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Patricia Prieto Blanco

Biographic Data

ID3564068
NAMEPatricia Prieto Blanco
GIVEN NAMESPatricia Prieto
FAMILY NAMEBlanco
SIGNATUREBLANCO P P
AFFILIATIONSUniversity of Brighton
ORCID0000-0001-6283-3129
VERIFIEDYes
TOTAL WORKS8
TOTAL CITATIONS5
WORKS AS AUTHOR8
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2019
LATEST PUBLICATION YEAR2026
H-INDEX2
  • Just a meme? The role of context in mythologies of memetic misogyny

    Open Access•Suay M Özkula, Patricia Prieto Blanco•ARTICLE•New Media & Society•2026

    This article provides a multiplatform systematic analysis of contextual factors in what we term memetic misogyny , a form of implicit, polysemous and ephemeral visual gender-based hate. We draw on a feminist ethnographic approach with a semiotic analysis applied across three case studies of meme-based misogyny (Greta Thunberg, Karens and anti-feminist memes related to protest # SisterIDoBelieveYou ) on Twitter/X, Facebook, Reddit and YouTube to a…

  • (Dis)Affect, Photography, Place

    Open Access•Patricia Prieto Blanco, Patricia Prieto-Blanco•ARTICLE•Imaginations Journal of…•2022

    Migrants are connected for a variety of reasons (Leurs and Prabhakar 2018, p. 247), and in a myriad of ways (Cabalquinto 2018; Özdemir, Mutluer, and Özyürek 2019; Gencel Bek and Prieto-Blanco 2020). Drawing from a larger project of ethnographic nature (Prieto-Blanco 2016b), this paper argues that photographic practices advance socialization in transnational families, and that each practice activates certain relational affordances to support bondi…

  • Thick Description and Embodied Analysis of Digital Visual Artefacts

    Open Access•Patricia Prieto Blanco, Elisa García-Mingo et al.•ARTICLE•Vista•2022•Cited by: 2•References: 10

    In this work, we explore the relationship between affect and the use of aesthetics by feminist digital activists to communicate their ideas and protest against sexual violence. Our focus, therefore, lies on the visual culture of digital protest. We consider visual artefacts a visual repertoire of protest (Jenzen et al., 2020, p. 420) that can both be articulated in a specific local context whilst simultaneously echoing global sentiments. In this …

  • Afterword

    Open Access•Patricia Prieto Blanco, Patricia Prieto-Blanco•CHAPTER•Visual Methodology in Migration…•2021

    Profound developments in terms of scale, diversity of digital media and prosumerism (García-Galera & Valdivia, 2014; Madianou, 2011) in the last decade have resulted in vast monitoring of movement, migratory or otherwise. While migrants have been outlined as digital natives, early adopters and heavy users of digital technologies (Ponzanesi & Leurs, 2014); the intersection of ICT (Information and Communications Technology) and migration is still u…

  • SisterIdobelieveyou

    Elisa García-Mingo, Patricia Prieto Blanco•ARTICLE•Feminist Media Studies•2021•Cited by: 3•References: 8

    In recent years, anti-rape culture and anti-rape communication have taken new forms, including the diverse use of tweets and hashtags, prompting so-called hashtag feminism. In this article, we examine digital and analogue discussions propelled by a notorious case of gang-rape in Spain in 2016, which became known as “La Manada”/The Wolf Pack” (hereafter TWP). Hundreds of thousands of Spanish women took to the streets in protest during the three ye…

  • Seeing Domiciliary Care Work

    Open Access•Chanelle Manton, Patricia Prieto Blanco et al.•ARTICLE•The Sociological Review Magazine•2020

    In a time of COVID-19 some home spaces have been rendered highly visible/visualized. However, care spaces still go largely unseen in social life, let alone the labour processes carried out within them at both formal and informal levels. Care work in these domiciliary settings is emplaced, practiced and felt, but often unseen, often hidden from view or remaining purposely unnoticeable. From a visual perspective, then, home care has been practicall…

  • (Be)Longing through visual narrative

    Open Access•Mine Gencel Bek, Patricia Prieto Blanco•ARTICLE•International Journal of Cultural…•2020•References: 8

    Our article explores how diasporic journeys and identities are remembered and represented through the visual narratives of DiasporaTürk, a Turkish diasporic media presence consisting of a Twitter account, an Instagram page, and two books. These engagements revive past (dis)affects and highlight the contemporary relevance of nostalgia, sorrow and victimization as key themes in the migration experience of ‘guest-workers’ from Turkey. The evidentiar…

  • Where all roads end

    Patricia Prieto Blanco•ARTICLE•Visual Studies•2019

  • SisterIdobelieveyou

    Elisa García-Mingo, Patricia Prieto Blanco•ARTICLE•Feminist Media Studies•2021•Cited by: 3•References: 8

    In recent years, anti-rape culture and anti-rape communication have taken new forms, including the diverse use of tweets and hashtags, prompting so-called hashtag feminism. In this article, we examine digital and analogue discussions propelled by a notorious case of gang-rape in Spain in 2016, which became known as “La Manada”/The Wolf Pack” (hereafter TWP). Hundreds of thousands of Spanish women took to the streets in protest during the three ye…

