its demolition in the eighteenth century

  • The Imagery of The Octagon at Ely

    Phillip Lindley•ARTICLE•Journal of the British…•1986

    This paper investigates for the first time the imagery of the octagonal crossing-tower at Ely Cathedral, attempting a reconstruction of the original programme in the light of newly-discovered sculptural fragments and antiquarian drawings. The scheme is shown to have been extremely sophisticated, articulated through a variety of media, including wall-paintings, stained glass and sculpture in stone and wood. The relationship between Ely and Westmin…

  • The Artistic Practice, Protracted Publication and Posthumous Completion of Charles Alfred Stothard's Monumental Effigies of Great Britain

    Open Access•Phillip Lindley•ARTICLE•The Antiquaries Journal•2012•Cited by: 2•References: 11

    This paper examines the complicated circumstances surrounding the very slow production of The Monumental Effigies of Great Britain , the great masterpiece of Charles Alfred Stothard, FSA, and the various reasons why it took twenty-one years to complete. The methods and techniques Stothard adopted to produce his celebrated etchings and the evolution of his artistic style are first analysed, as is the role played by Thomas Kerrich, FSA, in the proj…

  • Charles Brandon's Westhorpe

    Steven Gunn, S J Gunn et al.•ARTICLE•Archaeological Journal•1988•Cited by: 1•References: 4

    This paper describes the courtyard house built in the 1520s and 1530s by Charles Brandon, Duke of Suffolk, at Westhorpe in Suffolk. Discussion is based on a newly-discovered survey of the house made in 1538 and on an eye-witness account by the antiquary Thomas Martin of its demolition in the eighteenth century

  • The Imagery of The Octagon at Ely

    Phillip Lindley•ARTICLE•Journal of the British…•1986

    This paper investigates for the first time the imagery of the octagonal crossing-tower at Ely Cathedral, attempting a reconstruction of the original programme in the light of newly-discovered sculptural fragments and antiquarian drawings. The scheme is shown to have been extremely sophisticated, articulated through a variety of media, including wall-paintings, stained glass and sculpture in stone and wood. The relationship between Ely and Westmin…

  • Two Late Medieval Statues at Eton College

    Phillip Lindley•ARTICLE•Journal of the British…•1988

  • Charles Brandon's Westhorpe

    Steven Gunn, S J Gunn et al.•ARTICLE•Archaeological Journal•1988•Cited by: 1•References: 4

    This paper describes the courtyard house built in the 1520s and 1530s by Charles Brandon, Duke of Suffolk, at Westhorpe in Suffolk. Discussion is based on a newly-discovered survey of the house made in 1538 and on an eye-witness account by the antiquary Thomas Martin of its demolition in the eighteenth century

  • ‘Una Grande Opera Al Mio Re’

    Phillip Lindley•ARTICLE•Journal of the British…•1990

    This paper examines the medieval and Renaissance gilt-bronze effigies in England, analysing changes in design and construction techniques. It is argued that the Florentine sculptor Pietro Torrigiano introduced new working methods into English practice, monopolising in his own hands responsibility for design and execution both of the gilt-bronze effigy and ancillary components and of the marble tomb-chest on which the effigy lay. In England, respo…

  • History and Images

    Axel Bolvig, Phillip Lindley•BOOK•History and images•2003

  • Massingham family

    Phillip Lindley•CHAPTER•2003

  • Massingham, John (the younger)

    Phillip Lindley•CHAPTER•2003

  • Gothic stone sculpture

    Francesco Aceto, Pamela Z Blum et al.•CHAPTER•2003

  • Norwich Cathedral

    Phillip Lindley, Francis Woodman•CHAPTER•2003

  • England

    Phillip Lindley, Marco Livingstone et al.•CHAPTER•2003

  • John of St Albans

    Phillip Lindley•CHAPTER•2003

  • Hurley, William

    Phillip Lindley•CHAPTER•2003

  • Massingham, John (the elder)

    Phillip Lindley•CHAPTER•2003

  • Winchester Cathedral

    Martin Biddle, John Crook et al.•CHAPTER•2003

  • History and Images

    Axel Bolvig, Phillip Lindley•BOOK•History and images•2003

  • The Funeral and Tomb Effigies of Queen Katharine of Valois and King Henry V

    Phillip Lindley•ARTICLE•Journal of the British…•2007

    This paper re-examines the identification and function of the funeral effigy of Queen Katharine of Valois in Westminster. The antiquarian evidence is analysed and the fate of her lost tomb-monument is discussed, as also is the scandalous neglect of the queen's remains after they were exhumed in the early 16th century until their translation into the upper part of Henry V's chantry chapel in the time of Dean Stanley.

  • The Funeral and Tomb Effigies of Queen Katharine of Valois and King Henry V

    Phillip Lindley•ARTICLE•Journal of the British…•2007

  • The Funeral and Tomb Effigies of Queen Katharine of Valois and King Henry V

    Phillip Lindley•ARTICLE•Journal of the British…•2007

    This paper re-examines the identification and function of the funeral effigy of Queen Katharine of Valois in Westminster. The antiquarian evidence is analysed and the fate of her lost tomb-monument is discussed, as also is the scandalous neglect of the queen's remains after they were exhumed in the early 16th century until their translation into the upper part of Henry V's chantry chapel in the time of Dean Stanley

  • Cardinal Wolsey, Church, State and Art

    Steven Gunn, S J Gunn et al.•ARTICLE•Renaissance and Reformation•2009

    views along lines established in earlier works.Guy tells us something of the activities of the King's Council during Wolsey' s ascendancy.Clearly it did not disappear as has been alleged on occasion.In addition, he also demonstrates the way in which Wolsey tried to exert and keep control over the Commissions of the Peace in the early years of the reign, and to the extent that he was successful, often by imposing outsiders, i.e. his own men.Ostens…

  • 'Pickpurse' Purgatory, the Dissolution of the Chantries and the Suppression of Intercession for the Dead

    Phillip Lindley•ARTICLE•Journal of the British…•2011

    Recent historical scholarship has explored the important and varied roles played by chantries and other intercessory foundations, emphasising their positive contributions to late-medieval religion and society. Art historians and archaeologists have also investigated their architecture and imagery. The complex history and the cultural consequences of the chantries' suppression have received less attention, although it has been recognised that they…

  • The Artistic Practice, Protracted Publication and Posthumous Completion of Charles Alfred Stothard's Monumental Effigies of Great Britain

    Open Access•Phillip Lindley•ARTICLE•The Antiquaries Journal•2012•Cited by: 2•References: 11

    This paper examines the complicated circumstances surrounding the very slow production of The Monumental Effigies of Great Britain , the great masterpiece of Charles Alfred Stothard, FSA, and the various reasons why it took twenty-one years to complete. The methods and techniques Stothard adopted to produce his celebrated etchings and the evolution of his artistic style are first analysed, as is the role played by Thomas Kerrich, FSA, in the proj…

Art (13 works) · History (10 works) · Art history (7 works) · Historical Art and Culture Studies (7 works) · Ancient history (5 works) · Geography (4 works) · Historical and Religious Studies of Rome (4 works) · Medieval Literature and History (4 works) · Archaeology (3 works) · Chapel (3 works)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae