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Fung Chiat Loo

Biographic Data

ID3526326
NAMEFung Chiat Loo
GIVEN NAMESFung Chiat
FAMILY NAMELoo
SIGNATURELOO F C
AFFILIATIONSUniversiti Putra Malaysia
ORCID0000-0002-0387-1173
VERIFIEDYes
TOTAL WORKS14
TOTAL CITATIONS0
AUTHOR COUNT14
EDITOR COUNT0
FIRST PUBLICATION YEAR2019
LATEST PUBLICATION YEAR2026
H-INDEX0
  • Cultural Sustainability Through Transformations of Feitao Ritual Performance Among the Maonan Ethnic Group in China

    Open Access•Yixing Liu, Ow Wei Chow et al.•ARTICLE•The International Journal of…•2026

    This study examines the Feitao ritual of the Maonan ethnic group to explore how contemporary ethnic minorities in China understand and respond to the concept of cultural sustainability. In the context of rapid economic growth and social transformation, developing countries like China face a persistent challenge: balancing urban development with the preservation of historical identities and the cultural memories embedded in traditional minority ri…

  • The nature, portrayal of eternity and economic use of non-birdsong subjects in La rousserolle effarvatte, from Catalogue D’oiseaux by Oliver Messiaen

    Open Access•Fung Chiat Loo, Fung Ying Loo•ARTICLE•Música Hodie•2025

    This paper examines the longest work from Catalogue d'oiseaux, La rousserolle effarvatte, focusing on the non-birdsong subjects that depict the nature and habitat of the solo birdsong, the reed warbler. The analysis reveals that Messiaen used the time of day and non-birdsong subjects to structure the work, incorporating elements such as pond music, sunrise and sunset, and flower themes. It also shows that many of the non-birdsong subjects employ …

  • Applying Media and Virtual Approaches to the Institutionalization of Puzhou Opera

    Open Access•Lin Lin Pang, Fung Chiat Loo et al.•ARTICLE•Asian Social Science•2024

    Puzhou opera, also known as Puju, originated in Puzhou in ancient China, which is now renamed as Yuncheng city, Shanxi province. Puju has been recorded since the Yuan dynasty and has become one of China’s most important operas because of its long history and influence on surrounding opera styles. This article explores challenges related to the institutionalization of Puju and how to use the modern technology of virtual media to ensure the sustain…

  • Cultural integration and innovation in string music: A study on the transformation of Heze string music

    Open Access•Tingting Zhao, Joanne Pei Sze Yeoh et al.•ARTICLE•Herança•2023

    This article seeks to scrutinize the reasons and factors for the transformation and evolution of Heze String Music. Changes in the practice of Heze String Music as observed by both cultural bearers and the younger generation of Heze string players can significantly contribute to sculpting the future trajectory of Heze String Music. The article's analysis can inform cultural policy and heritage conservation efforts. Recognizing the factors driving…

  • Conceptualizing the ‘hook’ in K-drama: Racial segregation and unity in media consumption among multiracial Malaysian youth before and after Hallyu 1.0

    Fung Ying Loo, Fung Chiat Loo•ARTICLE•The Journal of Popular Television•2023

    Since the phenomenon of Hallyu 1.0 , Korean transnational popular culture has caught the attention of scholars worldwide, sparking discussions about soft power, gender, media consumption, and fandom in countries from the East to the West. However, there is a lack of studies on multiracial Malaysian youths’ consumption of South Korean transnational popular culture, as highlighted by the onset of trendy K-dramas. This study focuses on the shift fro…

  • Zhao Xiaosheng's Tai Chi: Re-visiting the Meaning and Accretion of I Ching in the Contemporaneity of Chinese Music Semantics

    Open Access•Ke Xue, Fung Ying Loo et al.•ARTICLE•Música Hodie•2023

    The implementation of China Reform and Opening-up policy in 1978 gave birth to the Chinese new wave music, with an idiosyncratic manner of rebelliousness, individuality and innovation that brought a break-through in Chinese new music of the past. In this paper, we focused on a representative piano solo work Tai Chi (1987) by composer Zhao Xiaosheng who explored the ancient Chinese philosophy I Ching and the Tang Dynasty musical form Tang Daqu usi…

  • From Physical to Virtual: A New Learning Norm in Music Education for Gifted Students

