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Timothy Hampton

Biographic Data

ID355396
NAMETimothy Hampton
GIVEN NAMESTimothy
FAMILY NAMEHampton
SIGNATUREHAMPTON T
AFFILIATIONSUniversity of California, Berkeley
VERIFIEDNo
TOTAL WORKS26
TOTAL CITATIONS14
AUTHOR COUNT26
EDITOR COUNT0
FIRST PUBLICATION YEAR1989
LATEST PUBLICATION YEAR2026
H-INDEX2
  • The Cambridge Companion to Folk Music

    Open Access•Jeff Todd Tıton, Timothy Hampton et al.•BOOK•The Cambridge Companion to Folk…•2026

    A groundbreaking critical introduction to folk music and song focused on questions of identity, community, representation, politics, and popular culture. Written by a distinguished international team of authors, this Companion is an indispensable resource for rethinking the confluence of sound, heritage, and identity in the twenty-first century. A unique addition to the literature, it highlights the fundamentally hybrid and (post)colonial dynamic…

  • Folk and the Public Sphere

    Open Access•Timothy Hampton•CHAPTER•The Cambridge Companion to Folk…•2026

    This chapter traces the role of folk music in the changing mediascape in North America from the 1940s to the 1960s. Beginning from Jürgen Habermas’s well-known notion of the ‘public sphere’, the essay locates the folk revival at the intersection of new spaces (Greenwich Village) and new media (the long-playing record). It shows how the technology of the LP made possible juxtapositions of songs from all over the world. With the Weavers, the Kingst…

  • Cheerfulness: A Literary and Cultural History

    Timothy Hampton•BOOK•Cheerfulness•2022

  • Cheerfulness: A Literary and Cultural History

    Timothy Hampton•BOOK•Cheerfulness•2022

  • Cultural Transmission and the Early French Novel

    Open Access•Linda Louie, Timothy Hampton•CHAPTER•Cambridge History of the Novel in…•2021

    Whereas much scholarship on the history of the novel focuses on its relationship to large narrative forms such as epic or romance, this chapter argues that the novella tradition plays a central role in the development of the novelistic world. We show how intercalated novellas, translated or adapted from Italian or Spanish, inflect the emergence of the French novelistic canon, functioning as sites at which cultural difference is explored and manag…

  • The theology of cheer, Erasmus to Shakespeare

    Timothy Hampton•CHAPTER•Positive Emotions in Early Modern…•2021

    Timothy Hampton’s work on ‘The theology of cheer, Erasmus to Shakespeare’ traces the dual nature of cheer as it is used in humanist writings as both a physiological designation of the face and an emotive. He argues that the bodily nature of cheer links practices of the Church and religious belonging to secular practices of sociability and hospitality, and he traces how these circulations of cheer in theological writings become the representationa…

  • Sancho's Fortune: Money and Narrative Truth in Don Quixote

    Timothy Hampton•ARTICLE•Modern Language Notes•2020

    As David Quint's work has shown, one of the principal thematic concerns of Cervantes's Don Quixote involves the clash between traditional chivalric values and the values of an emerging "money" economy. This essay explores Sancho Panza's entry into that new economy. It shows how Sancho's dealings with money consistently raise issues about truth and lying, and about the veracity of narrative. And it traces Sancho's increasing awareness of how liter…

  • Bob Dylan in the Country

    Timothy Hampton•ARTICLE•Representations•2020

    At the close of the 1960s two developments changed the shape of mainstream rock and roll music. The first was a new focus, on the part of a number of influential artists, on music about domestic life-kids, spouses, home. The second was a new interest in blending rock rhythms with instrumentation and themes taken from country music. This essay explores the ways in which these two concerns overlap in the work of Bob Dylan. I argue that Dylan's work…

  • What Is a Colony Before Colonialism? Humanist and Antihumanist Concepts of Governmentality from Foucault to Montaigne

