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Sara Lenzi

Biographic Data

ID355920
NAMESara Lenzi
GIVEN NAMESSara
FAMILY NAMELenzi
SIGNATURELENZI S
AFFILIATIONSPolitecnico di Milano
ORCID0000-0001-5534-0596
VERIFIEDYes
TOTAL WORKS8
TOTAL CITATIONS12
WORKS AS AUTHOR8
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2019
LATEST PUBLICATION YEAR2025
H-INDEX3
  • Mosaic Tesserae from the Roman Villa of Aiano in Tuscany (Italy)

    Open Access•G Bartolozzi, Bracci et al.•ARTICLE•Heritage•2025•References: 28

    The mosaic tesserae that are the topic of this study were found during an archeological excavation in a Roman villa at Aiano, in the municipality of San Gimignano, Tuscany (Italy). Many thousands of tesserae were found in the site in many different stratigraphic units (US). For this study, 392 tesserae mainly from three US (US 1095, US 5010 and US 5015 being the most consistent ones) were selected for non-invasive analyses. They might be tesserae…

  • Designing for Climate Adaptation

    Open Access•Juan Sádaba, Arantzazu Luzarraga et al.•ARTICLE•Urban Science•2025•References: 7

    Urban public space faces increasing challenges due to the accelerating impacts of climate change, necessitating a paradigm shift in how cities adapt their built environments. This paper presents a case study on integrating Nature-based Solutions(NbSs) with urban infrastructure, focusing on the design and development of Urban Oasis, a modular and multi-sensory urban furniture system. Urban Oasis functions as a climate adaptation tool, incorporatin…

  • New Evidence about the Polychromy of Early Imperial Cycle from the Augusteum of Rusellae (Tuscany)

    Open Access•Paolo Liverani, Bracci et al.•ARTICLE•Heritage•2023

    This study is concerned with recent analyses of seven marble statues from the imperial cycle of the Augusteum of Rusellae, in the south of Tuscany, Italy. The sculptures represent the deified couple Augustus and Livia, Livilla, Claudius, an anonymous young girl and a headless cuirassed emperor (maybe Domitian). In addition, a fragment of a leg, from another cuirassed statue, was also considered. All of them are preserved in the city of Grosseto, …

  • Production or Consumption? Glass Beads from the Roman Villa of Aiano, Tuscany

    Open Access•Cristina Boschetti, Bernard Gratuze et al.•ARTICLE•European Journal of Archaeology•2021•Cited by: 6•References: 3

    Excavations in the Roman villa of Aiano yielded twenty glass beads, a pendant, and a glass-recycling furnace, originally interpreted as a bead workshop. This article re-assesses the evidence of bead making in light of new data obtained thanks to recent progress in archaeological glass studies. A detailed study of the typology, technology, and chemical composition of the beads clearly excludes local production. Instead, two different forming techn…

  • Soundscape in Times of Change

    Open Access•Sara Lenzi, Juan Sádaba et al.•ARTICLE•Frontiers in Psychology•2021•Cited by: 3•References: 1

    The coronavirus disease 2019 (COVID-19) lockdown meant a greatly reduced social and economic activity. Sound is of major importance to people's perception of the environment, and some remarked that the soundscape was changing for the better. But are these anecdotal reports based in truth? Has traffic noise from cars and airplanes really gone down, so that more birdsong can be heard? Have socially distanced people quietened down? This article pres…

  • Intentionality and design in the data sonification of social issues

    Open Access•Sara Lenzi, Paolo Ciuccarelli•ARTICLE•Big Data & Society•2020

    Data sonification is a practice for conducting scientific analysis through the use of sound to represent data. It is now transitioning to a practice for communicating and reaching wider publics by expanding the range of languages and senses for understanding complexity in data-intensive societies. Communicating to wider publics, though, requires that authors intentionally shape sonification in ways that consider the goals and contexts in which pu…

