Camilla Sutherland
Biographic Data
| ID | 3584232 |
|---|---|
| NAME | Camilla Sutherland |
| GIVEN NAMES | Camilla |
| FAMILY NAME | Sutherland |
| SIGNATURE | SUTHERLAND C |
| AFFILIATIONS | Department of European Languages & Cultures University of GroningenHarmoniegebouwOude Kijk in Het Jatstraat 269712 EK, GroningenThe Netherlands |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2017 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 0 |
The intimate geographies of Anna Maria Maiolino
This article examines the intersection of identity and spatiality in the works of Brazilian visual artist Anna
Indigenismo and the Limits of Cultural Appropriation
This article turns a critical eye on the indigenista movement that flourished in Latin America in the first half of the twentieth century, specifically as it relates to gender, race, and the visual arts. Beginning with a brief overview of the emergence of indigenismo in Mexico and the Andean region, it will move on to offer a comparative reading of the life and works of Mexican painter Frida Kahlo (1907-54) and the lesser-known Bolivian sculptor …
El pájaro de cuatro notas”
This article assesses the reception of Argentine women writers and artists’ work within vanguard magazines. Taking as case studies the work of Norah Lange and Norah Borges, I identify four key tropes that emerge in reviews of their creative output published between 1920 and 1930. This article brings to light original archival material in order to expose how women’s peripheral position in the artistic sphere of early twentieth-century Latin Americ…
No prominent works on this page.
El pájaro de cuatro notas”
This article assesses the reception of Argentine women writers and artists’ work within vanguard magazines. Taking as case studies the work of Norah Lange and Norah Borges, I identify four key tropes that emerge in reviews of their creative output published between 1920 and 1930. This article brings to light original archival material in order to expose how women’s peripheral position in the artistic sphere of early twentieth-century Latin Americ…
The intimate geographies of Anna Maria Maiolino
This article examines the intersection of identity and spatiality in the works of Brazilian visual artist Anna
Indigenismo and the Limits of Cultural Appropriation
This article turns a critical eye on the indigenista movement that flourished in Latin America in the first half of the twentieth century, specifically as it relates to gender, race, and the visual arts. Beginning with a brief overview of the emergence of indigenismo in Mexico and the Andean region, it will move on to offer a comparative reading of the life and works of Mexican painter Frida Kahlo (1907-54) and the lesser-known Bolivian sculptor …
Art (3 works) · Art history (3 works) · Gender Studies (3 works) · Gender Studies (3 works) · Political science (3 works) · Sociology (3 works) · Aesthetics (2 works) · Anthropology (2 works) · Art, Politics, and Modernism (2 works) · History (2 works)