    Open Access•Timothy Hampton•CHAPTER•Early Modern Humanism and…•2016

  • Virgil in India: Epic, History, and Military Tactics in the Lusiads

    Timothy Hampton•ARTICLE•Modern Language Notes•2015•Cited by: 1

    Virgil in India:Epic, History, and Military Tactics in the Lusiads Timothy Hampton Camões begins the Lusiads, his great epic on Vasco da Gama’s journey to India, by brushing aside both classical models of epic and the tradition of Italian romance. Forget, he says, “the journeys of the subtle Greek and the Trojan”—that is, Odysseus and Aeneas—and let’s hear no more of Alexander or Trajan. Here we have a new experience, the experience of the Portug…

  • Absolutely Modern

    Timothy Hampton•ARTICLE•Representations•2015

    Bob Dylan's turn from "folk music" to "electric music" in the 1960s involves the development of a new visionary poetics. Through a consideration of his affinity with the French Symbolist poet Arthur Rimbaud, this essay traces Dylan's recasting of himself as a visionary and studies the pressures placed by this process on lyric form, on poetic diction, and on the representation of the self in popular music

  • Fictions of Embassy: Literature and Diplomacy in Early Modern Europe

    Timothy Hampton•BOOK•Fictions of Embassy•2013

  • Tangled Generation: Dylan, Kerouac, Petrarch, and the Poetics of Escape

    Timothy Hampton•ARTICLE•Critical Inquiry•2013•Cited by: 3•References: 1

  • Comment a nom: Humanism and Literary Knowledge in Auerbach and Rabelais

    Timothy Hampton•ARTICLE•Representations•2012•Cited by: 1

    This essay studies the relationship between Erich Auerbach's account of the beginnings of literary modernity, in his well-known work on Rabelais, and the Renaissance humanism that informs both his scholarly enterprise and Rabelais's fictions. Through a study of Rabelais's depictions of the female body it shows that Rabelais's text both breaks with earlier modes of understanding bodies and narratives and questions its own authority to do so. In a …

  • Typosine, la dixième muse: Formes éditoriales des canzonieri français (1544–1560)

    Open Access•Timothy Hampton•ARTICLE•Renaissance Quarterly•2009

    Daniel Maira. Typosine, la dixième muse: Formes éditoriales des canzonieri français (1544–1560). Travaux d'Humanisme et Renaissance 185. Geneva: Librairie Droz S.A., 2007. 512 pp. + 63 b/w pls. index. append. illus. chron. bibl. $109.20. ISBN: 978–2–600–01138–9. - Volume 62 Issue 1

  • Fictions of Embassy

    Timothy Hampton•BOOK•Fictions of Embassy•2009•Cited by: 7

  • The Tragedy of Delegation: Diplomatic Action and Tragic Form in Racine's Andromaque

    Timothy Hampton•ARTICLE•Journal of Medieval and Early…•2008

    Research Article| January 01 2008 The Tragedy of Delegation: Diplomatic Action and Tragic Form in Racine's Andromaque Timothy Hampton Timothy Hampton Search for other works by this author on: This Site Google Journal of Medieval and Early Modern Studies (2008) 38 (1): 57–78. https://doi.org/10.1215/10829636-2007-019 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Timothy Hampton; The Tragedy of De…

  • Diplomatie et théologie à la Renaissance

    Open Access•Timothy Hampton•ARTICLE•Renaissance Quarterly•2003

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Examples, Stories, and Subjects in Don Quixote and the Heptameron

    Timothy Hampton•ARTICLE•Journal of the History of Ideas•1998

    Dans le cadre du colloque sur la crise de la Renaissance, organise en 1994 a l'universite de Princeton par le Comite des etudes sur la Renaissance, l'A. etudie la genealogie du lien entre le pouvoir politique, le recit litteraire et l'exemplarite a travers la lecture de «Don Quichotte» de Cervantes et de l'«Heptameron» de Marguerite de Navarre. Mesurant la tension entre l'ideal heroique aristocratique et l'emergence de la subjectivite politique a…

