Hena Maes–jelinek
Biographic Data
| ID | 3585576 |
|---|---|
| NAME | Hena Maes–jelinek |
| GIVEN NAMES | Hena |
| FAMILY NAME | Maes–jelinek |
| SIGNATURE | JELINEK H M |
| AFFILIATIONS | University of Liège |
| VERIFIED | No |
| TOTAL WORKS | 9 |
| TOTAL CITATIONS | 12 |
| AUTHOR COUNT | 9 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1971 |
| LATEST PUBLICATION YEAR | 2006 |
| H-INDEX | 2 |
The Labyrinth of Universality: Wilson Harris’s Visionary Art of Fiction
Wilson Harris, many times nominated for the Nobel Prize in Literature, is a British writer of Guyanese origin, one of the most original novelists and critics of the twentieth century, and probably the first to use and interpret the aesthetically fruitful notion of cross-culturalism. Harris's insights into the profound symbiosis between history, culture and artistic expression were initially inspired by his encounters with Amerindians in the Guyan…
Europe and post-colonial creativity: A metaphysical cross-culturalism
In Shakespeare's The Tempest , the meeting between Prospero and Caliban is an allegory of a Renaissance colonial encounter. Although Prospero emphasizes his gift of language to Caliban, he deems him incapable of ‘nurture’ (cultural progress). After the Second World War, the Barbadian novelist Georges Lamming saw in that gift the possibility of a ‘new departure’, which in the following decades was to modify not only Caliban's prospects but most em…
Theatre of the Arts: Wilson Harris and the Caribbean
Theatre of the Arts: Wilson Harris and the Caribbean
This volume celebrates Wilson Harris’s eightieth birthday and more than fifty years of creative writing. The most original and profound writer of the Caribbean, he has revolutionized the art of fiction and its language. He has himself contributed to this volume, and several Caribbean writers of a younger generation – Cyril Dabydeen, Fred D’Aguiar, Andrew Jefferson-Miles, Mark McWatt, Caryl Phillips, Lawrence Scott – pay tribute here to his genius…
Another future for post‐colonial studies: Wilson Harris’ post‐colonial philosophy and the ‘savage mind‘
peer reviewed
Ulyssean Carnival: Epic Metamorphoses in Wilson Harris's Trilogy
Ulyssean CarnivalEpic Metamorphoses in Wilson Harris’s Trilogy 1 Hena Maes-Jelinek (bio) Had not Masters read to me . . . the story of the Trojan horse that became the seed of an overturned age or frame? - Carnival I had expected him to worm his way into the Rose garden and slay his enemies. But instead the imperial design of the home coming lord and master had been converted into a colonial fable that spun its web in reverse order in the branche…
Last Flight to Byzantium: Memoirs of Many in One
The nature of art and reality and their relation to each other has always been a major preoccupation of artists and acquired a new intensity in the twentieth century with both the certainties and doubts resulting from scientific discoveries and the growth of new disciplines in the humanities, particularly psychology, psychoanalysis and various branches of linguistics. Unlike some of his contemporaries who have taken part in debates on the develop…
Ambivalent Clio: J. M. Coetzee's In The Heart of the Country and Wilson Harris's Carnival 1
peer reviewed
The Myth of El Dorado in the Caribbean Novel
peer reviewed
The Labyrinth of Universality: Wilson Harris’s Visionary Art of Fiction
Wilson Harris, many times nominated for the Nobel Prize in Literature, is a British writer of Guyanese origin, one of the most original novelists and critics of the twentieth century, and probably the first to use and interpret the aesthetically fruitful notion of cross-culturalism. Harris's insights into the profound symbiosis between history, culture and artistic expression were initially inspired by his encounters with Amerindians in the Guyan…
Ulyssean Carnival: Epic Metamorphoses in Wilson Harris's Trilogy
Ulyssean CarnivalEpic Metamorphoses in Wilson Harris’s Trilogy 1 Hena Maes-Jelinek (bio) Had not Masters read to me . . . the story of the Trojan horse that became the seed of an overturned age or frame? - Carnival I had expected him to worm his way into the Rose garden and slay his enemies. But instead the imperial design of the home coming lord and master had been converted into a colonial fable that spun its web in reverse order in the branche…
