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Peter S Hawkins

Biographic Data

ID358322
NAMEPeter S Hawkins
GIVEN NAMESPeter S
FAMILY NAMEHawkins
SIGNATUREHAWKINS P S
AFFILIATIONS1Yale University Divinity School
VERIFIEDNo
TOTAL WORKS12
TOTAL CITATIONS25
AUTHOR COUNT11
EDITOR COUNT1
FIRST PUBLICATION YEAR1975
LATEST PUBLICATION YEAR2012
H-INDEX1
  • Sin in Medieval and Early Modern Culture: The Tradition of the Seven Deadly Sins

    Open Access•Nancy McLoughlin, Henry Luttikhuizen et al.•BOOK•Sin in Medieval and Early Modern…•2012

    A fresh consideration of the enduring tradition of the Seven Deadly Sins, showing its continuing post-medieval influence.

  • Dante's Rahab

    Peter Hawkins, Peter S Hawkins•ARTICLE•Modern Language Notes•2009

    Dante's Rahab Peter S. Hawkins (bio) When I first fell under John Freccero's spell in 1973, I was a Yale doctoral student seeking refuge from the English department. I was brought to the first meeting of his year-long Dante course by a refugee from French, but unlike her, I vowed only to sit in on the opening day: I was to be a one-time interloper in Corby Court. Yet by the end of that September day Dante—and his prophet, John Freccero—had me not…

  • Scrolls of Love

    Peter Hawkins, Peter S Hawkins et al.•BOOK•Scrolls of Love•2006

    This book is edited by a Jew and a Christian who are united by a shared passion for the Bible and a common literary hermeneutic. It joins two biblical scrolls and gathers around them a diverse community of interpreters. It brings together Ruth and the Song of Songs, two seemingly disparate texts of the Hebrew Bible, and reads them through a number of methodological and theological perspectives. Respectful of traditional biblical scholarship, the …

  • Flannery O'Connor: What's New

    Peter Hawkins, Peter S Hawkins•ARTICLE•Religion and the Arts•1996

  • Dante and the Mystical Tradition: Bernard of Clairvaux in the "Commedia." . Steven Botterill

    Peter Hawkins, Peter S Hawkins•ARTICLE•Speculum•1996

  • Naming Names: The Art of Memory and the Names Project Aids Quilt

    Peter Hawkins, Peter S Hawkins•ARTICLE•Critical Inquiry•1993•Cited by: 25

  • Dido, Beatrice, and the Signs of Ancient Love

    Peter Hawkins, Peter S Hawkins•CHAPTER•The Poetry of Allusion•1991

  • Dante's Griffin and the History of the World: A Study of the Earthly Paradise (Purgatorio, cantos xxix-xxxiii). Peter Armour

    Peter Hawkins, Peter S Hawkins•ARTICLE•Speculum•1991

  • The Language of Grace

    Open Access•Peter Hawkins, Peter S Hawkins et al.•ARTICLE•Theology Today•1983

  • From Mythography to Myth-Making: Spenser and the Magna Mater Cybele

    Peter Hawkins, Peter S Hawkins•ARTICLE•Sixteenth Century Journal•1981

    Du mythe de Cybele a la mythopoese spenserienne: la renaissance du mythe dans The Faerie Queene

  • Trespassing on the Word: God's Book and Ours

    Peter Hawkins, Peter S Hawkins•ARTICLE•Journal of the American Academy…•1979

    In Paradiso XXVI Adam tells Dante that the cause of the Fall lay in the trapassar del segno, the “trespass of the sign. ”This refers most immediately to the first human violation of divine law, yet Dante did not choose the word for trespass, trasgressione, but took instead a verb meaning “to pass away” or “to die” and transformed it into a noun, “the passing away of the sign. ” We are perhaps not too far off the mark, then, if we see in Adam’s “t…

  • Polemical Counterpoint in “De Civitate Dei”