  • Examples, Stories, and Subjects in "Don Quixote" and the "Heptameron

    Timothy Hampton•ARTICLE•Journal of the History of Ideas•1998

  • The Dialogue in Early Modern France, 1547-1630: Art and Argument

    Open Access•Timothy Hampton•ARTICLE•Renaissance Quarterly•1997

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Turkish Dogs: Rabelais, Erasmus, and the Rhetoric of Alterity

    Timothy Hampton•ARTICLE•Representations•1993•References: 2

    Research Article| January 01 1993 "Turkish Dogs": Rabelais, Erasmus, and the Rhetoric of Alterity Timothy Hampton Timothy Hampton Search for other works by this author on: This Site PubMed Google Scholar Representations (1993) 41: 58–82. https://doi.org/10.2307/2928677 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Twitter LinkedIn Tools Icon Tools Get Permissions Cite Icon Cite Sear…

  • Introduction: Baroques

    Timothy Hampton•ARTICLE•Yale French Studies•1991•Cited by: 2

  • Writing from History: The Rhetoric of Exemplarity in Renaissance Literature

    Timothy Hampton•BOOK•Writing from History•1990

  • Amorosa Visione

    Sylvia Huot, Giovanni Boccaccio et al.•ARTICLE•Italica•1989

Next
  • Fictions of Embassy

    Timothy Hampton•BOOK•Fictions of Embassy•2009•Cited by: 7

  • Tangled Generation: Dylan, Kerouac, Petrarch, and the Poetics of Escape

    Timothy Hampton•ARTICLE•Critical Inquiry•2013•Cited by: 3•References: 1

  • Introduction: Baroques

    Timothy Hampton•ARTICLE•Yale French Studies•1991•Cited by: 2

  • Virgil in India: Epic, History, and Military Tactics in the Lusiads

    Timothy Hampton•ARTICLE•Modern Language Notes•2015•Cited by: 1

    Virgil in India:Epic, History, and Military Tactics in the Lusiads Timothy Hampton Camões begins the Lusiads, his great epic on Vasco da Gama’s journey to India, by brushing aside both classical models of epic and the tradition of Italian romance. Forget, he says, “the journeys of the subtle Greek and the Trojan”—that is, Odysseus and Aeneas—and let’s hear no more of Alexander or Trajan. Here we have a new experience, the experience of the Portug…

  • Comment a nom: Humanism and Literary Knowledge in Auerbach and Rabelais

    Timothy Hampton•ARTICLE•Representations•2012•Cited by: 1

    This essay studies the relationship between Erich Auerbach's account of the beginnings of literary modernity, in his well-known work on Rabelais, and the Renaissance humanism that informs both his scholarly enterprise and Rabelais's fictions. Through a study of Rabelais's depictions of the female body it shows that Rabelais's text both breaks with earlier modes of understanding bodies and narratives and questions its own authority to do so. In a …

  • Amorosa Visione

    Sylvia Huot, Giovanni Boccaccio et al.•ARTICLE•Italica•1989

  • Montaigne and the Body of Socrates: Narrative and Exemplarity in the Essais

    Timothy Hampton•ARTICLE•Modern Language Notes•1989

    Near the beginning of his essay on the education of children (I, 26), Montaigne inveighs against the pedagogy of his day. Schools, says Montaigne, are inefficient. They fail to prepare their students for life in the world. Instead of helping their pupils learn to command a nation or befriend a prince, the schools waste their time by forcing them to repeat lifeless formulae. A real education, he suggests, would take the student out of the classroo…

