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Surbhi Malik

Biographic Data

ID3578070
NAMESurbhi Malik
GIVEN NAMESSurbhi
FAMILY NAMEMalik
SIGNATUREMALIK S
AFFILIATIONSCreighton University
ORCID0000-0002-5184-0240
VERIFIEDYes
TOTAL WORKS5
TOTAL CITATIONS11
WORKS AS AUTHOR5
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1981
LATEST PUBLICATION YEAR2021
H-INDEX1
  • The provincial Flâneuse

    Surbhi Malik•ARTICLE•South Asian Popular Culture•2021•Cited by: 1•References: 5

    This essay uses the interpretive lens of the flâneuse to read Rumi, the protagonist of Anurag Kashyap’s 2018 film Manmarziyaan, as an emergent figure who exemplifies provincial confidence and aspirations through specific notions of autonomy in the public space. At the core of this and similar portrayals, I argue, is a changing relationship between gender formations and provincial space, accessed not only in movement or ambulation but in a narrati…

  • Homelessness as Metaphor and Metonym

    Surbhi Malik•ARTICLE•South Asian Review•2016•References: 5

    (2016). Homelessness as Metaphor and Metonym: Transatlantic Geopolitics in Jhumpa Lahiri's Fiction and Kiran Desai's The Inheritance of Loss. South Asian Review: Vol. 37, No. 2, pp. 47-70

  • Working Notes

    Surbhi Malik•ARTICLE•South Asian Popular Culture•2007

  • On Ethnography and the Sacred-Cow Controversy

    Vinay Kumar Srivastava, Vinay Srivastava et al.•ARTICLE•Current Anthropology•1982

  • Sacred Cows and Water Buffalo in India

    Stanley A Freed, Ruth S Freed et al.•ARTICLE•Current Anthropology•1981•Cited by: 10•References: 8

    In 1958-59 and in 1977-78, we undertook holistic ethnographic studies of a village in northern India. Profound technoenvironmental change occurred in the 18-year period between the two studies. With regard to cattle, the principal change was a shift from bullock power to machinery. This provided the basis for a test of the two principal positions that have been taken in the sacred-cow controversy: (1) technoenvironmental determinism, which denies…

  • Sacred Cows and Water Buffalo in India

    Stanley A Freed, Ruth S Freed et al.•ARTICLE•Current Anthropology•1981•Cited by: 10•References: 8

    In 1958-59 and in 1977-78, we undertook holistic ethnographic studies of a village in northern India. Profound technoenvironmental change occurred in the 18-year period between the two studies. With regard to cattle, the principal change was a shift from bullock power to machinery. This provided the basis for a test of the two principal positions that have been taken in the sacred-cow controversy: (1) technoenvironmental determinism, which denies…

  • The provincial Flâneuse

    Surbhi Malik•ARTICLE•South Asian Popular Culture•2021•Cited by: 1•References: 5

    This essay uses the interpretive lens of the flâneuse to read Rumi, the protagonist of Anurag Kashyap’s 2018 film Manmarziyaan, as an emergent figure who exemplifies provincial confidence and aspirations through specific notions of autonomy in the public space. At the core of this and similar portrayals, I argue, is a changing relationship between gender formations and provincial space, accessed not only in movement or ambulation but in a narrati…

  • Sacred Cows and Water Buffalo in India

    Stanley A Freed, Ruth S Freed et al.•ARTICLE•Current Anthropology•1981•Cited by: 10•References: 8

    In 1958-59 and in 1977-78, we undertook holistic ethnographic studies of a village in northern India. Profound technoenvironmental change occurred in the 18-year period between the two studies. With regard to cattle, the principal change was a shift from bullock power to machinery. This provided the basis for a test of the two principal positions that have been taken in the sacred-cow controversy: (1) technoenvironmental determinism, which denies…

  • On Ethnography and the Sacred-Cow Controversy

    Vinay Kumar Srivastava, Vinay Srivastava et al.•ARTICLE•Current Anthropology•1982

  • Working Notes

    Surbhi Malik•ARTICLE•South Asian Popular Culture•2007

  • Homelessness as Metaphor and Metonym

    Surbhi Malik•ARTICLE•South Asian Review•2016•References: 5

    (2016). Homelessness as Metaphor and Metonym: Transatlantic Geopolitics in Jhumpa Lahiri's Fiction and Kiran Desai's The Inheritance of Loss. South Asian Review: Vol. 37, No. 2, pp. 47-70

  • The provincial Flâneuse

    Surbhi Malik•ARTICLE•South Asian Popular Culture•2021•Cited by: 1•References: 5

    This essay uses the interpretive lens of the flâneuse to read Rumi, the protagonist of Anurag Kashyap’s 2018 film Manmarziyaan, as an emergent figure who exemplifies provincial confidence and aspirations through specific notions of autonomy in the public space. At the core of this and similar portrayals, I argue, is a changing relationship between gender formations and provincial space, accessed not only in movement or ambulation but in a narrati…

Sociology (4 works) · Philosophy (3 works) · Philosophy (3 works) · Aesthetics (2 works) · Anthropology (2 works) · Art (2 works) · Ethnography (2 works) · Gender Studies (2 works) · Gender Studies (2 works) · History (2 works)

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