    Open Access•Md Jais Ismail, Azu Farhana Anuar et al.•ARTICLE•The International Review of…•2022

    Music education is a subject that is generally thought to have much physical activity involved. However, virtual learning has been mandatary applied to most schools worldwide due to the COVID-19 pandemic. The landscape of music learning has had to be switched to online distance learning (ODL), where students learn music virtually using technological tools. Gifted students are among those affected by the implementation of music ODL throughout 2020…

  • Exploring synergy in a mobile learning model for piano playing ornaments exercise with local musical heritage

    Open Access•Fung Ying Loo, Khai Ern Chai et al.•ARTICLE•International Journal of Music…•2022

    This study addresses the potential of a mobile learning model that integrates local Malaysian musical heritage in piano ornaments finger exercise. An asynchronous model adapted from the concept of karaoke was designed aiming at a synergy of piano exercise, edutainment, and heritage education with visual and auditory accompaniments. We aimed to raise interest and motivation for piano playing ornaments exercise among learners during practice while …

  • Revival and Development of Tunpu Villages within the Context of Rural Revitalization in China: The Contrasting Perspectives of Cultural Heritage and Tourism Industry

    Open Access•Heng Wu, Fung Chiat Loo et al.•ARTICLE•Journal of Environmental…•2022

    The Tunpu (屯堡) village in Anshun city Guizhou province has unique cultural assets, particularly in the village’s spatial layout, its traditional building, and the spectacular Dixi (地戏) opera. In the context of the Chinese Rural Revitalization Strategy, a suitable combination of Cultural Heritage (CH) and the tourism industry to promote the rural revitalization of Tunpu Village is of practical significance. However, the Coronavirus disease (COVID-…

  • Hybridity, Confucianism, and Ambiguity in the South Korean Soft Power Model in Hallyu 1.0

    Open Access•Fung Ying Loo, Fung Chiat Loo•ARTICLE•Media Watch•2021

  • Hybridity, Confucianism, and Ambiguity in the South Korean Soft Power Model in Hallyu 1.0

    Open Access•Fung Ying Loo, Fung Chiat Loo•ARTICLE•Media Watch•2021

    © Media Watch 12 (1) 149-160, 2021 ISSN 0976-0911 | E-ISSN 2249-8818 DOI: 10.15655/mw/2021/v12i1/205464 Article | Open Select Hybridity, Confucianism, and Ambiguity in the South Korean Soft Power Model in Hallyu 1.0 Fung Ying Loo1, Fung Chiat Loo2 1University of Malaya, Malaysia 2Universiti Putra Malaysia, Malaysia Received: 13 November 2020| Accepted: 27 December 2020|Published: 5 January 2021 Abstract [...]

  • Cultural Revolution and Political Ambivalence in Zhao Xiaosheng’s Two Ballades for Piano Solo

    Open Access•Ke Xue, Fung Ying Loo et al.•ARTICLE•Musicological Annual•2021

    The ascendancy of China’s Cultural Revolution led to a purge of the rightists, including musicians. This article unveils composer Zhao Xiaosheng’s emotional entanglement of fear and suppressed hostility toward the revolution, reflected in the political and artistic ambivalence in his two ballades for solo piano composed after his father’s death

  • Birdsongs, Structure and Harmonic colour of Non-birdsong Subjects in Olivier Messiaen's 'La bouscarle' from Catalogue d'oiseaux

    Open Access•Fung Chiat Loo, Fung Ying Loo•ARTICLE•Música Hodie•2021

    This paper analyses 'La bouscarle', a movement from Catalogue d'oiseaux, which is one of the most extensive piano works written by Oliver Messiaen. A distinctive characteristic of this comparatively short movement is the harmonic colour constructed from the composer's mode 3 in the representation of the river theme, serving as an important subject that provides the flow and structure for the entire work. Mode 3, which forms an A major tonality fo…

  • Congruence in Music and Movement Enhances the Perception of Sports Routine Quality

    Open Access•Fung Chiat Loo, Fung Ying Loo et al.•ARTICLE•Música Hodie•2019

    Most studies of music and sports relate to the ergogenic effect of synchronization between music and movement in repetitive sports activities. As in dance, music is clearly important for sports routines that involve choreography. This study performs an experiment involving a rhythmic gymnastics routine to investigate whether increasing the congruence between music and movement enhances the quality of sports routines from a musical perspective. In…

No prominent works on this page.

