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Brooks Mcnamara

Biographic Data

ID3586483
NAMEBrooks Mcnamara
GIVEN NAMESBrooks
FAMILY NAMEMcnamara
SIGNATUREMCNAMARA B
AFFILIATIONSEmeritus Professor in the Department of Performance Studies, Tisch School of the Arts/NYU.
VERIFIEDNo
TOTAL WORKS24
TOTAL CITATIONS5
AUTHOR COUNT24
EDITOR COUNT0
FIRST PUBLICATION YEAR1967
LATEST PUBLICATION YEAR2003
H-INDEX1
  • American Theatre: A Chronicle of Comedy and Drama, 1969-2000 (review)

    Brooks Mcnamara•ARTICLE•Theatre Journal•2003

    Thomas S. Hischak's American Theatre: A Chronicle of Comedy and Drama, 1969-2000, is essentially what the title implies, though the book makes no attempt [End Page 569] to move outside New York City.In the preface the editor tells us:"All Broadway non- musical productions are included, as well as virtually all Off-Broadway entries and a representative selection of Off-Off-Broadway offerings. Each season (June 1 to May 31) is covered chronological…

  • Broadway: A Theatre Historian's Perspective

    Brooks Mcnamara•ARTICLE•TDR/The Drama Review•2001

    Theatre is a mixed bag of high, low, pop, and media. Scholars pay attention to just about everything—except Broadway. But what is Broadway? A district, a state of mind, a money-making machine, a style of theatre

  • Inside the Minstrel Mask: Readings in Nineteenth-Century Blackface Minstrelsy

    John Dougan, Annemarie Bean et al.•ARTICLE•American Music•2001

  • Day of Jubilee: The Great Age of Public Celebrations in New York, 1788- 1909

    Frank Cogliano, Brooks Mcnamara et al.•ARTICLE•Journal of American History•1998

    Journal Article Day of Jubilee: The Great Age of Public Celebrations in New York 1788–1909. By Brooks McNamara. New Brunswick: Rutgers University Press, 1997. xxii, 209 pp. and Celebrating the Fourth: Independence Day and the Rites of Nationalism in the Early Republic. By Len Travers. Amherst: University of Massachusetts Press, 1997. x, 278 pp. Get access Frank Cogliano Frank Cogliano University of Edinburgh, Edinburgh, Scotland Search for other …

  • Celebrating the Fourth: Independence Day and the Rites of Nationalism in the Early Republic

    Joshua Lupkin, Len Travers et al.•ARTICLE•Journal of the Early Republic•1997•Cited by: 1

  • The Drama Review; Thirty Years of Commentary on the Avant-Garde

    Christopher Baugh, Brooks Mcnamara et al.•ARTICLE•Dance Research•1987

  • Talking

    Brooks Mcnamara•ARTICLE•The Drama Review TDR•1987

  • The Medicine Show Log: Reconstructing a Traditional American Entertainment

    Brooks Mcnamara•ARTICLE•The Drama Review TDR•1984

  • TDR: Memoirs of the Mouthpiece, 1955-1983

    Brooks Mcnamara•ARTICLE•The Drama Review TDR•1983

  • Western Popular Theatre

    Brooks Mcnamara, Danila Mayer et al.•ARTICLE•Theatre Journal•1979•Cited by: 2

  • Theatres, Spaces, Environments: Eighteen Projects

    Carol Rosen, Brooks Mcnamara et al.•ARTICLE•Performing Arts Journal•1977

  • Step Right up: An Illustrated History of the American Medicine Show

    Bonnie Marranca, Bonnie G Marranca et al.•ARTICLE•Performing Arts Journal•1977

  • Stuart Sherman's Third Spectacle

    Open Access•Brooks Mcnamara•ARTICLE•The Drama Review TDR•1976

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • The Scenography of Popular Entertainment

    Open Access•Brooks Mcnamara•ARTICLE•The Drama Review TDR•1974

    There have been few attempts to seriously examine the architecture and design of traditional popular entertainments. For the most part, popular forms have not been thought to involve a high level of design or systematic organization of performance space. Yet, over the years, there. has emerged a distinctive scenography of popular entertainment. It has borrowed from conventional theatre, festivals, and folk performance. Essentially, however, it co…

  • Spartakiade

    Open Access•John E Bonn, Nathaniel Buchwald et al.•ARTICLE•The Drama Review TDR•1973

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Vessel: The Scenography of Meredith Monk

    Open Access•Brooks Mcnamara•ARTICLE•The Drama Review TDR•1972

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Paterson Strike Pageant

    Open Access•Brooks Mcnamara, Jessie Ashley et al.•ARTICLE•The Drama Review TDR•1971•Cited by: 1

