Adam Potts
Biographic Data
| ID | 3584234 |
|---|---|
| NAME | Adam Potts |
| GIVEN NAMES | Adam |
| FAMILY NAME | Potts |
| SIGNATURE | POTTS A |
| AFFILIATIONS | Philosophical Studies Room 2.64, 2nd Floor, Bedson Building Newcastle University Newcastle NE1 7RU UK |
| ORCID | 0009-0002-9480-8694 |
| VERIFIED | Yes |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 6 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2015 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 1 |
Does clinical exposure to different skin tones during training improve diagnostic ability
The apocalyptic tone of Scott Walker, Sunn O))) and Soused
This paper attempts to listen to Scott Walker and Sunn O)))’s respective music, and their collaboration Soused, by way of Maurice Blanchot’s notion of disaster which is framed in relation to the ‘apocalyptic tone’. This notion of the apocalyptic tone is used throughout the paper as a way of referring to the unheard and unspeakable dimensions of their music. Structurally and methodologically, this paper is inspired by the work of Daniela Cascella …
Blanchot and Sound
Passive Noise
This paper aims to establish a distinction and relationship between two types of noise – active noise and passive noise – while giving emphasis to the latter. Active noise is the discourse of negativity and violence that some theorists associate with noise’s materiality, an association particularly pronounced in engagements with Japanoise. The problem with this discourse is that it relies on a culturally normative understanding of noise as well a…
Sounds of Disaster
The internal death of Japanoise
Japanese noise music (Japanoise) has strong associations with death. In the early stages of Japanoise’s development, practitioners would often make reference to eroticism, violence and death in their performances and album artwork to help visualise the “excess” of their sound. The discourse of Japanoise also draws on these associations, through concepts such as disembodiment, to help frame this transgressive enterprise. Death becomes a way of vis…
The internal death of Japanoise
Japanese noise music (Japanoise) has strong associations with death. In the early stages of Japanoise’s development, practitioners would often make reference to eroticism, violence and death in their performances and album artwork to help visualise the “excess” of their sound. The discourse of Japanoise also draws on these associations, through concepts such as disembodiment, to help frame this transgressive enterprise. Death becomes a way of vis…
Blanchot and Sound
Passive Noise
This paper aims to establish a distinction and relationship between two types of noise – active noise and passive noise – while giving emphasis to the latter. Active noise is the discourse of negativity and violence that some theorists associate with noise’s materiality, an association particularly pronounced in engagements with Japanoise. The problem with this discourse is that it relies on a culturally normative understanding of noise as well a…
Sounds of Disaster
The apocalyptic tone of Scott Walker, Sunn O))) and Soused
This paper attempts to listen to Scott Walker and Sunn O)))’s respective music, and their collaboration Soused, by way of Maurice Blanchot’s notion of disaster which is framed in relation to the ‘apocalyptic tone’. This notion of the apocalyptic tone is used throughout the paper as a way of referring to the unheard and unspeakable dimensions of their music. Structurally and methodologically, this paper is inspired by the work of Daniela Cascella …
Does clinical exposure to different skin tones during training improve diagnostic ability
Acoustics (2 works) · Aesthetics (2 works) · Computer Science (2 works) · Epistemology (2 works) · French Literature and Poetry (2 works) · Musicology and Musical Analysis (2 works) · Philosophy (2 works) · Physics (2 works) · Sociology (2 works) · Sound Studies and Aurality (2 works)