  • Writing from History: The Rhetoric of Exemplarity in Renaissance Literature

    Timothy Hampton•BOOK•Writing from History•1990

  • Introduction: Baroques

    Timothy Hampton•ARTICLE•Yale French Studies•1991•Cited by: 2

  • Turkish Dogs: Rabelais, Erasmus, and the Rhetoric of Alterity

    Timothy Hampton•ARTICLE•Representations•1993•References: 2

    Research Article| January 01 1993 "Turkish Dogs": Rabelais, Erasmus, and the Rhetoric of Alterity Timothy Hampton Timothy Hampton Search for other works by this author on: This Site PubMed Google Scholar Representations (1993) 41: 58–82. https://doi.org/10.2307/2928677 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Twitter LinkedIn Tools Icon Tools Get Permissions Cite Icon Cite Sear…

  • The Dialogue in Early Modern France, 1547-1630: Art and Argument

    Open Access•Timothy Hampton•ARTICLE•Renaissance Quarterly•1997

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Examples, Stories, and Subjects in Don Quixote and the Heptameron

    Timothy Hampton•ARTICLE•Journal of the History of Ideas•1998

    Dans le cadre du colloque sur la crise de la Renaissance, organise en 1994 a l'universite de Princeton par le Comite des etudes sur la Renaissance, l'A. etudie la genealogie du lien entre le pouvoir politique, le recit litteraire et l'exemplarite a travers la lecture de «Don Quichotte» de Cervantes et de l'«Heptameron» de Marguerite de Navarre. Mesurant la tension entre l'ideal heroique aristocratique et l'emergence de la subjectivite politique a…

  • Examples, Stories, and Subjects in "Don Quixote" and the "Heptameron

    Timothy Hampton•ARTICLE•Journal of the History of Ideas•1998

  • Diplomatie et théologie à la Renaissance

    Open Access•Timothy Hampton•ARTICLE•Renaissance Quarterly•2003

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • The Tragedy of Delegation: Diplomatic Action and Tragic Form in Racine's Andromaque

    Timothy Hampton•ARTICLE•Journal of Medieval and Early…•2008

    Research Article| January 01 2008 The Tragedy of Delegation: Diplomatic Action and Tragic Form in Racine's Andromaque Timothy Hampton Timothy Hampton Search for other works by this author on: This Site Google Journal of Medieval and Early Modern Studies (2008) 38 (1): 57–78. https://doi.org/10.1215/10829636-2007-019 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Timothy Hampton; The Tragedy of De…

  • Typosine, la dixième muse: Formes éditoriales des canzonieri français (1544–1560)

    Open Access•Timothy Hampton•ARTICLE•Renaissance Quarterly•2009

    Daniel Maira. Typosine, la dixième muse: Formes éditoriales des canzonieri français (1544–1560). Travaux d'Humanisme et Renaissance 185. Geneva: Librairie Droz S.A., 2007. 512 pp. + 63 b/w pls. index. append. illus. chron. bibl. $109.20. ISBN: 978–2–600–01138–9. - Volume 62 Issue 1

  • Fictions of Embassy

    Timothy Hampton•BOOK•Fictions of Embassy•2009•Cited by: 7

  • Comment a nom: Humanism and Literary Knowledge in Auerbach and Rabelais

    Timothy Hampton•ARTICLE•Representations•2012•Cited by: 1

    This essay studies the relationship between Erich Auerbach's account of the beginnings of literary modernity, in his well-known work on Rabelais, and the Renaissance humanism that informs both his scholarly enterprise and Rabelais's fictions. Through a study of Rabelais's depictions of the female body it shows that Rabelais's text both breaks with earlier modes of understanding bodies and narratives and questions its own authority to do so. In a …

  • Fictions of Embassy: Literature and Diplomacy in Early Modern Europe

    Timothy Hampton•BOOK•Fictions of Embassy•2013

  • Tangled Generation: Dylan, Kerouac, Petrarch, and the Poetics of Escape

    Timothy Hampton•ARTICLE•Critical Inquiry•2013•Cited by: 3•References: 1

  • Virgil in India: Epic, History, and Military Tactics in the Lusiads

    Timothy Hampton•ARTICLE•Modern Language Notes•2015•Cited by: 1

    Virgil in India:Epic, History, and Military Tactics in the Lusiads Timothy Hampton Camões begins the Lusiads, his great epic on Vasco da Gama’s journey to India, by brushing aside both classical models of epic and the tradition of Italian romance. Forget, he says, “the journeys of the subtle Greek and the Trojan”—that is, Odysseus and Aeneas—and let’s hear no more of Alexander or Trajan. Here we have a new experience, the experience of the Portug…