  • Oplontis, 79 A.D

    Open Access•Antonella Bonini, Bracci et al.•ARTICLE•Spotlight•2019

    The so-called Villa of Poppaea in Oplontis (Torre Annunziata, Naples – also known as “Villa A”) was destroyed after the Vesuvius’ eruption in 79 A.D. It is nowadays one of the World Heritage Sites of UNESCO. The building, one of the richest in marble furnishing in the Roman world, was excavated mostly during the second half of the 20th century. In this paper, only part of the sculptures and reliefs were studied. The furnishing were analysed in si…

  • Revealing Mithras’ Color with the ICVBC Mobile Lab in the Museum

    Open Access•Donata Magrini, Bracci et al.•ARTICLE•Heritage•2019•Cited by: 3

    The National Museum of Rome has an important collection of Mithraic sculptures found in the years 1973–1975 during the archaeological excavation under the early Christian basilica of Santo Stefano Rotondo on the Caelian hill in Rome. The sculptures excavated from this Mithraeum show many traces of gilding and polychromy, whose best example is the great bas-relief with Mithras slaying the bull discussed in this work. The analysis was conducted dur…

  • Production or Consumption? Glass Beads from the Roman Villa of Aiano, Tuscany

    Open Access•Cristina Boschetti, Bernard Gratuze et al.•ARTICLE•European Journal of Archaeology•2021•Cited by: 6•References: 3

    Excavations in the Roman villa of Aiano yielded twenty glass beads, a pendant, and a glass-recycling furnace, originally interpreted as a bead workshop. This article re-assesses the evidence of bead making in light of new data obtained thanks to recent progress in archaeological glass studies. A detailed study of the typology, technology, and chemical composition of the beads clearly excludes local production. Instead, two different forming techn…

  • Soundscape in Times of Change

    Open Access•Sara Lenzi, Juan Sádaba et al.•ARTICLE•Frontiers in Psychology•2021•Cited by: 3•References: 1

    The coronavirus disease 2019 (COVID-19) lockdown meant a greatly reduced social and economic activity. Sound is of major importance to people's perception of the environment, and some remarked that the soundscape was changing for the better. But are these anecdotal reports based in truth? Has traffic noise from cars and airplanes really gone down, so that more birdsong can be heard? Have socially distanced people quietened down? This article pres…

  • Revealing Mithras’ Color with the ICVBC Mobile Lab in the Museum

    Open Access•Donata Magrini, Bracci et al.•ARTICLE•Heritage•2019•Cited by: 3

    The National Museum of Rome has an important collection of Mithraic sculptures found in the years 1973–1975 during the archaeological excavation under the early Christian basilica of Santo Stefano Rotondo on the Caelian hill in Rome. The sculptures excavated from this Mithraeum show many traces of gilding and polychromy, whose best example is the great bas-relief with Mithras slaying the bull discussed in this work. The analysis was conducted dur…

  • Oplontis, 79 A.D

    Open Access•Antonella Bonini, Bracci et al.•ARTICLE•Spotlight•2019

    The so-called Villa of Poppaea in Oplontis (Torre Annunziata, Naples – also known as “Villa A”) was destroyed after the Vesuvius’ eruption in 79 A.D. It is nowadays one of the World Heritage Sites of UNESCO. The building, one of the richest in marble furnishing in the Roman world, was excavated mostly during the second half of the 20th century. In this paper, only part of the sculptures and reliefs were studied. The furnishing were analysed in si…

  • Revealing Mithras’ Color with the ICVBC Mobile Lab in the Museum

    Open Access•Donata Magrini, Bracci et al.•ARTICLE•Heritage•2019•Cited by: 3

    The National Museum of Rome has an important collection of Mithraic sculptures found in the years 1973–1975 during the archaeological excavation under the early Christian basilica of Santo Stefano Rotondo on the Caelian hill in Rome. The sculptures excavated from this Mithraeum show many traces of gilding and polychromy, whose best example is the great bas-relief with Mithras slaying the bull discussed in this work. The analysis was conducted dur…

