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Drew Milne

Biographic Data

ID3584241
NAMEDrew Milne
GIVEN NAMESDrew
FAMILY NAMEMilne
SIGNATUREMILNE D
AFFILIATIONSCorpus Christi College, Trumpington Street, Cambridge CB2 IRH, UK.
VERIFIEDNo
TOTAL WORKS11
TOTAL CITATIONS4
WORKS AS AUTHOR9
WORKS AS EDITOR2
FIRST PUBLICATION YEAR1996
LATEST PUBLICATION YEAR2023
H-INDEX2
  • Caroline Bergvall's Medievalist Poetics

    David Wallace, Drew Milne et al.•BOOK•Caroline Bergvall's Medievalist…•2023

  • Notes on ‘Lichen’

    Drew Milne•ARTICLE•Textual Practice•2019

    ‘Notes on “Lichen”’ develops a lichenised homage to Susan Sontag’s ‘Notes on “Camp”’, rewilding Sontag’s essay to suggest a poetics of Lichen, a poetics associated symbiotically with the manifestos of Donna Haraway. This Lichen poetics engages with questions of symbiosis and solidarity, mutualism and collective voicing, sketching the turn away from humanist poetics as a critical characteristic of contemporary ecopoetics. From Conceptual Art to co…

  • Nuclear Song

    Drew Milne•ARTICLE•Angelaki•2017

    The argument of ‘Nuclear Song’ is pursued at various extremities of the damage done to poetic imagination by what the poem never quite names as ‘the’ nuclear. ‘Nuclear Song’ opens with an epigraph asking how far human agency, even the resources of poetic song, are complicit with anthropogenic radioactivity. Is there a poetic grammar for representing nuclear plumes and umbrellas, the yellow cake and toxic clouds of nuclear trauma that radiate from…

  • Poetry After Hiroshima

    Drew Milne•ARTICLE•Angelaki•2017•References: 7

    This essay explores the faultlines, poetic pressures and social structures of feeling determining poetry "after" Hiroshima. Nuclear bombs, accidents and waste pose theoretical and poetic challenges. The argument outlines a model of nuclear implicature that reworks Gricean conversational implicature. Nuclear implicature helps to describe ways in which poems "represent" nuclear problems implicitly rather than explicitly. Metonymic, metaphorical, an…

  • Nuclear Theory Degree Zero, With Two Cheers for Derrida

    Drew Milne, John Kinsella•ARTICLE•Angelaki•2017•Cited by: 2•References: 6

  • The Future of Literary Thinking

    Peter Boxall, Michael Jonik et al.•ARTICLE•Textual Practice•2016•Cited by: 2

    All good writing takes us somewhere uncomfortable. One of the great services given by Textual Practice over the past 30 years has been to create a comfortable place for uncomfortable criticism. Yet right now, it is not writing but the world itself that is proving incommodious. What should criticism be doing in a political culture that has embraced hostility

  • Performance over being

    Drew Milne•ARTICLE•Textual Practice•2011

  • Allegories of complicity

    Open Access•Drew Milne•ARTICLE•Critical Quarterly•2005

  • Modern Critical Thought

    Drew Milne•EDITOR•BOOK•Modern Critical Thought•2003

  • Poems from Optic Fire

    Open Access•Drew Milne•ARTICLE•Critical Quarterly•1996

  • Marxist literary theory

    Terry Francis Eagleton, Terry Eagleton et al.•EDITOR•BOOK•Marxist Literary Theory•1996

    Introduction. Part I: Terry Eagleton:. Introduction. Part II: Drew Milne. 1. Marx and Engels. 2. Leo Tolstoy and His Epoch (1911): V. I. Lenin. 3. The Formalist School of Peotry and Marxism: Leon Trotsky. 4. Corcerning the Relationship of the Basis and Superstructures: V. N. Volosinov. 5. Surrealism: The Last Snapshot of the European Intelligentsia (1929). Addendum to 'The Paris of the Second Empire in Baudelaire' (1938): Walter Benjamin. 6. Marx…

