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Andrea Feeser

Biographic Data

ID358505
NAMEAndrea Feeser
GIVEN NAMESAndrea
FAMILY NAMEFeeser
SIGNATUREFEESER A
AFFILIATIONSClemson University
VERIFIEDNo
TOTAL WORKS6
TOTAL CITATIONS0
WORKS AS AUTHOR6
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1997
LATEST PUBLICATION YEAR2020
H-INDEX0
  • Jimmie Durham, Europe, and the Art of Relations

    Andrea Feeser•BOOK•Jimmie Durham, Europe, and the…•2020

    This book investigates Jimmie Durham’s community-building process of making and display in four of his projects in Europe: Something ... Perhaps a Fugue or an Elegy (2005); two Neapolitan nativities (2016 and ongoing); The Middle Earth (with Maria Thereza Alves, 2018); and God’s Poems, God’s Children (2017). Andrea Feeser explores these artworks in the context of ideas about connection set forth by writers Ann Lauterbach, Franz Rosenzweig, Pamela…

  • Civilization and Its Dis(Contents)

    Andrea Feeser•CHAPTER•Jimmie Durham, Europe, and the…•2020

    In the Introduction to her translation of Homer’s The Odyssey , classicist Emily Wilson reflects on civilization and how it is inflected through relations and words in Homer’s Mediterranean epic. She considers what and who is monstrous in this regard by considering functions of exclusion in The Odyssey . In 2018, Nathalie Ergino, director of the Institut d’art Contemporain, Villeurbanne near Lyon, invited Alves and Durham to use the institute and…

  • Neighbors and Faith in Community

    Andrea Feeser•ARTICLE•Religion and the Arts•2019

    Artist Jimmie Durham’s neighborhood and Madre Museum nativities ( presepi ) reflect his aesthetic: they are composed of found and gifted natural and manmade materials, bear marks of the artist’s making process, and take representational or abstracted forms that instantiate Durham’s ways of sensing and thinking. Made from what many would consider trash and shaped into sensitively-crafted, diverse-looking entities assembled alongside one another, D…

  • Picasso and Éluard

    Andrea Feeser•ARTICLE•Men and Masculinities•2003•References: 1

    In collaborative projects that Picasso and Éluard produced in the 1940s and 1950s-particularly the 1948 book Picasso à Antibes and the 1951 book Le Visage de la Paix- they constructed images of one another and especially of Picasso that incorporate the stereotypically masculine quality of commanding leadership and appropriate the stereotypically feminine quality of supportive nurturing. This article argues that these representations usurp aspects…

  • Hands On Experience

    Andrea Feeser, Jennifer Ransom•ARTICLE•Parallax•1997

  • "An Online "General Hospital

    Andrea Feeser, Margaret Crane et al.•ARTICLE•Leonardo•1997

    Andrea Feeser, Margaret Crane, An Online "General Hospital": Constructing an Experience and Representation of Mental Health, Leonardo, Vol. 30, No. 5, Fifth Annual New York Digital Salon (1997), pp. 355-358

No prominent works on this page.

  • Hands On Experience

    Andrea Feeser, Jennifer Ransom•ARTICLE•Parallax•1997

  • "An Online "General Hospital

    Andrea Feeser, Margaret Crane et al.•ARTICLE•Leonardo•1997

    Andrea Feeser, Margaret Crane, An Online "General Hospital": Constructing an Experience and Representation of Mental Health, Leonardo, Vol. 30, No. 5, Fifth Annual New York Digital Salon (1997), pp. 355-358

  • Picasso and Éluard

    Andrea Feeser•ARTICLE•Men and Masculinities•2003•References: 1

    In collaborative projects that Picasso and Éluard produced in the 1940s and 1950s-particularly the 1948 book Picasso à Antibes and the 1951 book Le Visage de la Paix- they constructed images of one another and especially of Picasso that incorporate the stereotypically masculine quality of commanding leadership and appropriate the stereotypically feminine quality of supportive nurturing. This article argues that these representations usurp aspects…

  • Neighbors and Faith in Community

    Andrea Feeser•ARTICLE•Religion and the Arts•2019

    Artist Jimmie Durham’s neighborhood and Madre Museum nativities ( presepi ) reflect his aesthetic: they are composed of found and gifted natural and manmade materials, bear marks of the artist’s making process, and take representational or abstracted forms that instantiate Durham’s ways of sensing and thinking. Made from what many would consider trash and shaped into sensitively-crafted, diverse-looking entities assembled alongside one another, D…

  • Jimmie Durham, Europe, and the Art of Relations

    Andrea Feeser•BOOK•Jimmie Durham, Europe, and the…•2020

    This book investigates Jimmie Durham’s community-building process of making and display in four of his projects in Europe: Something ... Perhaps a Fugue or an Elegy (2005); two Neapolitan nativities (2016 and ongoing); The Middle Earth (with Maria Thereza Alves, 2018); and God’s Poems, God’s Children (2017). Andrea Feeser explores these artworks in the context of ideas about connection set forth by writers Ann Lauterbach, Franz Rosenzweig, Pamela…

  • Civilization and Its Dis(Contents)

    Andrea Feeser•CHAPTER•Jimmie Durham, Europe, and the…•2020

    In the Introduction to her translation of Homer’s The Odyssey , classicist Emily Wilson reflects on civilization and how it is inflected through relations and words in Homer’s Mediterranean epic. She considers what and who is monstrous in this regard by considering functions of exclusion in The Odyssey . In 2018, Nathalie Ergino, director of the Institut d’art Contemporain, Villeurbanne near Lyon, invited Alves and Durham to use the institute and…

Art (4 works) · Aesthetics (3 works) · History (3 works) · Sociology (3 works) · Archaeology (2 works) · Computer Science (2 works) · Epistemology (2 works) · Philosophy (2 works) · Psychology (2 works) · Visual arts (2 works)

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