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Maya Caspari

Biographic Data

ID357907
NAMEMaya Caspari
GIVEN NAMESMaya
FAMILY NAMECaspari
SIGNATURECASPARI M
AFFILIATIONSTwitter (United States)
ORCID0000-0003-2763-2756
VERIFIEDYes
TOTAL WORKS11
TOTAL CITATIONS4
AUTHOR COUNT11
EDITOR COUNT0
FIRST PUBLICATION YEAR2019
LATEST PUBLICATION YEAR2024
H-INDEX1
  • Forms, Voices, Networks: Feminism and the Media -Contingent curation, archival activism, frictional relations

    Open Access•Maya Caspari•ARTICLE•Women s History Review•2024•Cited by: 2

    Reflecting on the curation of the online exhibition ‘Forms Voices Networks: Feminism and the Media’, this article explores how a ‘contingent’ curatorial practice might enact a decolonial and feminist engagement with history. Discussing archival absences, the use of digital space, and how to represent global feminist histories, the article considers whether curation can resist, and imagine beyond, modernity’s colonial and patriarchal forms of know…

  • Against Imperial Knowledges: Lisa Lowe and Ariella Aïsha Azoulay in Conversation

    Open Access•A Azoulay, Ariella Aisha Azoulay et al.•ARTICLE•Parallax•2023•References: 5

  • Memory Work Alerts Consciousness’: Danai S. Mupotsa and Mbali Mazibuko in Conversation

    Open Access•Danai S Mupotsa, Mbali Mazibuko et al.•ARTICLE•Parallax•2023•References: 5

  • Hope can make bad politics’: Jacqueline Rose and Lyndsey Stonebridge in Conversation

    Open Access•Jacqueline Rose, Lyndsey Stonebridge et al.•ARTICLE•Parallax•2023•References: 1

  • Reading Otherwise: Decolonial Feminisms

    Open Access•Maya Caspari, Richard Daly•ARTICLE•Parallax•2023•References: 9

    This special issue considers the meanings and possibilities of decolonial feminisms today; how they shape, and are shaped by, practices of readingbut also writing, speaking and living -'otherwise' in academia and beyond. It comprises six conversations between thirteen scholars, writers, artists and activists, which have taken place online over the past three years (2021-23). Instead of beginning with a single, fixed definition of 'decolonial femi…

  • Reweaving from the future: Patricia Domínguez and Victoria Vargas-Downing in conversation

    Open Access•Patricia Domínguez Claro, Victoria Vargas-Downing et al.•ARTICLE•Parallax•2023•References: 1

  • On Being Committed to Indigenous Feminist Interventions’: Jodi Byrd and Eve Tuck in Conversation

    Open Access•Jodi A Byrd, Jodi Byrd et al.•ARTICLE•Parallax•2023•Cited by: 1•References: 4

  • You don’t have revolution without sound’: A Conversation between Christina Sharpe, Françoise Vergès and K’eguro Macharia

    Open Access•Keguro Macharia, K’eguro Macharia et al.•ARTICLE•Parallax•2023•References: 4

  • Touching imaginaries: Otherwise worlds and speculative techno-touch in Wanuri Kahiu's Pumzi

    Open Access•Maya Caspari•ARTICLE•The Senses and Society•2023•Cited by: 1•References: 29

    Through a discussion of Wanuri Kahiu’s short 2009 film Pumzi, this article illustrates how Afrofuturist film interrogates and extends normative theoretical paradigms for conceptualizing the intersections of technology and touch. Building on work in Black Studies, the article situates technology in the history of modernity, arguing that biopolitical modernity may itself be a kind of techno-touch - a “hold” - which produces an exclusionary, raciali…

  • Moving archives, touch, and world literary melancholy in Han Kang's The Vegetarian

    Maya Caspari•ARTICLE•Journal of Postcolonial Writing•2023•References: 19

    Through a reading of Han Kang’s 2007 novel The Vegetarian, this article critiques two prevailing approaches to world literature and the politics of memory: a liberal cosmopolitan celebration of cross-cultural legibility and a postcolonial politics of “melancholic” resistance to globalization. It argues that both employ an opposition between legibility and illegibility, either celebrating world literature for its potential to make unfamiliar histo…

  • Writing Violence: In conversation with Katja Petrowskaja

    Maya Caspari•ARTICLE•Wasafiri•2019

  • Forms, Voices, Networks: Feminism and the Media -Contingent curation, archival activism, frictional relations

    Open Access•Maya Caspari•ARTICLE•Women s History Review•2024•Cited by: 2

    Reflecting on the curation of the online exhibition ‘Forms Voices Networks: Feminism and the Media’, this article explores how a ‘contingent’ curatorial practice might enact a decolonial and feminist engagement with history. Discussing archival absences, the use of digital space, and how to represent global feminist histories, the article considers whether curation can resist, and imagine beyond, modernity’s colonial and patriarchal forms of know…

