Mário António Pinto Vieira Carvalho
Biographic Data
| ID | 3577525 |
|---|---|
| NAME | Mário António Pinto Vieira Carvalho |
| GIVEN NAMES | Mário António Pinto Vieira |
| FAMILY NAME | Carvalho |
| SIGNATURE | CARVALHO M A P V |
| ORCID | 0000-0002-8765-2102 |
| VERIFIED | Yes |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 5 |
| WORKS AS AUTHOR | 5 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1995 |
| LATEST PUBLICATION YEAR | 2020 |
| H-INDEX | 1 |
Fidelio (1956)
Objetivo deste trabalho é analisar o filme Fidelio, realizado por Walter Felsenstein com a colaboração de Hanns Eisler, recentemente publicado em dvd no á‚mbito da edição monumental que assinalou o trigésimo aniversário da morte do encenador (1901-1975). As circunstá‚ncias que deram origem ao projeto e o seu resultado final exigem uma breve retrospetiva sobre o percurso de Felsenstein como encenador de ópera e a sua teoria do Musiktheater. O aces…
The Culture of Listening in Garrett's Fiction
Towards dialectic listening
The processes of quotation (concerning the sound material, the compositional techniques, the text components and the relationship of ‘intersemiotics’ between text and music) as well as their association with the poetic of montage on macro and micro structural levels play a central role in Nono's music. Aiming at breaking “banal consequentiality” and “giving testimony of his own times”, Nono opposed simultaneously the serial thinking of ‘his own t…
New Music' between Search for Identity and Autopoiesis
The so-called New Music in Europe after the Second World War was based on the idea of progress, similar to technological progress and related to it, and aimed at a complete rationalization of composing. The ideal of music as autopoiesis, which appeared in the 1950s, became inherent to this development. It supposed a kind of communication on music as a reified object, which opposed music making and listening as communication between partners. Sepa…
From Opera to 'Soap Opera
From Opera to 'Soap Opera
Towards dialectic listening
The processes of quotation (concerning the sound material, the compositional techniques, the text components and the relationship of ‘intersemiotics’ between text and music) as well as their association with the poetic of montage on macro and micro structural levels play a central role in Nono's music. Aiming at breaking “banal consequentiality” and “giving testimony of his own times”, Nono opposed simultaneously the serial thinking of ‘his own t…
New Music' between Search for Identity and Autopoiesis
The so-called New Music in Europe after the Second World War was based on the idea of progress, similar to technological progress and related to it, and aimed at a complete rationalization of composing. The ideal of music as autopoiesis, which appeared in the 1950s, became inherent to this development. It supposed a kind of communication on music as a reified object, which opposed music making and listening as communication between partners. Sepa…
From Opera to 'Soap Opera
Towards dialectic listening
The processes of quotation (concerning the sound material, the compositional techniques, the text components and the relationship of ‘intersemiotics’ between text and music) as well as their association with the poetic of montage on macro and micro structural levels play a central role in Nono's music. Aiming at breaking “banal consequentiality” and “giving testimony of his own times”, Nono opposed simultaneously the serial thinking of ‘his own t…
New Music' between Search for Identity and Autopoiesis
The so-called New Music in Europe after the Second World War was based on the idea of progress, similar to technological progress and related to it, and aimed at a complete rationalization of composing. The ideal of music as autopoiesis, which appeared in the 1950s, became inherent to this development. It supposed a kind of communication on music as a reified object, which opposed music making and listening as communication between partners. Sepa…
The Culture of Listening in Garrett's Fiction
Fidelio (1956)
Objetivo deste trabalho é analisar o filme Fidelio, realizado por Walter Felsenstein com a colaboração de Hanns Eisler, recentemente publicado em dvd no á‚mbito da edição monumental que assinalou o trigésimo aniversário da morte do encenador (1901-1975). As circunstá‚ncias que deram origem ao projeto e o seu resultado final exigem uma breve retrospetiva sobre o percurso de Felsenstein como encenador de ópera e a sua teoria do Musiktheater. O aces…
Art (5 works) · Literature (4 works) · Epistemology (3 works) · Philosophy (3 works) · Politics (3 works) · Sociology (3 works) · Active listening (2 works) · Aesthetics (2 works) · Communication (2 works) · Dialectic (2 works)