Briony Luttrell
Biographic Data
| ID | 3534203 |
|---|---|
| NAME | Briony Luttrell |
| GIVEN NAMES | Briony |
| FAMILY NAME | Luttrell |
| SIGNATURE | LUTTRELL B |
| AFFILIATIONS | University of the Sunshine Coast |
| ORCID | 0000-0002-8378-7333 |
| VERIFIED | Yes |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 5 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2018 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 1 |
Challenges and frustrations for Indigenous Australians participating in the recording sector
This research explores the barriers to entry and the challenges and frustrations for Australian First Nations music producers. The proliferation of software-based technology in the recording studio sector resulted in notions of technological democracy. However, this democratization is often contested for not including women and various marginalized and minority groups. Through an Indigenous-led music production workshop project, the research team…
Music education as symbolic action
Oh my god this is happening
Our Flag Means Death ( OFMD) premiered to critical acclaim and unprecedented audience engagement. It can be argued that it is a romantic queer reading of historical facts. In this article, we reflect on the social function of storytelling and audience labour within the context of queer screen representations. We theorise queer reading as a practice of learning to recognise, identify and create patterns of semiotic resources. This practice is a re…
Hitchhiker’s guide to reality
In this article we explore a collaborative interdisciplinary Theatre and Music production as part of two undergraduate courses at the University of the Sunshine Coast, Australia, during COVID-19. Tertiary intuitions all over the world are currently being forced to adapt in radical response to the pandemic. The specific conditions of the authors’ experience prompted this collaboration where both teaching and learning occurred in an unstable, unpre…
A rhetoric of style
In this paper, we present a synthesis of Kenneth Burke’s rhetoric of identification and Jay Lemke’s social semiotics to frame Eleanor Rigby by the Beatles as a unique point in the phylogenesis of recorded popular music. We emphasise the social semiotic functioning of string arrangements as styles, with style also being understood in the manner of Burke, and style names and definitions being drawn from a corpus analysis of string arrangements for …
Oh my god this is happening
Our Flag Means Death ( OFMD) premiered to critical acclaim and unprecedented audience engagement. It can be argued that it is a romantic queer reading of historical facts. In this article, we reflect on the social function of storytelling and audience labour within the context of queer screen representations. We theorise queer reading as a practice of learning to recognise, identify and create patterns of semiotic resources. This practice is a re…
A rhetoric of style
In this paper, we present a synthesis of Kenneth Burke’s rhetoric of identification and Jay Lemke’s social semiotics to frame Eleanor Rigby by the Beatles as a unique point in the phylogenesis of recorded popular music. We emphasise the social semiotic functioning of string arrangements as styles, with style also being understood in the manner of Burke, and style names and definitions being drawn from a corpus analysis of string arrangements for …
Hitchhiker’s guide to reality
In this article we explore a collaborative interdisciplinary Theatre and Music production as part of two undergraduate courses at the University of the Sunshine Coast, Australia, during COVID-19. Tertiary intuitions all over the world are currently being forced to adapt in radical response to the pandemic. The specific conditions of the authors’ experience prompted this collaboration where both teaching and learning occurred in an unstable, unpre…
Oh my god this is happening
Our Flag Means Death ( OFMD) premiered to critical acclaim and unprecedented audience engagement. It can be argued that it is a romantic queer reading of historical facts. In this article, we reflect on the social function of storytelling and audience labour within the context of queer screen representations. We theorise queer reading as a practice of learning to recognise, identify and create patterns of semiotic resources. This practice is a re…
Music education as symbolic action
Challenges and frustrations for Indigenous Australians participating in the recording sector
This research explores the barriers to entry and the challenges and frustrations for Australian First Nations music producers. The proliferation of software-based technology in the recording studio sector resulted in notions of technological democracy. However, this democratization is often contested for not including women and various marginalized and minority groups. Through an Indigenous-led music production workshop project, the research team…
History (3 works) · Sociology (3 works) · Diverse Music Education Insights (2 works) · Diverse Musicological Studies (2 works) · Law (2 works) · Musicology and Musical Analysis (2 works) · Political science (2 works) · Rhetoric (2 works) · 2019-20 coronavirus outbreak (1 work) · Aesthetics (1 work)