Diego Castro Magas
Biographic Data
| ID | 3535254 |
|---|---|
| NAME | Diego Castro Magas |
| GIVEN NAMES | Diego Castro |
| FAMILY NAME | Magas |
| SIGNATURE | MAGAS D C |
| AFFILIATIONS | Pontificia Universidad Católica de Chile |
| ORCID | 0000-0002-8697-5110 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 2 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2020 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 0 |
Figura, alegoría y práctica interpretativa en la música de Brian Ferneyhough
Este estudio examina los conceptos de "figura" y "alegoría" en la estética musical del compositor inglés Brian Ferneyhough, en particular relación con sus obras Lemma-Icon-Epigram (1981) para piano y Kurze Schatten II (1983-9) para guitarra. Al hacer esto, se aborda la problemática de las múltiples mediaciones que rodean una partitura en tanto artefacto semiótico, y en particular el potencial impacto de alusiones culturales e intenciones del comp…
Temporality and performing style in Luciano Berio’s Sequenza XI for guitar
Luciano Berio's Sequenza XI stands as a major work in the 20th-century guitar repertoire. Although it has been extensively analysed in previous scholarship, its performance practice has not been addressed. In this paper, I set out to fill this gap by analysing fifteen commercial recordings of the work, and furthermore seek to demonstrate how different categories of musical time-experience (after UTZ, 2017) can be used as a frame for discussing pe…
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Temporality and performing style in Luciano Berio’s Sequenza XI for guitar
Luciano Berio's Sequenza XI stands as a major work in the 20th-century guitar repertoire. Although it has been extensively analysed in previous scholarship, its performance practice has not been addressed. In this paper, I set out to fill this gap by analysing fifteen commercial recordings of the work, and furthermore seek to demonstrate how different categories of musical time-experience (after UTZ, 2017) can be used as a frame for discussing pe…
Figura, alegoría y práctica interpretativa en la música de Brian Ferneyhough
Este estudio examina los conceptos de "figura" y "alegoría" en la estética musical del compositor inglés Brian Ferneyhough, en particular relación con sus obras Lemma-Icon-Epigram (1981) para piano y Kurze Schatten II (1983-9) para guitarra. Al hacer esto, se aborda la problemática de las múltiples mediaciones que rodean una partitura en tanto artefacto semiótico, y en particular el potencial impacto de alusiones culturales e intenciones del comp…
Art (2 works) · Music Technology and Sound Studies (2 works) · Neuroscience and Music Perception (2 works) · Philosophy (2 works) · Acoustics (1 work) · Computer Science (1 work) · Counterpoint (1 work) · Epistemology (1 work) · Guitar (1 work) · Hearing Loss and Rehabilitation (1 work)