Jonathan Mcintosh
Biographic Data
| ID | 3585355 |
|---|---|
| NAME | Jonathan Mcintosh |
| GIVEN NAMES | Jonathan |
| FAMILY NAME | Mcintosh |
| SIGNATURE | MCINTOSH J |
| AFFILIATIONS | Schlumberger (Ireland) |
| ORCID | 0000-0001-7836-8890 |
| VERIFIED | Yes |
| TOTAL WORKS | 12 |
| TOTAL CITATIONS | 6 |
| AUTHOR COUNT | 12 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1970 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 1 |
Gamelan Girls: Gender, Childhood, and Politics in Balinese Music Ensembles
Sonja Lynn Downing's Gamelan Girls: Gender, Childhood, and Politics in Balinese Music Ensembles is an important book and a welcome contribution to child-focused ethnomusicological research. It examines how in recent years—by participating in single-gender ensembles, as well as those comprising male and female participants—Balinese girls and women contest deep-rooted notions that gamelan performance is primarily an activity associated with boys an…
The women’s international gamelan group at the Pondok Pekak
Balinese gamelan music stresses notions of unity, community and totality that are realized through the interaction of players and instruments. Traditionally considered a male activity, Balinese women now perform gamelan music in sacred and secular contexts. Moreover, the rise of mass tourism and an increase in the number of expatriates living in Bali now means that gamelan music has become an important site for ‘intercultural’ collective music-ma…
Child Musicians and Dancers Performing in Sync
With reference to children’s participation in the traditional performing arts, this chapter investigates the teaching, learning and rehearsal strategies employed at Mumbul Sari Arts Studio in the village of Keramas, Gianyar regency, Bali, Indonesia. Highlighting the interrelationship of music and dance, the chapter also explores how Balinese musicking processes enable child musicians and dancers to negotiate their individual and collective practi…
Speaking of Possibilities: The Theistic Actualism of Anselm's Divine Locutio
In his Monologion , Anselm represents God's knowledge of his creative possibilities, not in the intellectualist and Platonic terms of Augustine's divine ideas, but in the linguistic, poetic, and semi‐Stoic terms of a divine “utterance” or “expression” ( locutio ). Through his shift in theological metaphor, Anselm makes a subtle yet significant departure from the prevailing, “possibilist” model of divine possibility in western theology—according t…
Songs from the Thrice-Blooded Land: Ritual Music of the Toraja (Sulawesi, Indonesia)
Songs from the Thrice-Blooded Land: Ritual Music of the Toraja (Sulawesi, Indonesia) Dana Rappoport Saint-Quen-l'Aumône, Éditions De La Maison Des Sciences De L'Homme/Éditions Épistèmes, 2009 This
Dancing Cultures: Globalization, Tourism and Identity in the Anthropology of Dance
History of subversive remix video before YouTube: Thirty political video mashups made between World War II and 2005
A compilation of politically subversive remix videos published between World War II and the launch of YouTube in 2005
Dancing to a Disco Beat: Children, Teenagers, and the Localizing of Popular Music in Bali
Th e following examines how children and teenagers in Bali, Indonesia, indigenize local, national, and global forms of popular music in disco dance performances.Th e article focuses on disco dance performances as just one element in a much broader argument about adaptation and change in Balinese society that includes the introduction of popular modes of activity, including television, radio, fi lm, and discos.Appadurai (1996) suggests the overlap…
Indonesians and Australians Playing Javanese Gamelan in Perth, Western Australia: Community and the Negotiation of Musical Identities
The present article centres on a group of Indonesians and Australians who are members of a gamelan ensemble based at the Consulate of the Republic of Indonesia in Perth, Western Australia. By examining why Australians and Indonesians choose to participate in this musical community, the article investigates how these individuals negotiate and construct musical identities to give local meaning to gamelan in the West Australian context
Baku Pygmies: Culture, Music and the Rites of Initiation in the Central African Rainforest. Produced by Mauro Campagnoli. URL: http://www.pygmies.info
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Playing with Teaching Techniques: Gamelan as a Learning Tool Amongst Children with Learning Impairments in Northern Ireland
This article examines gamelan as a community musical tool in Northern Ireland, United Kingdom. In particular, the article demonstrates how traditional pedagogic practices are changed in order to suit the needs of those who learn gamelan. A gamelan is an orchestra that includes metallophones (large glockenspiel-like instruments), gongs and drums. Originating from Southeast Asia, particularly from the Indonesian islands of Java and Bali, gamelan en…
How dancing, singing and playing shape the ethnographer: Research with children in a Balinese dance studio
In this article I contribute to the debate on research methods in ethnomusicology. To do this I illustrate how active engagement in the activities and learning processes of children better enables the ethnographer to gain insights into children's musical worlds. This is borne out of my research concerning children's practice and performance of dance, music and song in South-central Bali. The principle aim of my research was to examine the role of…
Dancing to a Disco Beat: Children, Teenagers, and the Localizing of Popular Music in Bali
Th e following examines how children and teenagers in Bali, Indonesia, indigenize local, national, and global forms of popular music in disco dance performances.Th e article focuses on disco dance performances as just one element in a much broader argument about adaptation and change in Balinese society that includes the introduction of popular modes of activity, including television, radio, fi lm, and discos.Appadurai (1996) suggests the overlap…
History of subversive remix video before YouTube: Thirty political video mashups made between World War II and 2005
A compilation of politically subversive remix videos published between World War II and the launch of YouTube in 2005
Indonesians and Australians Playing Javanese Gamelan in Perth, Western Australia: Community and the Negotiation of Musical Identities
The present article centres on a group of Indonesians and Australians who are members of a gamelan ensemble based at the Consulate of the Republic of Indonesia in Perth, Western Australia. By examining why Australians and Indonesians choose to participate in this musical community, the article investigates how these individuals negotiate and construct musical identities to give local meaning to gamelan in the West Australian context