    Peter Hawkins, Peter S Hawkins et al.•ARTICLE•Augustinian Studies•1975

  • Naming Names: The Art of Memory and the Names Project Aids Quilt

    Peter Hawkins, Peter S Hawkins•ARTICLE•Critical Inquiry•1993•Cited by: 25

  • Polemical Counterpoint in “De Civitate Dei”

    Peter Hawkins, Peter S Hawkins et al.•ARTICLE•Augustinian Studies•1975

  • Trespassing on the Word: God's Book and Ours

    Peter Hawkins, Peter S Hawkins•ARTICLE•Journal of the American Academy…•1979

    In Paradiso XXVI Adam tells Dante that the cause of the Fall lay in the trapassar del segno, the “trespass of the sign. ”This refers most immediately to the first human violation of divine law, yet Dante did not choose the word for trespass, trasgressione, but took instead a verb meaning “to pass away” or “to die” and transformed it into a noun, “the passing away of the sign. ” We are perhaps not too far off the mark, then, if we see in Adam’s “t…

  • From Mythography to Myth-Making: Spenser and the Magna Mater Cybele

    Peter Hawkins, Peter S Hawkins•ARTICLE•Sixteenth Century Journal•1981

    Du mythe de Cybele a la mythopoese spenserienne: la renaissance du mythe dans The Faerie Queene

  • The Language of Grace

    Open Access•Peter Hawkins, Peter S Hawkins et al.•ARTICLE•Theology Today•1983

  • Dido, Beatrice, and the Signs of Ancient Love

    Peter Hawkins, Peter S Hawkins•CHAPTER•The Poetry of Allusion•1991

  • Dante's Griffin and the History of the World: A Study of the Earthly Paradise (Purgatorio, cantos xxix-xxxiii). Peter Armour

    Peter Hawkins, Peter S Hawkins•ARTICLE•Speculum•1991

  • Naming Names: The Art of Memory and the Names Project Aids Quilt

    Peter Hawkins, Peter S Hawkins•ARTICLE•Critical Inquiry•1993•Cited by: 25

  • Flannery O'Connor: What's New

    Peter Hawkins, Peter S Hawkins•ARTICLE•Religion and the Arts•1996

  • Dante and the Mystical Tradition: Bernard of Clairvaux in the "Commedia." . Steven Botterill

    Peter Hawkins, Peter S Hawkins•ARTICLE•Speculum•1996

  • Scrolls of Love

    Peter Hawkins, Peter S Hawkins et al.•BOOK•Scrolls of Love•2006

    This book is edited by a Jew and a Christian who are united by a shared passion for the Bible and a common literary hermeneutic. It joins two biblical scrolls and gathers around them a diverse community of interpreters. It brings together Ruth and the Song of Songs, two seemingly disparate texts of the Hebrew Bible, and reads them through a number of methodological and theological perspectives. Respectful of traditional biblical scholarship, the …

  • Dante's Rahab

    Peter Hawkins, Peter S Hawkins•ARTICLE•Modern Language Notes•2009

    Dante's Rahab Peter S. Hawkins (bio) When I first fell under John Freccero's spell in 1973, I was a Yale doctoral student seeking refuge from the English department. I was brought to the first meeting of his year-long Dante course by a refugee from French, but unlike her, I vowed only to sit in on the opening day: I was to be a one-time interloper in Corby Court. Yet by the end of that September day Dante—and his prophet, John Freccero—had me not…

  • Sin in Medieval and Early Modern Culture: The Tradition of the Seven Deadly Sins

    Open Access•Nancy McLoughlin, Henry Luttikhuizen et al.•BOOK•Sin in Medieval and Early Modern…•2012

    A fresh consideration of the enduring tradition of the Seven Deadly Sins, showing its continuing post-medieval influence.

Art (10 works) · Philosophy (8 works) · History (7 works) · Literature (6 works) · Art history (5 works) · Classics (4 works) · Theology (4 works) · Medieval Literature and History (3 works) · Medieval Philosophy and Theology (3 works) · Philosophy (3 works)

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