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Ioulia Papageorgi

Biographic Data

ID3537284
NAMEIoulia Papageorgi
GIVEN NAMESIoulia
FAMILY NAMEPapageorgi
SIGNATUREPAPAGEORGI I
AFFILIATIONSUniversity of Nicosia
ORCID0000-0001-8566-2457
VERIFIEDYes
TOTAL WORKS21
TOTAL CITATIONS2
WORKS AS AUTHOR21
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2008
LATEST PUBLICATION YEAR2025
H-INDEX1
  • Are There Gender Differences in Instrumental Music Practice?

    Susan Hallam, Maria Varvarigou et al.•CHAPTER•Practice Makes Perfect•2025

    This research aimed to consider whether there were gender differences in the amount of practice undertaken by boys and girls, the practice strategies adopted and motivation to practise. A sample of 2027 girls and 1225 boys aged 6–19 years, ranging in level of expertise from beginner through to conservatory entrance level, playing instruments representative of the classical and popular instruments played in the UK completed a self-report 448 Liker…

  • Changes in Motivation as Expertise Develops

    Susan Hallam, Andrea Creech et al.•CHAPTER•Practice Makes Perfect•2025

    Recent models of musical motivation have recognised the complex interactions which occur between environmental (cultural, institutional, familial, educational) and internal factors (cognition and affect) in enhancing or reducing motivation. Much previous research has been small scale and not taken account of long term musical aspirations. This article aims to address 560 these issues exploring changes in motivation as expertise develops with a la…

  • The Development of Practising Strategies in Young People

    Susan Hallam, Tiija Rinta et al.•CHAPTER•Practice Makes Perfect•2025

    There has been considerable research considering how instrumental practice changes as expertise develops. Much of that research has been relatively small scale and restricted in the range of instrumentalists included. This paper aimed to explore the development of practising strategies and motivation to practise as expertise develops with a large sample of participants at different levels of expertise playing a wide range of different instruments…

  • Relationships between Practice, Motivation, and Examination Outcomes

    Susan Hallam, Ioulia Papageorgi et al.•CHAPTER•Practice Makes Perfect•2025

    While there has been a great deal of research on Instrumental practice and the nature of motivation to engage with music making, there has been relatively little that has considered the relationship of these with instrumental examination outcomes. This research aimed to address this issue. A total of 2,131 young musicians, aged 6–19, across a wide range of expertise, 624 with a range of examination outcomes responded to a series of statements on …

  • Conceptions of Musical Understanding

    Susan Hallam, Ioulia Papageorgi•CHAPTER•Practice Makes Perfect•2025

    Music can be understood in many ways. This has important implications for music education. The research reported here explored how groups of people conceptualise musical understanding and what they believe supports its acquisition. In this study 463 participants completed two statements: “Musical understanding is” and “You learn to understand music through”. Understanding music was viewed as complex and multidimensional with two overarching theme…

  • Are There Differences in Practice Depending on the Instrument Played?

    Susan Hallam, Andrea Creech et al.•CHAPTER•Practice Makes Perfect•2025

    There has been little research on Instrument differences in the length and nature of instrumental practice or how these may interact with level of expertise. This paper aimed to address this issue. A total of 3,325 young people ranging in level of expertise from beginner to the level required for entry to higher education conservatoire completed a questionnaire which consisted of a number of statements relating to time spent practicing, 472 pract…

  • Gender Differences in Musical Motivation at Different Levels of Expertise

    Susan Hallam, Andrea Creech et al.•CHAPTER•Practice Makes Perfect•2025

    Recently, models have been developed that recognise the complexity of motivation. These set out the interactions that occur between environmental (cultural, institutional, familial, educational) and internal factors (cognition and affect) enhancing or reducing motivation. Despite this we know very little about gender differences in motivation in relation to 596 playing an instrument. The current study aimed to address this issue, exploring gender…

  • Student perceptions of the classroom environment, student characteristics, and motivation for music lessons at secondary school

    Open Access•Ioulia Papageorgi, Natassa Economidou Stavrou•ARTICLE•Musicae Scientiae•2023

    The literature suggests that there is often no alignment between student preferences and what and how it is taught in the music classroom. A total of 749 Cypriot secondary school students, aged 12 to 14 years, responded to a survey addressing enjoyment of music, motivation for school music lessons, and perceptions of the music classroom environment. The survey included a questionnaire with six subscales: Involvement, Affiliation, Teacher Support,…

