Doris Baltruschat
Biographic Data
| ID | 3534370 |
|---|---|
| NAME | Doris Baltruschat |
| GIVEN NAMES | Doris |
| FAMILY NAME | Baltruschat |
| SIGNATURE | BALTRUSCHAT D |
| AFFILIATIONS | Simon Fraser University in Canada. |
| VERIFIED | No |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 5 |
| EDITOR COUNT | 1 |
| FIRST PUBLICATION YEAR | 2004 |
| LATEST PUBLICATION YEAR | 2018 |
| H-INDEX | 0 |
Independent Filmmaking Around the Globe
Shut Off: The Canadian Digital Television Transition. By Gregory Taylor
Global Media Ecologies: Networked Production in Film and Television
In this study, Baltruschat calls attention to dramatic changes in worldwide media production. Her work provides new insights into industry re-organization, digital media, and audience interactivity as pivotal relationships are redrawn along the entire value chain of production, distribution, and consumption. Based on an international study, she details how cultural agents now negotiate a media landscape through collaborative ventures, co-producti…
Reality TV Formats: The Case of Canadian Idol
This paper discusses narrative development and audience interactivity in reality television, with a particular focus on the “format franchising processes” involving Canadian Idol. The staging of media events, recruitment of semi-professional performers, and immersive online environments emphasize the complexities of reality format adaptation, which involves the localization of global media texts
The New Media Geography of Global and Local Production Networks
This article highlights the networked collaborations, across non-traditional lines, between producers, broadcasters, digital content developers and telecommunications providers for the development of content across multiple platforms. Through using global production technologies such as co-production and formatting, they are able to localise program narratives with the participation of audiences, online communities, and media events - all of whic…
Television and Canada's Aboriginal Communities
This paper traces the origins of the Aboriginal Peoples Television Network (APTN) and highlights current trends in indigenous film and television production. Indigenous film and television narratives are rooted in storytelling traditions and oral culture. They describe histories and communities, and highlight critical issues from land claims to language preservation. In spite of their local focus, film and television programs are also closely lin…
No prominent works on this page.
Television and Canada's Aboriginal Communities
This paper traces the origins of the Aboriginal Peoples Television Network (APTN) and highlights current trends in indigenous film and television production. Indigenous film and television narratives are rooted in storytelling traditions and oral culture. They describe histories and communities, and highlight critical issues from land claims to language preservation. In spite of their local focus, film and television programs are also closely lin…
The New Media Geography of Global and Local Production Networks
This article highlights the networked collaborations, across non-traditional lines, between producers, broadcasters, digital content developers and telecommunications providers for the development of content across multiple platforms. Through using global production technologies such as co-production and formatting, they are able to localise program narratives with the participation of audiences, online communities, and media events - all of whic…
Reality TV Formats: The Case of Canadian Idol
This paper discusses narrative development and audience interactivity in reality television, with a particular focus on the “format franchising processes” involving Canadian Idol. The staging of media events, recruitment of semi-professional performers, and immersive online environments emphasize the complexities of reality format adaptation, which involves the localization of global media texts
Global Media Ecologies: Networked Production in Film and Television
In this study, Baltruschat calls attention to dramatic changes in worldwide media production. Her work provides new insights into industry re-organization, digital media, and audience interactivity as pivotal relationships are redrawn along the entire value chain of production, distribution, and consumption. Based on an international study, she details how cultural agents now negotiate a media landscape through collaborative ventures, co-producti…
Shut Off: The Canadian Digital Television Transition. By Gregory Taylor
Independent Filmmaking Around the Globe
Computer Science (4 works) · Advertising (3 works) · Art (3 works) · Business (3 works) · Narrative (3 works) · Psychology (3 works) · Cinema and Media Studies (2 works) · Digital Games and Media (2 works) · Literature (2 works) · Media studies (2 works)