  • Thick Description and Embodied Analysis of Digital Visual Artefacts

    Open Access•Patricia Prieto Blanco, Elisa García-Mingo et al.•ARTICLE•Vista•2022•Cited by: 2•References: 10

    In this work, we explore the relationship between affect and the use of aesthetics by feminist digital activists to communicate their ideas and protest against sexual violence. Our focus, therefore, lies on the visual culture of digital protest. We consider visual artefacts a visual repertoire of protest (Jenzen et al., 2020, p. 420) that can both be articulated in a specific local context whilst simultaneously echoing global sentiments. In this …

  • Where all roads end

    Patricia Prieto Blanco•ARTICLE•Visual Studies•2019

  • Seeing Domiciliary Care Work

    Open Access•Chanelle Manton, Patricia Prieto Blanco et al.•ARTICLE•The Sociological Review Magazine•2020

    In a time of COVID-19 some home spaces have been rendered highly visible/visualized. However, care spaces still go largely unseen in social life, let alone the labour processes carried out within them at both formal and informal levels. Care work in these domiciliary settings is emplaced, practiced and felt, but often unseen, often hidden from view or remaining purposely unnoticeable. From a visual perspective, then, home care has been practicall…

  • (Be)Longing through visual narrative

    Open Access•Mine Gencel Bek, Patricia Prieto Blanco•ARTICLE•International Journal of Cultural…•2020•References: 8

    Our article explores how diasporic journeys and identities are remembered and represented through the visual narratives of DiasporaTürk, a Turkish diasporic media presence consisting of a Twitter account, an Instagram page, and two books. These engagements revive past (dis)affects and highlight the contemporary relevance of nostalgia, sorrow and victimization as key themes in the migration experience of ‘guest-workers’ from Turkey. The evidentiar…

  • Afterword

    Open Access•Patricia Prieto Blanco, Patricia Prieto-Blanco•CHAPTER•Visual Methodology in Migration…•2021

    Profound developments in terms of scale, diversity of digital media and prosumerism (García-Galera & Valdivia, 2014; Madianou, 2011) in the last decade have resulted in vast monitoring of movement, migratory or otherwise. While migrants have been outlined as digital natives, early adopters and heavy users of digital technologies (Ponzanesi & Leurs, 2014); the intersection of ICT (Information and Communications Technology) and migration is still u…

  • SisterIdobelieveyou

    Elisa García-Mingo, Patricia Prieto Blanco•ARTICLE•Feminist Media Studies•2021•Cited by: 3•References: 8

    In recent years, anti-rape culture and anti-rape communication have taken new forms, including the diverse use of tweets and hashtags, prompting so-called hashtag feminism. In this article, we examine digital and analogue discussions propelled by a notorious case of gang-rape in Spain in 2016, which became known as “La Manada”/The Wolf Pack” (hereafter TWP). Hundreds of thousands of Spanish women took to the streets in protest during the three ye…

  • (Dis)Affect, Photography, Place

    Open Access•Patricia Prieto Blanco, Patricia Prieto-Blanco•ARTICLE•Imaginations Journal of…•2022

    Migrants are connected for a variety of reasons (Leurs and Prabhakar 2018, p. 247), and in a myriad of ways (Cabalquinto 2018; Özdemir, Mutluer, and Özyürek 2019; Gencel Bek and Prieto-Blanco 2020). Drawing from a larger project of ethnographic nature (Prieto-Blanco 2016b), this paper argues that photographic practices advance socialization in transnational families, and that each practice activates certain relational affordances to support bondi…

  • Thick Description and Embodied Analysis of Digital Visual Artefacts

    Open Access•Patricia Prieto Blanco, Elisa García-Mingo et al.•ARTICLE•Vista•2022•Cited by: 2•References: 10

    In this work, we explore the relationship between affect and the use of aesthetics by feminist digital activists to communicate their ideas and protest against sexual violence. Our focus, therefore, lies on the visual culture of digital protest. We consider visual artefacts a visual repertoire of protest (Jenzen et al., 2020, p. 420) that can both be articulated in a specific local context whilst simultaneously echoing global sentiments. In this …

  • Just a meme? The role of context in mythologies of memetic misogyny

    Open Access•Suay M Özkula, Patricia Prieto Blanco•ARTICLE•New Media & Society•2026

    This article provides a multiplatform systematic analysis of contextual factors in what we term memetic misogyny , a form of implicit, polysemous and ephemeral visual gender-based hate. We draw on a feminist ethnographic approach with a semiotic analysis applied across three case studies of meme-based misogyny (Greta Thunberg, Karens and anti-feminist memes related to protest # SisterIDoBelieveYou ) on Twitter/X, Facebook, Reddit and YouTube to a…

Sociology (7 works) · Anthropology (5 works) · Art (5 works) · Ethnography (4 works) · Affordance (3 works) · Computer Science (3 works) · Participatory Visual Research Methods (3 works) · Political science (3 works) · Aesthetics (2 works) · Artificial Intelligence (2 works)

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