Giuseppina Raggi
Biographic Data
| ID | 3564121 |
|---|---|
| NAME | Giuseppina Raggi |
| GIVEN NAMES | Giuseppina |
| FAMILY NAME | Raggi |
| SIGNATURE | RAGGI G |
| AFFILIATIONS | University of Coimbra |
| ORCID | 0000-0002-8524-2943 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2020 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 1 |
L’opera italiana alla corte di Lisbona tra Sei e Settecento
L’interesse per l’opera italiana nella corte portoghese sorse con largo anticipo rispetto alla visione consolidata dagli studi critici che, tradizionalmente, hanno identificato l’inizio della fruizione e della diffusione dell’opera italiana in Portogallo con il regno di Giuseppe I (1714 – r. 1750 – 1777). Questo saggio offre una nuova contestualizzazione sulle dinamiche di implementazione e fruizione dell’opera e del teatro italiani, portando all…
In/Visibilities and Pseudo/Visibilities
Giuseppe Trono's painting in the Bemposta chapel, produced in 1791-1792, is the most representative artwork related to the social policies implemented by the Queen Mary I. This article focuses on the historical and artistic analyses to frame the political and religious context, and to clarify its misunderstood iconography. The cult of the Sacred Heart, instituted in 1779 by Pope Pius VI, is crucial to reframe the meaning of the painting. The new …
In/Visibilities and Pseudo/Visibilities
Giuseppe Trono's painting in the Bemposta chapel, produced in 1791-1792, is the most representative artwork related to the social policies implemented by the Queen Mary I. This article focuses on the historical and artistic analyses to frame the political and religious context, and to clarify its misunderstood iconography. The cult of the Sacred Heart, instituted in 1779 by Pope Pius VI, is crucial to reframe the meaning of the painting. The new …
In/Visibilities and Pseudo/Visibilities
Giuseppe Trono's painting in the Bemposta chapel, produced in 1791-1792, is the most representative artwork related to the social policies implemented by the Queen Mary I. This article focuses on the historical and artistic analyses to frame the political and religious context, and to clarify its misunderstood iconography. The cult of the Sacred Heart, instituted in 1779 by Pope Pius VI, is crucial to reframe the meaning of the painting. The new …
L’opera italiana alla corte di Lisbona tra Sei e Settecento
L’interesse per l’opera italiana nella corte portoghese sorse con largo anticipo rispetto alla visione consolidata dagli studi critici che, tradizionalmente, hanno identificato l’inizio della fruizione e della diffusione dell’opera italiana in Portogallo con il regno di Giuseppe I (1714 – r. 1750 – 1777). Questo saggio offre una nuova contestualizzazione sulle dinamiche di implementazione e fruizione dell’opera e del teatro italiani, portando all…
Art (2 works) · Aesthetics (1 work) · Ancient history (1 work) · Archaeology (1 work) · Art history (1 work) · Biography (1 work) · Chapel (1 work) · Colonialism, slavery, and trade (1 work) · Context (archaeology (1 work) · Cult (1 work)