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Yuhwen Wang

Biographic Data

ID3585357
NAMEYuhwen Wang
GIVEN NAMESYuhwen
FAMILY NAMEWang
SIGNATUREWANG Y
VERIFIEDNo
TOTAL WORKS2
TOTAL CITATIONS1
WORKS AS AUTHOR2
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2004
LATEST PUBLICATION YEAR2010
H-INDEX1
  • Expressiveness in the Premodern Performance Style of Chinese Music

    Yuhwen Wang•ARTICLE•Asian Music•2010•Cited by: 1•References: 1

    Th at the performance of traditional Chinese music underwent tremendous stylistic change in the 20th century is oft en noted in studies of various genres, including Peking (Beijing) opera, instrumental music such as that for the erhu (a bowed string instrument) and the qin (or guqin, the seven-string zither), and in histories of modern Chinese music.For instance, comparing the qin performance styles of the older and younger generations, Huang Yi-…

  • The Ethical Power of Music

    Yuhwen Wang•ARTICLE•Journal of Aesthetic Education•2004

    Both the ancient Chinese and Greeks from around the fifth century B.C. to around third century A.D. recognized the immense impact that music has on the development of one's personality, and both regarded it as crucial in cultivation for the proper disposition in youth. Music's power over one's ethos 1 — that is, human disposition — was emphasized by Plato and by Chinese authors of various documents. 2 As will become clear, music in both cultures …

  • Expressiveness in the Premodern Performance Style of Chinese Music

    Yuhwen Wang•ARTICLE•Asian Music•2010•Cited by: 1•References: 1

    Th at the performance of traditional Chinese music underwent tremendous stylistic change in the 20th century is oft en noted in studies of various genres, including Peking (Beijing) opera, instrumental music such as that for the erhu (a bowed string instrument) and the qin (or guqin, the seven-string zither), and in histories of modern Chinese music.For instance, comparing the qin performance styles of the older and younger generations, Huang Yi-…

  • The Ethical Power of Music

    Yuhwen Wang•ARTICLE•Journal of Aesthetic Education•2004

    Both the ancient Chinese and Greeks from around the fifth century B.C. to around third century A.D. recognized the immense impact that music has on the development of one's personality, and both regarded it as crucial in cultivation for the proper disposition in youth. Music's power over one's ethos 1 — that is, human disposition — was emphasized by Plato and by Chinese authors of various documents. 2 As will become clear, music in both cultures …

  • Expressiveness in the Premodern Performance Style of Chinese Music

    Yuhwen Wang•ARTICLE•Asian Music•2010•Cited by: 1•References: 1

    Th at the performance of traditional Chinese music underwent tremendous stylistic change in the 20th century is oft en noted in studies of various genres, including Peking (Beijing) opera, instrumental music such as that for the erhu (a bowed string instrument) and the qin (or guqin, the seven-string zither), and in histories of modern Chinese music.For instance, comparing the qin performance styles of the older and younger generations, Huang Yi-…

Aesthetics (2 works) · Art (2 works) · Diverse Music Education Insights (2 works) · Literature (2 works) · Asian Culture and Media Studies (1 work) · Chinese history and philosophy (1 work) · Classics (1 work) · Disposition (1 work) · Ethos (1 work) · Greeks (1 work)

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