Playing with Teaching Techniques: Gamelan as a Learning Tool Amongst Children with Learning Impairments in Northern Ireland
This article examines gamelan as a community musical tool in Northern Ireland, United Kingdom. In particular, the article demonstrates how traditional pedagogic practices are changed in order to suit the needs of those who learn gamelan. A gamelan is an orchestra that includes metallophones (large glockenspiel-like instruments), gongs and drums. Originating from Southeast Asia, particularly from the Indonesian islands of Java and Bali, gamelan en…
How dancing, singing and playing shape the ethnographer: Research with children in a Balinese dance studio
In this article I contribute to the debate on research methods in ethnomusicology. To do this I illustrate how active engagement in the activities and learning processes of children better enables the ethnographer to gain insights into children's musical worlds. This is borne out of my research concerning children's practice and performance of dance, music and song in South-central Bali. The principle aim of my research was to examine the role of…
How dancing, singing and playing shape the ethnographer: Research with children in a Balinese dance studio
In this article I contribute to the debate on research methods in ethnomusicology. To do this I illustrate how active engagement in the activities and learning processes of children better enables the ethnographer to gain insights into children's musical worlds. This is borne out of my research concerning children's practice and performance of dance, music and song in South-central Bali. The principle aim of my research was to examine the role of…
Playing with Teaching Techniques: Gamelan as a Learning Tool Amongst Children with Learning Impairments in Northern Ireland
This article examines gamelan as a community musical tool in Northern Ireland, United Kingdom. In particular, the article demonstrates how traditional pedagogic practices are changed in order to suit the needs of those who learn gamelan. A gamelan is an orchestra that includes metallophones (large glockenspiel-like instruments), gongs and drums. Originating from Southeast Asia, particularly from the Indonesian islands of Java and Bali, gamelan en…
Baku Pygmies: Culture, Music and the Rites of Initiation in the Central African Rainforest. Produced by Mauro Campagnoli. URL: http://www.pygmies.info
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Indonesians and Australians Playing Javanese Gamelan in Perth, Western Australia: Community and the Negotiation of Musical Identities
The present article centres on a group of Indonesians and Australians who are members of a gamelan ensemble based at the Consulate of the Republic of Indonesia in Perth, Western Australia. By examining why Australians and Indonesians choose to participate in this musical community, the article investigates how these individuals negotiate and construct musical identities to give local meaning to gamelan in the West Australian context
Dancing to a Disco Beat: Children, Teenagers, and the Localizing of Popular Music in Bali
Th e following examines how children and teenagers in Bali, Indonesia, indigenize local, national, and global forms of popular music in disco dance performances.Th e article focuses on disco dance performances as just one element in a much broader argument about adaptation and change in Balinese society that includes the introduction of popular modes of activity, including television, radio, fi lm, and discos.Appadurai (1996) suggests the overlap…
Dancing Cultures: Globalization, Tourism and Identity in the Anthropology of Dance
History of subversive remix video before YouTube: Thirty political video mashups made between World War II and 2005
A compilation of politically subversive remix videos published between World War II and the launch of YouTube in 2005
Songs from the Thrice-Blooded Land: Ritual Music of the Toraja (Sulawesi, Indonesia)
Songs from the Thrice-Blooded Land: Ritual Music of the Toraja (Sulawesi, Indonesia) Dana Rappoport Saint-Quen-l'Aumône, Éditions De La Maison Des Sciences De L'Homme/Éditions Épistèmes, 2009 This
Speaking of Possibilities: The Theistic Actualism of Anselm's Divine Locutio
In his Monologion , Anselm represents God's knowledge of his creative possibilities, not in the intellectualist and Platonic terms of Augustine's divine ideas, but in the linguistic, poetic, and semi‐Stoic terms of a divine “utterance” or “expression” ( locutio ). Through his shift in theological metaphor, Anselm makes a subtle yet significant departure from the prevailing, “possibilist” model of divine possibility in western theology—according t…
The women’s international gamelan group at the Pondok Pekak
Balinese gamelan music stresses notions of unity, community and totality that are realized through the interaction of players and instruments. Traditionally considered a male activity, Balinese women now perform gamelan music in sacred and secular contexts. Moreover, the rise of mass tourism and an increase in the number of expatriates living in Bali now means that gamelan music has become an important site for ‘intercultural’ collective music-ma…
Child Musicians and Dancers Performing in Sync
With reference to children’s participation in the traditional performing arts, this chapter investigates the teaching, learning and rehearsal strategies employed at Mumbul Sari Arts Studio in the village of Keramas, Gianyar regency, Bali, Indonesia. Highlighting the interrelationship of music and dance, the chapter also explores how Balinese musicking processes enable child musicians and dancers to negotiate their individual and collective practi…
Gamelan Girls: Gender, Childhood, and Politics in Balinese Music Ensembles
Sonja Lynn Downing's Gamelan Girls: Gender, Childhood, and Politics in Balinese Music Ensembles is an important book and a welcome contribution to child-focused ethnomusicological research. It examines how in recent years—by participating in single-gender ensembles, as well as those comprising male and female participants—Balinese girls and women contest deep-rooted notions that gamelan performance is primarily an activity associated with boys an…
Art (8 works) · Diverse Musicological Studies (6 works) · Sociology (6 works) · Visual arts (6 works) · History (5 works) · Music History and Culture (5 works) · Musical (5 works) · Psychology (5 works) · Asian Studies and History (4 works) · Aesthetics (3 works)