Brooks Mcnamara
Biographic Data
| ID | 3586483 |
|---|---|
| NAME | Brooks Mcnamara |
| GIVEN NAMES | Brooks |
| FAMILY NAME | Mcnamara |
| SIGNATURE | MCNAMARA B |
| AFFILIATIONS | Emeritus Professor in the Department of Performance Studies, Tisch School of the Arts/NYU. |
| VERIFIED | No |
| TOTAL WORKS | 24 |
| TOTAL CITATIONS | 5 |
| AUTHOR COUNT | 24 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1967 |
| LATEST PUBLICATION YEAR | 2003 |
| H-INDEX | 1 |
American Theatre: A Chronicle of Comedy and Drama, 1969-2000 (review)
Thomas S. Hischak's American Theatre: A Chronicle of Comedy and Drama, 1969-2000, is essentially what the title implies, though the book makes no attempt [End Page 569] to move outside New York City.In the preface the editor tells us:"All Broadway non- musical productions are included, as well as virtually all Off-Broadway entries and a representative selection of Off-Off-Broadway offerings. Each season (June 1 to May 31) is covered chronological…
Broadway: A Theatre Historian's Perspective
Theatre is a mixed bag of high, low, pop, and media. Scholars pay attention to just about everything—except Broadway. But what is Broadway? A district, a state of mind, a money-making machine, a style of theatre
Inside the Minstrel Mask: Readings in Nineteenth-Century Blackface Minstrelsy
Day of Jubilee: The Great Age of Public Celebrations in New York, 1788- 1909
Journal Article Day of Jubilee: The Great Age of Public Celebrations in New York 1788–1909. By Brooks McNamara. New Brunswick: Rutgers University Press, 1997. xxii, 209 pp. and Celebrating the Fourth: Independence Day and the Rites of Nationalism in the Early Republic. By Len Travers. Amherst: University of Massachusetts Press, 1997. x, 278 pp. Get access Frank Cogliano Frank Cogliano University of Edinburgh, Edinburgh, Scotland Search for other …
Celebrating the Fourth: Independence Day and the Rites of Nationalism in the Early Republic
The Drama Review; Thirty Years of Commentary on the Avant-Garde
Talking
The Medicine Show Log: Reconstructing a Traditional American Entertainment
TDR: Memoirs of the Mouthpiece, 1955-1983
Western Popular Theatre
Theatres, Spaces, Environments: Eighteen Projects
Step Right up: An Illustrated History of the American Medicine Show
Stuart Sherman's Third Spectacle
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
The Scenography of Popular Entertainment
There have been few attempts to seriously examine the architecture and design of traditional popular entertainments. For the most part, popular forms have not been thought to involve a high level of design or systematic organization of performance space. Yet, over the years, there. has emerged a distinctive scenography of popular entertainment. It has borrowed from conventional theatre, festivals, and folk performance. Essentially, however, it co…
Spartakiade
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Vessel: The Scenography of Meredith Monk
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Paterson Strike Pageant
On June 7, 1913, the Industrial Workers of the World presented the Paterson Strike Pageant at Madison Square Garden. It was a powerful and innovative use of the pageant form: On a huge stage, more than 200 feet long and capable of holding more than 1,000 performers, workers from silk factories at Paterson, New Jersey, recreated the central events of their strike, which was led by the IWW. The strike had begun in February. By June, two workers had…
The American Playhouse in the Eighteenth Century
The American Playhouse in the Eighteenth Century
The American Playhouse in the Eighteenth Century
The American Playhouse in the Eighteenth Century
The American Playhouse in the Eighteenth Century
Journal Article The American Playhouse in the Eighteenth Century. By Brooks McNamara. (Cambridge: Harvard University Press, 1969. xviii + 174 pp. Illustrations, notes, and index. $9.95.) Get access Pat M. Ryan Pat M. Ryan State University of New York, Brockport Search for other works by this author on: Oxford Academic Google Scholar Journal of American History, Volume 56, Issue 2, September 1969, Pages 350–351, https://doi.org/10.2307/1908132 Pub…
Scene Design: 1876-1965 Ibsen, Chekhov, Strindberg
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
David Douglass and the Beginnings of American Theater Architecture
Western Popular Theatre
Celebrating the Fourth: Independence Day and the Rites of Nationalism in the Early Republic
Paterson Strike Pageant