    On June 7, 1913, the Industrial Workers of the World presented the Paterson Strike Pageant at Madison Square Garden. It was a powerful and innovative use of the pageant form: On a huge stage, more than 200 feet long and capable of holding more than 1,000 performers, workers from silk factories at Paterson, New Jersey, recreated the central events of their strike, which was led by the IWW. The strike had begun in February. By June, two workers had…

  • The American Playhouse in the Eighteenth Century

    Open Access•Donald N Koster, Brooks Mcnamara•ARTICLE•American Quarterly•1970

  • The American Playhouse in the Eighteenth Century

    Julian Mates, Brooks Mcnamara•ARTICLE•The William and Mary Quarterly•1970

  • The American Playhouse in the Eighteenth Century

    George H Quinby, Brooks Mcnamara•ARTICLE•The New England Quarterly•1969

  • The American Playhouse in the Eighteenth Century

    Earle W Newton, Brooks Mcnamara et al.•ARTICLE•The Journal of Southern History•1969

  • The American Playhouse in the Eighteenth Century

    Pat M Ryan, Brooks Mcnamara•ARTICLE•Journal of American History•1969•Cited by: 1

    Journal Article The American Playhouse in the Eighteenth Century. By Brooks McNamara. (Cambridge: Harvard University Press, 1969. xviii + 174 pp. Illustrations, notes, and index. $9.95.) Get access Pat M. Ryan Pat M. Ryan State University of New York, Brockport Search for other works by this author on: Oxford Academic Google Scholar Journal of American History, Volume 56, Issue 2, September 1969, Pages 350–351, https://doi.org/10.2307/1908132 Pub…

  • Scene Design: 1876-1965 Ibsen, Chekhov, Strindberg

    Open Access•Brooks Mcnamara•ARTICLE•The Drama Review TDR•1968

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • David Douglass and the Beginnings of American Theater Architecture

    Brooks Mcnamara•ARTICLE•Winterthur Portfolio•1967

  • Western Popular Theatre

    Brooks Mcnamara, Danila Mayer et al.•ARTICLE•Theatre Journal•1979•Cited by: 2

  • Celebrating the Fourth: Independence Day and the Rites of Nationalism in the Early Republic

    Joshua Lupkin, Len Travers et al.•ARTICLE•Journal of the Early Republic•1997•Cited by: 1

  • Paterson Strike Pageant

    Open Access•Brooks Mcnamara, Jessie Ashley et al.•ARTICLE•The Drama Review TDR•1971•Cited by: 1

    On June 7, 1913, the Industrial Workers of the World presented the Paterson Strike Pageant at Madison Square Garden. It was a powerful and innovative use of the pageant form: On a huge stage, more than 200 feet long and capable of holding more than 1,000 performers, workers from silk factories at Paterson, New Jersey, recreated the central events of their strike, which was led by the IWW. The strike had begun in February. By June, two workers had…

  • The American Playhouse in the Eighteenth Century

    Pat M Ryan, Brooks Mcnamara•ARTICLE•Journal of American History•1969•Cited by: 1

    Journal Article The American Playhouse in the Eighteenth Century. By Brooks McNamara. (Cambridge: Harvard University Press, 1969. xviii + 174 pp. Illustrations, notes, and index. $9.95.) Get access Pat M. Ryan Pat M. Ryan State University of New York, Brockport Search for other works by this author on: Oxford Academic Google Scholar Journal of American History, Volume 56, Issue 2, September 1969, Pages 350–351, https://doi.org/10.2307/1908132 Pub…

  • David Douglass and the Beginnings of American Theater Architecture

    Brooks Mcnamara•ARTICLE•Winterthur Portfolio•1967

  • Scene Design: 1876-1965 Ibsen, Chekhov, Strindberg

    Open Access•Brooks Mcnamara•ARTICLE•The Drama Review TDR•1968

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • The American Playhouse in the Eighteenth Century

    George H Quinby, Brooks Mcnamara•ARTICLE•The New England Quarterly•1969

  • The American Playhouse in the Eighteenth Century

    Earle W Newton, Brooks Mcnamara et al.•ARTICLE•The Journal of Southern History•1969

  • The American Playhouse in the Eighteenth Century

    Pat M Ryan, Brooks Mcnamara•ARTICLE•Journal of American History•1969•Cited by: 1

    Journal Article The American Playhouse in the Eighteenth Century. By Brooks McNamara. (Cambridge: Harvard University Press, 1969. xviii + 174 pp. Illustrations, notes, and index. $9.95.) Get access Pat M. Ryan Pat M. Ryan State University of New York, Brockport Search for other works by this author on: Oxford Academic Google Scholar Journal of American History, Volume 56, Issue 2, September 1969, Pages 350–351, https://doi.org/10.2307/1908132 Pub…