  • Prevalence and predictors of music performance anxiety in adolescent learners

    Open Access•Ioulia Papageorgi•ARTICLE•Musicae Scientiae•2022

    Currently, no formal music performance anxiety (MPA) prevalence rates exist for children and adolescent musicians. Factors contributing to distinct MPA experiences (maladaptive versus adaptive) are also not clear and there is a lack of research investigating cultural variability in MPA experiences. The study aimed to investigate the prevalence of MPA and factors affecting MPA levels in adolescent musicians. Comparisons between sexes (boys, girls)…

  • ‘Turn up the volume and listen to my voice’

    Open Access•Natassa Economidou Stavrou, Ioulia Papageorgi•ARTICLE•Research Studies in Music Education•2021

    Music teachers are often faced with students’ negative attitudes towards Music as a school subject, and dilemmas of what would be most important to teach and at the same time interesting, useful and relevant to students. Looking at music teaching and learning through the eyes of students can play a key role in re-shaping the condition of learning and promoting a positive and motivating musical learning environment. The aim of this study was to ‘t…

  • Cigarette, E-Cigarette and Waterpipe Use among Young Adults

    Open Access•Mark J M Sullman, María Eugenia Gras Pérez et al.•ARTICLE•International Journal of…•2020

    Efforts to prevent polytobacco use should ensure that young adults have the necessary self-efficacy to resist peer pressure and provide them with clear information about the health risks associated with using alternative tobacco products

  • Skinner Box, the

    Open Access•Ioulia Papageorgi•CHAPTER•Encyclopedia of Evolutionary…•2018

  • Operant Conditioning

    Open Access•Ioulia Papageorgi•CHAPTER•Encyclopedia of Evolutionary…•2018

  • Reinforcement Schedule

    Open Access•Ioulia Papageorgi•CHAPTER•Encyclopedia of Evolutionary…•2018

  • Learning Curve

    Open Access•Ioulia Papageorgi•CHAPTER•Encyclopedia of Evolutionary…•2018

  • Shaping

    Open Access•Ioulia Papageorgi•CHAPTER•Encyclopedia of Evolutionary…•2018

  • Thorndike’s Law of Effect

    Open Access•Ioulia Papageorgi•CHAPTER•Encyclopedia of Evolutionary…•2018

  • Positive and Negative Reinforcement and Punishment

    Open Access•Ioulia Papageorgi•CHAPTER•Encyclopedia of Evolutionary…•2018

  • Modelo conceitual para a compreensão da ansiedade na performance musical

    Open Access•Ioulia Papageorgi, Susan Hallam et al.•ARTICLE•Orfeu•2018•References: 42

    A maior parte das pesquisas realizadas sobre Ansiedade na Performance Musical (APM) tem considerado sua relação com as características internas do intérprete musical, a condição de preparação para a performance e fatores relativos ao ambiente no momento da execução. Os métodos para o seu alívio geralmente têm natureza clínica. Poucas pesquisas situam-se ao redor de um modelo conceitual explícito e abrangente. Este artigo propõe um quadro teórico …

  • Changes in motivation as expertise develops

    Open Access•Susan Hallam, Andrea Creech et al.•ARTICLE•Musicae Scientiae•2016

    Recent models of musical motivation have recognised the complex interactions which occur between environmental (cultural, institutional, familial, educational) and internal factors (cognition and affect) in enhancing or reducing motivation. Much previous research has been small scale and not taken account of long term musical aspirations. This article aims to address these issues exploring changes in motivation as expertise develops with a large …

  • Musical genre and gender as factors in higher education learning in music

    Grover Welch, Graham Welch et al.•ARTICLE•Research Papers in Education•2008•Cited by: 2•References: 23

    Educational and psychological research suggests that gender and musical genre can influence musical learning and the development of musical identities, particularly during adolescence. However, there is a relative paucity of educational studies in higher education (HE) concerning the possible impact on musical learning of gender and musical genre, either individually or collectively. As part of a two‐year comparative study funded under the Econom…

  • Musical genre and gender as factors in higher education learning in music

    Grover Welch, Graham Welch et al.•ARTICLE•Research Papers in Education•2008•Cited by: 2•References: 23