  • Congruence in Music and Movement Enhances the Perception of Sports Routine Quality

    Open Access•Fung Chiat Loo, Fung Ying Loo et al.•ARTICLE•Música Hodie•2019

    Most studies of music and sports relate to the ergogenic effect of synchronization between music and movement in repetitive sports activities. As in dance, music is clearly important for sports routines that involve choreography. This study performs an experiment involving a rhythmic gymnastics routine to investigate whether increasing the congruence between music and movement enhances the quality of sports routines from a musical perspective. In…

  • Hybridity, Confucianism, and Ambiguity in the South Korean Soft Power Model in Hallyu 1.0

    Open Access•Fung Ying Loo, Fung Chiat Loo•ARTICLE•Media Watch•2021

  • Hybridity, Confucianism, and Ambiguity in the South Korean Soft Power Model in Hallyu 1.0

    Open Access•Fung Ying Loo, Fung Chiat Loo•ARTICLE•Media Watch•2021

    © Media Watch 12 (1) 149-160, 2021 ISSN 0976-0911 | E-ISSN 2249-8818 DOI: 10.15655/mw/2021/v12i1/205464 Article | Open Select Hybridity, Confucianism, and Ambiguity in the South Korean Soft Power Model in Hallyu 1.0 Fung Ying Loo1, Fung Chiat Loo2 1University of Malaya, Malaysia 2Universiti Putra Malaysia, Malaysia Received: 13 November 2020| Accepted: 27 December 2020|Published: 5 January 2021 Abstract [...]

  • Cultural Revolution and Political Ambivalence in Zhao Xiaosheng’s Two Ballades for Piano Solo

    Open Access•Ke Xue, Fung Ying Loo et al.•ARTICLE•Musicological Annual•2021

    The ascendancy of China’s Cultural Revolution led to a purge of the rightists, including musicians. This article unveils composer Zhao Xiaosheng’s emotional entanglement of fear and suppressed hostility toward the revolution, reflected in the political and artistic ambivalence in his two ballades for solo piano composed after his father’s death

  • Birdsongs, Structure and Harmonic colour of Non-birdsong Subjects in Olivier Messiaen's 'La bouscarle' from Catalogue d'oiseaux

    Open Access•Fung Chiat Loo, Fung Ying Loo•ARTICLE•Música Hodie•2021

    This paper analyses 'La bouscarle', a movement from Catalogue d'oiseaux, which is one of the most extensive piano works written by Oliver Messiaen. A distinctive characteristic of this comparatively short movement is the harmonic colour constructed from the composer's mode 3 in the representation of the river theme, serving as an important subject that provides the flow and structure for the entire work. Mode 3, which forms an A major tonality fo…

  • From Physical to Virtual: A New Learning Norm in Music Education for Gifted Students

    Open Access•Md Jais Ismail, Azu Farhana Anuar et al.•ARTICLE•The International Review of…•2022

    Music education is a subject that is generally thought to have much physical activity involved. However, virtual learning has been mandatary applied to most schools worldwide due to the COVID-19 pandemic. The landscape of music learning has had to be switched to online distance learning (ODL), where students learn music virtually using technological tools. Gifted students are among those affected by the implementation of music ODL throughout 2020…

  • Exploring synergy in a mobile learning model for piano playing ornaments exercise with local musical heritage

    Open Access•Fung Ying Loo, Khai Ern Chai et al.•ARTICLE•International Journal of Music…•2022

    This study addresses the potential of a mobile learning model that integrates local Malaysian musical heritage in piano ornaments finger exercise. An asynchronous model adapted from the concept of karaoke was designed aiming at a synergy of piano exercise, edutainment, and heritage education with visual and auditory accompaniments. We aimed to raise interest and motivation for piano playing ornaments exercise among learners during practice while …

  • Revival and Development of Tunpu Villages within the Context of Rural Revitalization in China: The Contrasting Perspectives of Cultural Heritage and Tourism Industry

    Open Access•Heng Wu, Fung Chiat Loo et al.•ARTICLE•Journal of Environmental…•2022