  • The American Playhouse in the Eighteenth Century

    Open Access•Donald N Koster, Brooks Mcnamara•ARTICLE•American Quarterly•1970

  • The American Playhouse in the Eighteenth Century

    Julian Mates, Brooks Mcnamara•ARTICLE•The William and Mary Quarterly•1970

  • Paterson Strike Pageant

    Open Access•Brooks Mcnamara, Jessie Ashley et al.•ARTICLE•The Drama Review TDR•1971•Cited by: 1

    On June 7, 1913, the Industrial Workers of the World presented the Paterson Strike Pageant at Madison Square Garden. It was a powerful and innovative use of the pageant form: On a huge stage, more than 200 feet long and capable of holding more than 1,000 performers, workers from silk factories at Paterson, New Jersey, recreated the central events of their strike, which was led by the IWW. The strike had begun in February. By June, two workers had…

  • Vessel: The Scenography of Meredith Monk

    Open Access•Brooks Mcnamara•ARTICLE•The Drama Review TDR•1972

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Spartakiade

    Open Access•John E Bonn, Nathaniel Buchwald et al.•ARTICLE•The Drama Review TDR•1973

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • The Scenography of Popular Entertainment

    Open Access•Brooks Mcnamara•ARTICLE•The Drama Review TDR•1974

    There have been few attempts to seriously examine the architecture and design of traditional popular entertainments. For the most part, popular forms have not been thought to involve a high level of design or systematic organization of performance space. Yet, over the years, there. has emerged a distinctive scenography of popular entertainment. It has borrowed from conventional theatre, festivals, and folk performance. Essentially, however, it co…

  • Stuart Sherman's Third Spectacle

    Open Access•Brooks Mcnamara•ARTICLE•The Drama Review TDR•1976

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Theatres, Spaces, Environments: Eighteen Projects

    Carol Rosen, Brooks Mcnamara et al.•ARTICLE•Performing Arts Journal•1977

  • Step Right up: An Illustrated History of the American Medicine Show

    Bonnie Marranca, Bonnie G Marranca et al.•ARTICLE•Performing Arts Journal•1977

  • Western Popular Theatre

    Brooks Mcnamara, Danila Mayer et al.•ARTICLE•Theatre Journal•1979•Cited by: 2

  • TDR: Memoirs of the Mouthpiece, 1955-1983

    Brooks Mcnamara•ARTICLE•The Drama Review TDR•1983

  • The Medicine Show Log: Reconstructing a Traditional American Entertainment

    Brooks Mcnamara•ARTICLE•The Drama Review TDR•1984

  • The Drama Review; Thirty Years of Commentary on the Avant-Garde

    Christopher Baugh, Brooks Mcnamara et al.•ARTICLE•Dance Research•1987

  • Talking

    Brooks Mcnamara•ARTICLE•The Drama Review TDR•1987

  • Celebrating the Fourth: Independence Day and the Rites of Nationalism in the Early Republic

    Joshua Lupkin, Len Travers et al.•ARTICLE•Journal of the Early Republic•1997•Cited by: 1

  • Day of Jubilee: The Great Age of Public Celebrations in New York, 1788- 1909

    Frank Cogliano, Brooks Mcnamara et al.•ARTICLE•Journal of American History•1998

    Journal Article Day of Jubilee: The Great Age of Public Celebrations in New York 1788–1909. By Brooks McNamara. New Brunswick: Rutgers University Press, 1997. xxii, 209 pp. and Celebrating the Fourth: Independence Day and the Rites of Nationalism in the Early Republic. By Len Travers. Amherst: University of Massachusetts Press, 1997. x, 278 pp. Get access Frank Cogliano Frank Cogliano University of Edinburgh, Edinburgh, Scotland Search for other …

  • Broadway: A Theatre Historian's Perspective

    Brooks Mcnamara•ARTICLE•TDR/The Drama Review•2001

    Theatre is a mixed bag of high, low, pop, and media. Scholars pay attention to just about everything—except Broadway. But what is Broadway? A district, a state of mind, a money-making machine, a style of theatre

  • Inside the Minstrel Mask: Readings in Nineteenth-Century Blackface Minstrelsy

    John Dougan, Annemarie Bean et al.•ARTICLE•American Music•2001

  • American Theatre: A Chronicle of Comedy and Drama, 1969-2000 (review)

    Brooks Mcnamara•ARTICLE•Theatre Journal•2003

    Thomas S. Hischak's American Theatre: A Chronicle of Comedy and Drama, 1969-2000, is essentially what the title implies, though the book makes no attempt [End Page 569] to move outside New York City.In the preface the editor tells us:"All Broadway non- musical productions are included, as well as virtually all Off-Broadway entries and a representative selection of Off-Off-Broadway offerings. Each season (June 1 to May 31) is covered chronological…

Art (15 works) · History (12 works) · Theatre and Performance Studies (11 works) · History (10 works) · Art history (8 works) · Computer Science (7 works) · Theater, Performance, and Music History (7 works) · Visual arts (7 works) · Literature (5 works) · Political science (5 works)

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