    Educational and psychological research suggests that gender and musical genre can influence musical learning and the development of musical identities, particularly during adolescence. However, there is a relative paucity of educational studies in higher education (HE) concerning the possible impact on musical learning of gender and musical genre, either individually or collectively. As part of a two‐year comparative study funded under the Econom…

  • Musical genre and gender as factors in higher education learning in music

    Grover Welch, Graham Welch et al.•ARTICLE•Research Papers in Education•2008•Cited by: 2•References: 23

    Educational and psychological research suggests that gender and musical genre can influence musical learning and the development of musical identities, particularly during adolescence. However, there is a relative paucity of educational studies in higher education (HE) concerning the possible impact on musical learning of gender and musical genre, either individually or collectively. As part of a two‐year comparative study funded under the Econom…

  • Changes in motivation as expertise develops

    Open Access•Susan Hallam, Andrea Creech et al.•ARTICLE•Musicae Scientiae•2016

    Recent models of musical motivation have recognised the complex interactions which occur between environmental (cultural, institutional, familial, educational) and internal factors (cognition and affect) in enhancing or reducing motivation. Much previous research has been small scale and not taken account of long term musical aspirations. This article aims to address these issues exploring changes in motivation as expertise develops with a large …

  • Skinner Box, the

    Open Access•Ioulia Papageorgi•CHAPTER•Encyclopedia of Evolutionary…•2018

  • Operant Conditioning

    Open Access•Ioulia Papageorgi•CHAPTER•Encyclopedia of Evolutionary…•2018

  • Reinforcement Schedule

    Open Access•Ioulia Papageorgi•CHAPTER•Encyclopedia of Evolutionary…•2018

  • Learning Curve

    Open Access•Ioulia Papageorgi•CHAPTER•Encyclopedia of Evolutionary…•2018

  • Shaping

    Open Access•Ioulia Papageorgi•CHAPTER•Encyclopedia of Evolutionary…•2018

  • Thorndike’s Law of Effect

    Open Access•Ioulia Papageorgi•CHAPTER•Encyclopedia of Evolutionary…•2018

  • Positive and Negative Reinforcement and Punishment

    Open Access•Ioulia Papageorgi•CHAPTER•Encyclopedia of Evolutionary…•2018

  • Modelo conceitual para a compreensão da ansiedade na performance musical

    Open Access•Ioulia Papageorgi, Susan Hallam et al.•ARTICLE•Orfeu•2018•References: 42

    A maior parte das pesquisas realizadas sobre Ansiedade na Performance Musical (APM) tem considerado sua relação com as características internas do intérprete musical, a condição de preparação para a performance e fatores relativos ao ambiente no momento da execução. Os métodos para o seu alívio geralmente têm natureza clínica. Poucas pesquisas situam-se ao redor de um modelo conceitual explícito e abrangente. Este artigo propõe um quadro teórico …

  • Cigarette, E-Cigarette and Waterpipe Use among Young Adults

    Open Access•Mark J M Sullman, María Eugenia Gras Pérez et al.•ARTICLE•International Journal of…•2020

    Efforts to prevent polytobacco use should ensure that young adults have the necessary self-efficacy to resist peer pressure and provide them with clear information about the health risks associated with using alternative tobacco products

  • ‘Turn up the volume and listen to my voice’

    Open Access•Natassa Economidou Stavrou, Ioulia Papageorgi•ARTICLE•Research Studies in Music Education•2021

    Music teachers are often faced with students’ negative attitudes towards Music as a school subject, and dilemmas of what would be most important to teach and at the same time interesting, useful and relevant to students. Looking at music teaching and learning through the eyes of students can play a key role in re-shaping the condition of learning and promoting a positive and motivating musical learning environment. The aim of this study was to ‘t…

  • Prevalence and predictors of music performance anxiety in adolescent learners

    Open Access•Ioulia Papageorgi•ARTICLE•Musicae Scientiae•2022

    Currently, no formal music performance anxiety (MPA) prevalence rates exist for children and adolescent musicians. Factors contributing to distinct MPA experiences (maladaptive versus adaptive) are also not clear and there is a lack of research investigating cultural variability in MPA experiences. The study aimed to investigate the prevalence of MPA and factors affecting MPA levels in adolescent musicians. Comparisons between sexes (boys, girls)…

