Brian J Karl
Biographic Data
| ID | 3570752 |
|---|---|
| NAME | Brian J Karl |
| GIVEN NAMES | Brian J |
| FAMILY NAME | Karl |
| SIGNATURE | KARL B J |
| AFFILIATIONS | University of California, Berkeley |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 5 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2012 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 2 |
Mirroring mirrors
Across a divide
This article looks at the production and reception of music by Moroccan expatriates in Granada, Spain in the first 30 years after Franco, concentrating on musical genres associated with al-mūsīqā al-andalussiyya (al-Āla) , flamenco and danza del vientre. These genres were performed by Moroccan musicians and heard by Spaniard audiences as part of the larger politically inflected, contextualizing meta-genres of ‘ Early Music ’, ‘ World Music ’ and …
The coming of Americans
This article explores the mediation by Moroccans of cross-cultural difference through the production and reception of popular music in the modern eras of colonialism and post-colonialism, impelled by the increased circulation and contact of people, ideas, and cultural products and processes during those eras. The explication in this article of music and lyrical texts from three songs recorded over a 60-year period tracks the adoption, distortion,…
Technology in Modern Moroccan Musical Practices
The proliferation of technologies in use for popular music in Morocco points to cultural interactions beyond the most local or national influences that inform musical practices there. Examining the integration of technologies from outside Morocco—including musical instruments, recording media, and distribution systems—sheds light on negotiations of novelty and difference in contemporary Moroccan social and political life and thus on multiple face…
Across a divide
This article looks at the production and reception of music by Moroccan expatriates in Granada, Spain in the first 30 years after Franco, concentrating on musical genres associated with al-mūsīqā al-andalussiyya (al-Āla) , flamenco and danza del vientre. These genres were performed by Moroccan musicians and heard by Spaniard audiences as part of the larger politically inflected, contextualizing meta-genres of ‘ Early Music ’, ‘ World Music ’ and …
The coming of Americans
This article explores the mediation by Moroccans of cross-cultural difference through the production and reception of popular music in the modern eras of colonialism and post-colonialism, impelled by the increased circulation and contact of people, ideas, and cultural products and processes during those eras. The explication in this article of music and lyrical texts from three songs recorded over a 60-year period tracks the adoption, distortion,…
Technology in Modern Moroccan Musical Practices
The proliferation of technologies in use for popular music in Morocco points to cultural interactions beyond the most local or national influences that inform musical practices there. Examining the integration of technologies from outside Morocco—including musical instruments, recording media, and distribution systems—sheds light on negotiations of novelty and difference in contemporary Moroccan social and political life and thus on multiple face…
Across a divide
This article looks at the production and reception of music by Moroccan expatriates in Granada, Spain in the first 30 years after Franco, concentrating on musical genres associated with al-mūsīqā al-andalussiyya (al-Āla) , flamenco and danza del vientre. These genres were performed by Moroccan musicians and heard by Spaniard audiences as part of the larger politically inflected, contextualizing meta-genres of ‘ Early Music ’, ‘ World Music ’ and …
The coming of Americans
This article explores the mediation by Moroccans of cross-cultural difference through the production and reception of popular music in the modern eras of colonialism and post-colonialism, impelled by the increased circulation and contact of people, ideas, and cultural products and processes during those eras. The explication in this article of music and lyrical texts from three songs recorded over a 60-year period tracks the adoption, distortion,…
Mirroring mirrors
Sociology (4 works) · Hispanic-African Historical Relations (3 works) · Aesthetics (2 works) · Art (2 works) · Computer Science (2 works) · History (2 works) · History (2 works) · Law (2 works) · Modernity (2 works) · Negotiation (2 works)