  • Intentionality and design in the data sonification of social issues

    Open Access•Sara Lenzi, Paolo Ciuccarelli•ARTICLE•Big Data & Society•2020

    Data sonification is a practice for conducting scientific analysis through the use of sound to represent data. It is now transitioning to a practice for communicating and reaching wider publics by expanding the range of languages and senses for understanding complexity in data-intensive societies. Communicating to wider publics, though, requires that authors intentionally shape sonification in ways that consider the goals and contexts in which pu…

  • Production or Consumption? Glass Beads from the Roman Villa of Aiano, Tuscany

    Open Access•Cristina Boschetti, Bernard Gratuze et al.•ARTICLE•European Journal of Archaeology•2021•Cited by: 6•References: 3

    Excavations in the Roman villa of Aiano yielded twenty glass beads, a pendant, and a glass-recycling furnace, originally interpreted as a bead workshop. This article re-assesses the evidence of bead making in light of new data obtained thanks to recent progress in archaeological glass studies. A detailed study of the typology, technology, and chemical composition of the beads clearly excludes local production. Instead, two different forming techn…

  • Soundscape in Times of Change

    Open Access•Sara Lenzi, Juan Sádaba et al.•ARTICLE•Frontiers in Psychology•2021•Cited by: 3•References: 1

    The coronavirus disease 2019 (COVID-19) lockdown meant a greatly reduced social and economic activity. Sound is of major importance to people's perception of the environment, and some remarked that the soundscape was changing for the better. But are these anecdotal reports based in truth? Has traffic noise from cars and airplanes really gone down, so that more birdsong can be heard? Have socially distanced people quietened down? This article pres…

  • New Evidence about the Polychromy of Early Imperial Cycle from the Augusteum of Rusellae (Tuscany)

    Open Access•Paolo Liverani, Bracci et al.•ARTICLE•Heritage•2023

    This study is concerned with recent analyses of seven marble statues from the imperial cycle of the Augusteum of Rusellae, in the south of Tuscany, Italy. The sculptures represent the deified couple Augustus and Livia, Livilla, Claudius, an anonymous young girl and a headless cuirassed emperor (maybe Domitian). In addition, a fragment of a leg, from another cuirassed statue, was also considered. All of them are preserved in the city of Grosseto, …

  • Mosaic Tesserae from the Roman Villa of Aiano in Tuscany (Italy)

    Open Access•G Bartolozzi, Bracci et al.•ARTICLE•Heritage•2025•References: 28

    The mosaic tesserae that are the topic of this study were found during an archeological excavation in a Roman villa at Aiano, in the municipality of San Gimignano, Tuscany (Italy). Many thousands of tesserae were found in the site in many different stratigraphic units (US). For this study, 392 tesserae mainly from three US (US 1095, US 5010 and US 5015 being the most consistent ones) were selected for non-invasive analyses. They might be tesserae…

  • Designing for Climate Adaptation

    Open Access•Juan Sádaba, Arantzazu Luzarraga et al.•ARTICLE•Urban Science•2025•References: 7

    Urban public space faces increasing challenges due to the accelerating impacts of climate change, necessitating a paradigm shift in how cities adapt their built environments. This paper presents a case study on integrating Nature-based Solutions(NbSs) with urban infrastructure, focusing on the design and development of Urban Oasis, a modular and multi-sensory urban furniture system. Urban Oasis functions as a climate adaptation tool, incorporatin…

Archaeology (4 works) · Art (4 works) · Building materials and conservation (4 works) · Cultural Heritage Materials Analysis (4 works) · Geography (4 works) · Visual arts (3 works) · Ancient history (2 works) · Ancient Mediterranean Archaeology and History (2 works) · Computer Science (2 works) · Conservation Techniques and Studies (2 works)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae