Anuja Premika
Biographic Data
| ID | 3534108 |
|---|---|
| NAME | Anuja Premika |
| GIVEN NAMES | Anuja |
| FAMILY NAME | Premika |
| SIGNATURE | PREMIKA A |
| AFFILIATIONS | University of Hyderabad |
| ORCID | 0000-0002-0578-8306 |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2025 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
Capturing the Ephemeral
Instagram stories are an ephemeral format, having only a 24-hour lifespan. What are the ethical considerations while using Stories (or similarly slippery digital artefacts) in research, particularly if gaining explicit consent is not feasible? In thinking of data collection methodologies as “practices of care,” I suggest that a self-reflexive, feminist approach to this issue, must critically interrogate what constitutes public data, or even a pub…
Beauty Brands Online
Engagement with beauty has historically been seen as inherently consumptive and (perhaps therefore) inherently feminine and trivial. Popular discourse today would suggest, however, that beauty is increasingly seen as creative, and no longer assumed to be the domain of any one gender, particularly in online spaces. Amidst celebrations of the democratisation of beauty on one end, and cries of an appearance-obsessed culture on the other, what does a…
Constructing the Digital
The AoIR Flashpoint Symposium conducted in Hyderabad, India, explored multiple facets of digital labour–that which takes place through and on platforms, monitored or managed via digital interfaces, as well as forms of work that contribute to building, maintaining, and populating digital infrastructures. The discussions at the symposium proceeded from the recognition of the need for regulation with the consumer of technology as our main object of …
Never Have I Ever felt super Indian
Never Have I Ever (NHIE) is a Netflix comedy-drama series centered around Devi Vishwakumar, a second-generation Indian-American teenager. While the show was praised for accurately portraying the experiences of young, second-generation Indian-American women, it was also criticized for its failure to subvert stereotypes, its caricaturization of Indian culture, as well as the erasure of caste in the show's narrative. In this article, we examine how …
No prominent works on this page.
Beauty Brands Online
Engagement with beauty has historically been seen as inherently consumptive and (perhaps therefore) inherently feminine and trivial. Popular discourse today would suggest, however, that beauty is increasingly seen as creative, and no longer assumed to be the domain of any one gender, particularly in online spaces. Amidst celebrations of the democratisation of beauty on one end, and cries of an appearance-obsessed culture on the other, what does a…
Constructing the Digital
The AoIR Flashpoint Symposium conducted in Hyderabad, India, explored multiple facets of digital labour–that which takes place through and on platforms, monitored or managed via digital interfaces, as well as forms of work that contribute to building, maintaining, and populating digital infrastructures. The discussions at the symposium proceeded from the recognition of the need for regulation with the consumer of technology as our main object of …
Never Have I Ever felt super Indian
Never Have I Ever (NHIE) is a Netflix comedy-drama series centered around Devi Vishwakumar, a second-generation Indian-American teenager. While the show was praised for accurately portraying the experiences of young, second-generation Indian-American women, it was also criticized for its failure to subvert stereotypes, its caricaturization of Indian culture, as well as the erasure of caste in the show's narrative. In this article, we examine how …
Capturing the Ephemeral
Instagram stories are an ephemeral format, having only a 24-hour lifespan. What are the ethical considerations while using Stories (or similarly slippery digital artefacts) in research, particularly if gaining explicit consent is not feasible? In thinking of data collection methodologies as “practices of care,” I suggest that a self-reflexive, feminist approach to this issue, must critically interrogate what constitutes public data, or even a pub…
Art (2 works) · Aesthetics (1 works) · Anthropological Studies and Insights (1 works) · Beauty (1 works) · Computer Science (1 works) · Consumer Behavior in Brand Consumption and Identification (1 works) · Critical reflection (1 works) · Diaspora, migration, transnational identity (1 works) · Digital Marketing and Social Media (1 works) · Digital Storytelling and Education (1 works)