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Edward Clough

Biographic Data

ID3586436
NAMEEdward Clough
GIVEN NAMESEdward
FAMILY NAMEClough
SIGNATURECLOUGH E
AFFILIATIONSUniversity of Manchester
VERIFIEDNo
TOTAL WORKS4
TOTAL CITATIONS0
AUTHOR COUNT4
EDITOR COUNT0
FIRST PUBLICATION YEAR2019
LATEST PUBLICATION YEAR2021
H-INDEX0
  • Introduction: Cultures of Protest in American Music

    Edward Clough•ARTICLE•Comparative American Studies An…•2021•References: 3

  • Devil Is Fine, Devil Is Kind: Slave Spirituals, Satanic Black Metal, and Cultural Appropriation in the Music of Zeal & Ardor

    Open Access•Edward Clough•ARTICLE•Comparative American Studies An…•2021•References: 26

    This article explores the relationship between cultural appropriation, musical protest, and African American history, as foregrounded in the music of avant-garde metal band Zeal & Ardor. Under the leadership of mixed-race Swiss-American multi-instrumentalist Manuel Gagneux, the band gained prominence in 2016 for combining the influences of Satanism and Scandinavian black metal with African American spirituals and blues. Such a combination has all…

  • Roundtable

    Open Access•Zalfa Feghali, Ben Offiler et al.•ARTICLE•Journal of American Studies•2020

  • Two Perspectives on Teaching American Studies: The Inaugural Conference

    Edward Clough, Kim Lockwood•ARTICLE•Comparative American Studies An…•2019•References: 2

    University of Warwick, July 8–9, 2019. Cosponsored by the British Association for American Studies (BAAS), the U.S. Embassy London, and the University of Warwick, Department of History.What does it

No prominent works on this page.

  • Two Perspectives on Teaching American Studies: The Inaugural Conference

    Edward Clough, Kim Lockwood•ARTICLE•Comparative American Studies An…•2019•References: 2

    University of Warwick, July 8–9, 2019. Cosponsored by the British Association for American Studies (BAAS), the U.S. Embassy London, and the University of Warwick, Department of History.What does it

  • Roundtable

    Open Access•Zalfa Feghali, Ben Offiler et al.•ARTICLE•Journal of American Studies•2020

  • Introduction: Cultures of Protest in American Music

    Edward Clough•ARTICLE•Comparative American Studies An…•2021•References: 3

  • Devil Is Fine, Devil Is Kind: Slave Spirituals, Satanic Black Metal, and Cultural Appropriation in the Music of Zeal & Ardor

    Open Access•Edward Clough•ARTICLE•Comparative American Studies An…•2021•References: 26

    This article explores the relationship between cultural appropriation, musical protest, and African American history, as foregrounded in the music of avant-garde metal band Zeal & Ardor. Under the leadership of mixed-race Swiss-American multi-instrumentalist Manuel Gagneux, the band gained prominence in 2016 for combining the influences of Satanism and Scandinavian black metal with African American spirituals and blues. Such a combination has all…

Art (3 works) · Political science (3 works) · Sociology (3 works) · Literature (2 works) · Media studies (2 works) · Academic Freedom and Politics (1 works) · Aesthetics (1 works) · American studies (1 works) · Anthropology (1 works) · Appropriation (1 works)

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