  • Student perceptions of the classroom environment, student characteristics, and motivation for music lessons at secondary school

    Open Access•Ioulia Papageorgi, Natassa Economidou Stavrou•ARTICLE•Musicae Scientiae•2023

    The literature suggests that there is often no alignment between student preferences and what and how it is taught in the music classroom. A total of 749 Cypriot secondary school students, aged 12 to 14 years, responded to a survey addressing enjoyment of music, motivation for school music lessons, and perceptions of the music classroom environment. The survey included a questionnaire with six subscales: Involvement, Affiliation, Teacher Support,…

  • Are There Gender Differences in Instrumental Music Practice?

    Susan Hallam, Maria Varvarigou et al.•CHAPTER•Practice Makes Perfect•2025

    This research aimed to consider whether there were gender differences in the amount of practice undertaken by boys and girls, the practice strategies adopted and motivation to practise. A sample of 2027 girls and 1225 boys aged 6–19 years, ranging in level of expertise from beginner through to conservatory entrance level, playing instruments representative of the classical and popular instruments played in the UK completed a self-report 448 Liker…

  • Changes in Motivation as Expertise Develops

    Susan Hallam, Andrea Creech et al.•CHAPTER•Practice Makes Perfect•2025

    Recent models of musical motivation have recognised the complex interactions which occur between environmental (cultural, institutional, familial, educational) and internal factors (cognition and affect) in enhancing or reducing motivation. Much previous research has been small scale and not taken account of long term musical aspirations. This article aims to address 560 these issues exploring changes in motivation as expertise develops with a la…

  • The Development of Practising Strategies in Young People

    Susan Hallam, Tiija Rinta et al.•CHAPTER•Practice Makes Perfect•2025

    There has been considerable research considering how instrumental practice changes as expertise develops. Much of that research has been relatively small scale and restricted in the range of instrumentalists included. This paper aimed to explore the development of practising strategies and motivation to practise as expertise develops with a large sample of participants at different levels of expertise playing a wide range of different instruments…

  • Relationships between Practice, Motivation, and Examination Outcomes

    Susan Hallam, Ioulia Papageorgi et al.•CHAPTER•Practice Makes Perfect•2025

    While there has been a great deal of research on Instrumental practice and the nature of motivation to engage with music making, there has been relatively little that has considered the relationship of these with instrumental examination outcomes. This research aimed to address this issue. A total of 2,131 young musicians, aged 6–19, across a wide range of expertise, 624 with a range of examination outcomes responded to a series of statements on …

  • Conceptions of Musical Understanding

    Susan Hallam, Ioulia Papageorgi•CHAPTER•Practice Makes Perfect•2025

    Music can be understood in many ways. This has important implications for music education. The research reported here explored how groups of people conceptualise musical understanding and what they believe supports its acquisition. In this study 463 participants completed two statements: “Musical understanding is” and “You learn to understand music through”. Understanding music was viewed as complex and multidimensional with two overarching theme…

  • Are There Differences in Practice Depending on the Instrument Played?

    Susan Hallam, Andrea Creech et al.•CHAPTER•Practice Makes Perfect•2025

    There has been little research on Instrument differences in the length and nature of instrumental practice or how these may interact with level of expertise. This paper aimed to address this issue. A total of 3,325 young people ranging in level of expertise from beginner to the level required for entry to higher education conservatoire completed a questionnaire which consisted of a number of statements relating to time spent practicing, 472 pract…

  • Gender Differences in Musical Motivation at Different Levels of Expertise

    Susan Hallam, Andrea Creech et al.•CHAPTER•Practice Makes Perfect•2025

    Recently, models have been developed that recognise the complexity of motivation. These set out the interactions that occur between environmental (cultural, institutional, familial, educational) and internal factors (cognition and affect) enhancing or reducing motivation. Despite this we know very little about gender differences in motivation in relation to 596 playing an instrument. The current study aimed to address this issue, exploring gender…

Diverse Music Education Insights (13 works) · Neuroscience and Music Perception (11 works) · Psychology (11 works) · Musical (8 works) · Social Psychology (6 works) · Behavioral and Psychological Studies (5 works) · Musicians’ Health and Performance (5 works) · Perception (5 works) · Relation (database) (5 works) · Scale (ratio) (5 works)

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