On June 7, 1913, the Industrial Workers of the World presented the Paterson Strike Pageant at Madison Square Garden. It was a powerful and innovative use of the pageant form: On a huge stage, more than 200 feet long and capable of holding more than 1,000 performers, workers from silk factories at Paterson, New Jersey, recreated the central events of their strike, which was led by the IWW. The strike had begun in February. By June, two workers had…
The American Playhouse in the Eighteenth Century
Journal Article The American Playhouse in the Eighteenth Century. By Brooks McNamara. (Cambridge: Harvard University Press, 1969. xviii + 174 pp. Illustrations, notes, and index. $9.95.) Get access Pat M. Ryan Pat M. Ryan State University of New York, Brockport Search for other works by this author on: Oxford Academic Google Scholar Journal of American History, Volume 56, Issue 2, September 1969, Pages 350–351, https://doi.org/10.2307/1908132 Pub…
David Douglass and the Beginnings of American Theater Architecture
Scene Design: 1876-1965 Ibsen, Chekhov, Strindberg
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
The American Playhouse in the Eighteenth Century
The American Playhouse in the Eighteenth Century
The American Playhouse in the Eighteenth Century
Journal Article The American Playhouse in the Eighteenth Century. By Brooks McNamara. (Cambridge: Harvard University Press, 1969. xviii + 174 pp. Illustrations, notes, and index. $9.95.) Get access Pat M. Ryan Pat M. Ryan State University of New York, Brockport Search for other works by this author on: Oxford Academic Google Scholar Journal of American History, Volume 56, Issue 2, September 1969, Pages 350–351, https://doi.org/10.2307/1908132 Pub…
The American Playhouse in the Eighteenth Century
The American Playhouse in the Eighteenth Century
Paterson Strike Pageant
On June 7, 1913, the Industrial Workers of the World presented the Paterson Strike Pageant at Madison Square Garden. It was a powerful and innovative use of the pageant form: On a huge stage, more than 200 feet long and capable of holding more than 1,000 performers, workers from silk factories at Paterson, New Jersey, recreated the central events of their strike, which was led by the IWW. The strike had begun in February. By June, two workers had…
Vessel: The Scenography of Meredith Monk
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Spartakiade
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
The Scenography of Popular Entertainment
There have been few attempts to seriously examine the architecture and design of traditional popular entertainments. For the most part, popular forms have not been thought to involve a high level of design or systematic organization of performance space. Yet, over the years, there. has emerged a distinctive scenography of popular entertainment. It has borrowed from conventional theatre, festivals, and folk performance. Essentially, however, it co…
Stuart Sherman's Third Spectacle
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Theatres, Spaces, Environments: Eighteen Projects
Step Right up: An Illustrated History of the American Medicine Show
Western Popular Theatre
TDR: Memoirs of the Mouthpiece, 1955-1983
The Medicine Show Log: Reconstructing a Traditional American Entertainment
The Drama Review; Thirty Years of Commentary on the Avant-Garde
Talking
Celebrating the Fourth: Independence Day and the Rites of Nationalism in the Early Republic
Day of Jubilee: The Great Age of Public Celebrations in New York, 1788- 1909
Journal Article Day of Jubilee: The Great Age of Public Celebrations in New York 1788–1909. By Brooks McNamara. New Brunswick: Rutgers University Press, 1997. xxii, 209 pp. and Celebrating the Fourth: Independence Day and the Rites of Nationalism in the Early Republic. By Len Travers. Amherst: University of Massachusetts Press, 1997. x, 278 pp. Get access Frank Cogliano Frank Cogliano University of Edinburgh, Edinburgh, Scotland Search for other …
Broadway: A Theatre Historian's Perspective
Theatre is a mixed bag of high, low, pop, and media. Scholars pay attention to just about everything—except Broadway. But what is Broadway? A district, a state of mind, a money-making machine, a style of theatre
Inside the Minstrel Mask: Readings in Nineteenth-Century Blackface Minstrelsy
American Theatre: A Chronicle of Comedy and Drama, 1969-2000 (review)
Thomas S. Hischak's American Theatre: A Chronicle of Comedy and Drama, 1969-2000, is essentially what the title implies, though the book makes no attempt [End Page 569] to move outside New York City.In the preface the editor tells us:"All Broadway non- musical productions are included, as well as virtually all Off-Broadway entries and a representative selection of Off-Off-Broadway offerings. Each season (June 1 to May 31) is covered chronological…
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