  • On Being Committed to Indigenous Feminist Interventions’: Jodi Byrd and Eve Tuck in Conversation

    Open Access•Jodi A Byrd, Jodi Byrd et al.•ARTICLE•Parallax•2023•Cited by: 1•References: 4

  • Touching imaginaries: Otherwise worlds and speculative techno-touch in Wanuri Kahiu's Pumzi

    Open Access•Maya Caspari•ARTICLE•The Senses and Society•2023•Cited by: 1•References: 29

    Through a discussion of Wanuri Kahiu’s short 2009 film Pumzi, this article illustrates how Afrofuturist film interrogates and extends normative theoretical paradigms for conceptualizing the intersections of technology and touch. Building on work in Black Studies, the article situates technology in the history of modernity, arguing that biopolitical modernity may itself be a kind of techno-touch - a “hold” - which produces an exclusionary, raciali…

  • Writing Violence: In conversation with Katja Petrowskaja

    Maya Caspari•ARTICLE•Wasafiri•2019

  • Against Imperial Knowledges: Lisa Lowe and Ariella Aïsha Azoulay in Conversation

    Open Access•A Azoulay, Ariella Aisha Azoulay et al.•ARTICLE•Parallax•2023•References: 5

  • Memory Work Alerts Consciousness’: Danai S. Mupotsa and Mbali Mazibuko in Conversation

    Open Access•Danai S Mupotsa, Mbali Mazibuko et al.•ARTICLE•Parallax•2023•References: 5

  • Hope can make bad politics’: Jacqueline Rose and Lyndsey Stonebridge in Conversation

    Open Access•Jacqueline Rose, Lyndsey Stonebridge et al.•ARTICLE•Parallax•2023•References: 1

  • Reading Otherwise: Decolonial Feminisms

    Open Access•Maya Caspari, Richard Daly•ARTICLE•Parallax•2023•References: 9

    This special issue considers the meanings and possibilities of decolonial feminisms today; how they shape, and are shaped by, practices of readingbut also writing, speaking and living -'otherwise' in academia and beyond. It comprises six conversations between thirteen scholars, writers, artists and activists, which have taken place online over the past three years (2021-23). Instead of beginning with a single, fixed definition of 'decolonial femi…

  • Reweaving from the future: Patricia Domínguez and Victoria Vargas-Downing in conversation

    Open Access•Patricia Domínguez Claro, Victoria Vargas-Downing et al.•ARTICLE•Parallax•2023•References: 1

  • On Being Committed to Indigenous Feminist Interventions’: Jodi Byrd and Eve Tuck in Conversation

    Open Access•Jodi A Byrd, Jodi Byrd et al.•ARTICLE•Parallax•2023•Cited by: 1•References: 4

  • You don’t have revolution without sound’: A Conversation between Christina Sharpe, Françoise Vergès and K’eguro Macharia

    Open Access•Keguro Macharia, K’eguro Macharia et al.•ARTICLE•Parallax•2023•References: 4

  • Touching imaginaries: Otherwise worlds and speculative techno-touch in Wanuri Kahiu's Pumzi

    Open Access•Maya Caspari•ARTICLE•The Senses and Society•2023•Cited by: 1•References: 29

    Through a discussion of Wanuri Kahiu’s short 2009 film Pumzi, this article illustrates how Afrofuturist film interrogates and extends normative theoretical paradigms for conceptualizing the intersections of technology and touch. Building on work in Black Studies, the article situates technology in the history of modernity, arguing that biopolitical modernity may itself be a kind of techno-touch - a “hold” - which produces an exclusionary, raciali…

  • Moving archives, touch, and world literary melancholy in Han Kang's The Vegetarian

    Maya Caspari•ARTICLE•Journal of Postcolonial Writing•2023•References: 19

    Through a reading of Han Kang’s 2007 novel The Vegetarian, this article critiques two prevailing approaches to world literature and the politics of memory: a liberal cosmopolitan celebration of cross-cultural legibility and a postcolonial politics of “melancholic” resistance to globalization. It argues that both employ an opposition between legibility and illegibility, either celebrating world literature for its potential to make unfamiliar histo…

  • Forms, Voices, Networks: Feminism and the Media -Contingent curation, archival activism, frictional relations

    Open Access•Maya Caspari•ARTICLE•Women s History Review•2024•Cited by: 2

    Reflecting on the curation of the online exhibition ‘Forms Voices Networks: Feminism and the Media’, this article explores how a ‘contingent’ curatorial practice might enact a decolonial and feminist engagement with history. Discussing archival absences, the use of digital space, and how to represent global feminist histories, the article considers whether curation can resist, and imagine beyond, modernity’s colonial and patriarchal forms of know…

Sociology (9 works) · Art (7 works) · Conversation (6 works) · Communication (5 works) · Communication (5 works) · Philosophy (4 works) · Political science (4 works) · Aesthetics (3 works) · Gender Studies (3 works) · Latin American and Latino Studies (3 works)

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