    The Tunpu (屯堡) village in Anshun city Guizhou province has unique cultural assets, particularly in the village’s spatial layout, its traditional building, and the spectacular Dixi (地戏) opera. In the context of the Chinese Rural Revitalization Strategy, a suitable combination of Cultural Heritage (CH) and the tourism industry to promote the rural revitalization of Tunpu Village is of practical significance. However, the Coronavirus disease (COVID-…

  • Cultural integration and innovation in string music: A study on the transformation of Heze string music

    Open Access•Tingting Zhao, Joanne Pei Sze Yeoh et al.•ARTICLE•Herança•2023

    This article seeks to scrutinize the reasons and factors for the transformation and evolution of Heze String Music. Changes in the practice of Heze String Music as observed by both cultural bearers and the younger generation of Heze string players can significantly contribute to sculpting the future trajectory of Heze String Music. The article's analysis can inform cultural policy and heritage conservation efforts. Recognizing the factors driving…

  • Conceptualizing the ‘hook’ in K-drama: Racial segregation and unity in media consumption among multiracial Malaysian youth before and after Hallyu 1.0

    Fung Ying Loo, Fung Chiat Loo•ARTICLE•The Journal of Popular Television•2023

    Since the phenomenon of Hallyu 1.0 , Korean transnational popular culture has caught the attention of scholars worldwide, sparking discussions about soft power, gender, media consumption, and fandom in countries from the East to the West. However, there is a lack of studies on multiracial Malaysian youths’ consumption of South Korean transnational popular culture, as highlighted by the onset of trendy K-dramas. This study focuses on the shift fro…

  • Zhao Xiaosheng's Tai Chi: Re-visiting the Meaning and Accretion of I Ching in the Contemporaneity of Chinese Music Semantics

    Open Access•Ke Xue, Fung Ying Loo et al.•ARTICLE•Música Hodie•2023

    The implementation of China Reform and Opening-up policy in 1978 gave birth to the Chinese new wave music, with an idiosyncratic manner of rebelliousness, individuality and innovation that brought a break-through in Chinese new music of the past. In this paper, we focused on a representative piano solo work Tai Chi (1987) by composer Zhao Xiaosheng who explored the ancient Chinese philosophy I Ching and the Tang Dynasty musical form Tang Daqu usi…

  • Applying Media and Virtual Approaches to the Institutionalization of Puzhou Opera

    Open Access•Lin Lin Pang, Fung Chiat Loo et al.•ARTICLE•Asian Social Science•2024

    Puzhou opera, also known as Puju, originated in Puzhou in ancient China, which is now renamed as Yuncheng city, Shanxi province. Puju has been recorded since the Yuan dynasty and has become one of China’s most important operas because of its long history and influence on surrounding opera styles. This article explores challenges related to the institutionalization of Puju and how to use the modern technology of virtual media to ensure the sustain…

  • The nature, portrayal of eternity and economic use of non-birdsong subjects in La rousserolle effarvatte, from Catalogue D’oiseaux by Oliver Messiaen

    Open Access•Fung Chiat Loo, Fung Ying Loo•ARTICLE•Música Hodie•2025

    This paper examines the longest work from Catalogue d'oiseaux, La rousserolle effarvatte, focusing on the non-birdsong subjects that depict the nature and habitat of the solo birdsong, the reed warbler. The analysis reveals that Messiaen used the time of day and non-birdsong subjects to structure the work, incorporating elements such as pond music, sunrise and sunset, and flower themes. It also shows that many of the non-birdsong subjects employ …

  • Cultural Sustainability Through Transformations of Feitao Ritual Performance Among the Maonan Ethnic Group in China

    Open Access•Yixing Liu, Ow Wei Chow et al.•ARTICLE•The International Journal of…•2026

    This study examines the Feitao ritual of the Maonan ethnic group to explore how contemporary ethnic minorities in China understand and respond to the concept of cultural sustainability. In the context of rapid economic growth and social transformation, developing countries like China face a persistent challenge: balancing urban development with the preservation of historical identities and the cultural memories embedded in traditional minority ri…

Art (10 works) · China (6 works) · Political science (6 works) · Psychology (6 works) · Sociology (6 works) · Aesthetics (4 works) · Asian Culture and Media Studies (4 works) · Literature (4 works) · Musical (4 works) · Philosophy (4 works)

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