  • Nuclear Theory Degree Zero, With Two Cheers for Derrida

    Drew Milne, John Kinsella•ARTICLE•Angelaki•2017•Cited by: 2•References: 6

  • The Future of Literary Thinking

    Peter Boxall, Michael Jonik et al.•ARTICLE•Textual Practice•2016•Cited by: 2

    All good writing takes us somewhere uncomfortable. One of the great services given by Textual Practice over the past 30 years has been to create a comfortable place for uncomfortable criticism. Yet right now, it is not writing but the world itself that is proving incommodious. What should criticism be doing in a political culture that has embraced hostility

  • Poems from Optic Fire

    Open Access•Drew Milne•ARTICLE•Critical Quarterly•1996

  • Marxist literary theory

    Terry Francis Eagleton, Terry Eagleton et al.•EDITOR•BOOK•Marxist Literary Theory•1996

    Introduction. Part I: Terry Eagleton:. Introduction. Part II: Drew Milne. 1. Marx and Engels. 2. Leo Tolstoy and His Epoch (1911): V. I. Lenin. 3. The Formalist School of Peotry and Marxism: Leon Trotsky. 4. Corcerning the Relationship of the Basis and Superstructures: V. N. Volosinov. 5. Surrealism: The Last Snapshot of the European Intelligentsia (1929). Addendum to 'The Paris of the Second Empire in Baudelaire' (1938): Walter Benjamin. 6. Marx…

  • Modern Critical Thought

    Drew Milne•EDITOR•BOOK•Modern Critical Thought•2003

  • Allegories of complicity

    Open Access•Drew Milne•ARTICLE•Critical Quarterly•2005

  • Performance over being

    Drew Milne•ARTICLE•Textual Practice•2011

  • The Future of Literary Thinking

    Peter Boxall, Michael Jonik et al.•ARTICLE•Textual Practice•2016•Cited by: 2

    All good writing takes us somewhere uncomfortable. One of the great services given by Textual Practice over the past 30 years has been to create a comfortable place for uncomfortable criticism. Yet right now, it is not writing but the world itself that is proving incommodious. What should criticism be doing in a political culture that has embraced hostility

  • Nuclear Song

    Drew Milne•ARTICLE•Angelaki•2017

    The argument of ‘Nuclear Song’ is pursued at various extremities of the damage done to poetic imagination by what the poem never quite names as ‘the’ nuclear. ‘Nuclear Song’ opens with an epigraph asking how far human agency, even the resources of poetic song, are complicit with anthropogenic radioactivity. Is there a poetic grammar for representing nuclear plumes and umbrellas, the yellow cake and toxic clouds of nuclear trauma that radiate from…

  • Poetry After Hiroshima

    Drew Milne•ARTICLE•Angelaki•2017•References: 7

    This essay explores the faultlines, poetic pressures and social structures of feeling determining poetry "after" Hiroshima. Nuclear bombs, accidents and waste pose theoretical and poetic challenges. The argument outlines a model of nuclear implicature that reworks Gricean conversational implicature. Nuclear implicature helps to describe ways in which poems "represent" nuclear problems implicitly rather than explicitly. Metonymic, metaphorical, an…

  • Nuclear Theory Degree Zero, With Two Cheers for Derrida

    Drew Milne, John Kinsella•ARTICLE•Angelaki•2017•Cited by: 2•References: 6

  • Notes on ‘Lichen’

    Drew Milne•ARTICLE•Textual Practice•2019

    ‘Notes on “Lichen”’ develops a lichenised homage to Susan Sontag’s ‘Notes on “Camp”’, rewilding Sontag’s essay to suggest a poetics of Lichen, a poetics associated symbiotically with the manifestos of Donna Haraway. This Lichen poetics engages with questions of symbiosis and solidarity, mutualism and collective voicing, sketching the turn away from humanist poetics as a critical characteristic of contemporary ecopoetics. From Conceptual Art to co…

  • Caroline Bergvall's Medievalist Poetics

    David Wallace, Drew Milne et al.•BOOK•Caroline Bergvall's Medievalist…•2023

Art (8 works) · Literature (8 works) · Philosophy (6 works) · Poetry (6 works) · Poetics (5 works) · Art history (4 works) · Linguistics (4 works) · Politics (4 works) · Computer Science (3 works) · Epistemology (3 works)

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