Ambivalent Clio: J. M. Coetzee's In The Heart of the Country and Wilson Harris's Carnival 1
peer reviewed
Europe and post-colonial creativity: A metaphysical cross-culturalism
In Shakespeare's The Tempest , the meeting between Prospero and Caliban is an allegory of a Renaissance colonial encounter. Although Prospero emphasizes his gift of language to Caliban, he deems him incapable of ‘nurture’ (cultural progress). After the Second World War, the Barbadian novelist Georges Lamming saw in that gift the possibility of a ‘new departure’, which in the following decades was to modify not only Caliban's prospects but most em…
Another future for post‐colonial studies: Wilson Harris’ post‐colonial philosophy and the ‘savage mind‘
peer reviewed
The Myth of El Dorado in the Caribbean Novel
peer reviewed
The Myth of El Dorado in the Caribbean Novel
peer reviewed
Ambivalent Clio: J. M. Coetzee's In The Heart of the Country and Wilson Harris's Carnival 1
peer reviewed
Last Flight to Byzantium: Memoirs of Many in One
The nature of art and reality and their relation to each other has always been a major preoccupation of artists and acquired a new intensity in the twentieth century with both the certainties and doubts resulting from scientific discoveries and the growth of new disciplines in the humanities, particularly psychology, psychoanalysis and various branches of linguistics. Unlike some of his contemporaries who have taken part in debates on the develop…
Ulyssean Carnival: Epic Metamorphoses in Wilson Harris's Trilogy
Ulyssean CarnivalEpic Metamorphoses in Wilson Harris’s Trilogy 1 Hena Maes-Jelinek (bio) Had not Masters read to me . . . the story of the Trojan horse that became the seed of an overturned age or frame? - Carnival I had expected him to worm his way into the Rose garden and slay his enemies. But instead the imperial design of the home coming lord and master had been converted into a colonial fable that spun its web in reverse order in the branche…
Another future for post‐colonial studies: Wilson Harris’ post‐colonial philosophy and the ‘savage mind‘
peer reviewed
Theatre of the Arts: Wilson Harris and the Caribbean
Theatre of the Arts: Wilson Harris and the Caribbean
This volume celebrates Wilson Harris’s eightieth birthday and more than fifty years of creative writing. The most original and profound writer of the Caribbean, he has revolutionized the art of fiction and its language. He has himself contributed to this volume, and several Caribbean writers of a younger generation – Cyril Dabydeen, Fred D’Aguiar, Andrew Jefferson-Miles, Mark McWatt, Caryl Phillips, Lawrence Scott – pay tribute here to his genius…
Europe and post-colonial creativity: A metaphysical cross-culturalism
In Shakespeare's The Tempest , the meeting between Prospero and Caliban is an allegory of a Renaissance colonial encounter. Although Prospero emphasizes his gift of language to Caliban, he deems him incapable of ‘nurture’ (cultural progress). After the Second World War, the Barbadian novelist Georges Lamming saw in that gift the possibility of a ‘new departure’, which in the following decades was to modify not only Caliban's prospects but most em…
The Labyrinth of Universality: Wilson Harris’s Visionary Art of Fiction
Wilson Harris, many times nominated for the Nobel Prize in Literature, is a British writer of Guyanese origin, one of the most original novelists and critics of the twentieth century, and probably the first to use and interpret the aesthetically fruitful notion of cross-culturalism. Harris's insights into the profound symbiosis between history, culture and artistic expression were initially inspired by his encounters with Amerindians in the Guyan…
Art (8 works) · History (7 works) · Literature (7 works) · Art history (5 works) · History (5 works) · Philosophy (5 works) · Philosophy (5 works) · Caribbean history, culture, and politics (4 works) · Epistemology (3 works) · Archaeology (2 works)