  • Absolutely Modern

    Timothy Hampton•ARTICLE•Representations•2015

    Bob Dylan's turn from "folk music" to "electric music" in the 1960s involves the development of a new visionary poetics. Through a consideration of his affinity with the French Symbolist poet Arthur Rimbaud, this essay traces Dylan's recasting of himself as a visionary and studies the pressures placed by this process on lyric form, on poetic diction, and on the representation of the self in popular music

  • What Is a Colony Before Colonialism? Humanist and Antihumanist Concepts of Governmentality from Foucault to Montaigne

    Open Access•Timothy Hampton•CHAPTER•Early Modern Humanism and…•2016

  • Sancho's Fortune: Money and Narrative Truth in Don Quixote

    Timothy Hampton•ARTICLE•Modern Language Notes•2020

    As David Quint's work has shown, one of the principal thematic concerns of Cervantes's Don Quixote involves the clash between traditional chivalric values and the values of an emerging "money" economy. This essay explores Sancho Panza's entry into that new economy. It shows how Sancho's dealings with money consistently raise issues about truth and lying, and about the veracity of narrative. And it traces Sancho's increasing awareness of how liter…

  • Bob Dylan in the Country

    Timothy Hampton•ARTICLE•Representations•2020

    At the close of the 1960s two developments changed the shape of mainstream rock and roll music. The first was a new focus, on the part of a number of influential artists, on music about domestic life-kids, spouses, home. The second was a new interest in blending rock rhythms with instrumentation and themes taken from country music. This essay explores the ways in which these two concerns overlap in the work of Bob Dylan. I argue that Dylan's work…

  • Cultural Transmission and the Early French Novel

    Open Access•Linda Louie, Timothy Hampton•CHAPTER•Cambridge History of the Novel in…•2021

    Whereas much scholarship on the history of the novel focuses on its relationship to large narrative forms such as epic or romance, this chapter argues that the novella tradition plays a central role in the development of the novelistic world. We show how intercalated novellas, translated or adapted from Italian or Spanish, inflect the emergence of the French novelistic canon, functioning as sites at which cultural difference is explored and manag…

  • The theology of cheer, Erasmus to Shakespeare

    Timothy Hampton•CHAPTER•Positive Emotions in Early Modern…•2021

    Timothy Hampton’s work on ‘The theology of cheer, Erasmus to Shakespeare’ traces the dual nature of cheer as it is used in humanist writings as both a physiological designation of the face and an emotive. He argues that the bodily nature of cheer links practices of the Church and religious belonging to secular practices of sociability and hospitality, and he traces how these circulations of cheer in theological writings become the representationa…

  • Cheerfulness: A Literary and Cultural History

    Timothy Hampton•BOOK•Cheerfulness•2022

  • Cheerfulness: A Literary and Cultural History

    Timothy Hampton•BOOK•Cheerfulness•2022

  • The Cambridge Companion to Folk Music

    Open Access•Jeff Todd Tıton, Timothy Hampton et al.•BOOK•The Cambridge Companion to Folk…•2026

    A groundbreaking critical introduction to folk music and song focused on questions of identity, community, representation, politics, and popular culture. Written by a distinguished international team of authors, this Companion is an indispensable resource for rethinking the confluence of sound, heritage, and identity in the twenty-first century. A unique addition to the literature, it highlights the fundamentally hybrid and (post)colonial dynamic…

Art (18 works) · Literature (14 works) · Philosophy (12 works) · History (9 works) · Art history (7 works) · Sociology (7 works) · Computer Science (6 works) · Law (5 works) · Political science (5 works) · Narrative (4 works)

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